Electronic Literature, Chapter 2: Combinatory Poetics
This research collection includes references from the second chapter of Electronic Literature by Scott Rettberg (Polity, 2018) on Combinatory Poetics. Computer programs access and present data, whether internal to the program and provided by external sources and user input, and then through algorithmic processes, modify or substitute the data presented by the system. It is in this procedural substitution of data, and of language, that computation is most concretely connected to combinatory poetics in experimental writing traditions such as Dada, Surrealism, and Oulipo. This chapter of Electronic Literature considers how elements of chance and procedurality served as the foundation for combinatory and generative art and literature. Combinatory poetics emerged in twentieth-century avant-garde movements, further developed in poetry generators in the early history of computing and remains today an essential mode of practice in electronic literature.
People:
Name | Residency |
---|---|
Alison Knowles |
New York
, NY
United States
New York US
|
Allison Parrish |
New York
, NY
United States
New York US
|
Amaranth Borsuk | |
Aya Natalia Karpinska |
New York
United States
US
|
Brian Lennon |
PA
United States
Pennsylvania US
|
Brion Gysin | |
Christopher Strachey |
United Kingdom
GB
|
Daniel C. Howe |
Hong Kong
Hong Kong S.A.R., China
HK
|
David Jhave Johnston |
Montreal
, QC
Canada
Quebec CA
|
Eric Snodgrass |
Sweden
SE
|
Erica T. Carter | |
Everest Pipkin |
Austin
, TX
United States
Texas US
|
George Maciunas | |
Georges Perec | |
Håkan Jonson |
Stockholm
Sweden
SE
|
Hugh Kenner | |
Ian Hatcher |
New York
United States
US
|
J. R. Carpenter |
United Kingdom
GB
|
Jacob Harris | |
James Tenney |
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Creative works:
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Critical Writing:
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Organizations:
Name | Location |
---|---|
ALAMO |
Paris
France
See map: Google Maps
FR
|
Fluxus | |
OULIPO |
Paris
France
See map: Google Maps
FR
|