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Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness

Critical Writing
Author: 
Roy Ascott
Publication Type: 
Book (collection)
Language: 
English
Editor: 
Edward A. Shanken
Year: 
2003
Publisher: 
University of California Press
Record Status: 
Incomplete record (stub)

Critical writing that references this:

Title Author Publisher Year
Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations Roberto Simanowski University of Minnesota Press 2011
Reading Digits – Haptic Reading Processes in the Experience of Digital Literary Works Diogo Marques 2018
The Computational Sublime in Nick Montfort's ‘Round’ and ‘All the Names of God’ Mario Aquilina CounterText 2015

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The permanent URL of this page: 

https://elmcip.net/node/10063

Record posted by: 
Scott Rettberg
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