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Subject-making and aesthetics of data practices
Olga Goriunova
Appropriationist practices and subjectivation / desubjectivation processes: some productions of Argentine digital literature in times of algorithmic governance
Fernanda Mugica
We Are Fragmented
Amira Hanafi
To the Lighthouse
Virginia Woolf
Poetracking
Baptiste Ingrand
,
Florine Morestin
,
Jorge Andrés Gómez
Un Cuarto propio conectado : (ciber)espacio y (auto)gestión del yo
Remedios Zafra
The Broken Mirror: Paradigms of Subjectivity in Digital Writing and Informatic Culture
Andrew Klobucar
Writing Organism: CAPTCHA as a paradigm of *literary* digital textuality
Sandy Baldwin
The Gothic in Contemporary Interactive Fictions
Van Leavenworth
Beautopia
Laura Sullivan
New Forms of Subjectivity? Writing and Corporeality in Australian New Media Art
Anna Gibbs
,
Maria Angel
Logging In
Sandy Baldwin
Re-reading the Digital: An Inquiry Through Practice
Penny Florence
My Nervous Breakdown
Alan Bigelow
The Digital Subject: Questioning Hypermnesia
(Techno)dispositifs in Contemporary Art Practice: Fifty-year Theater Performance Noordung 1995-2045 by Dragan Živadinov
Bojan Anđelković
Between Page and Screen: Remaking Literature Through Cinema and Cyberspace
Narrative Subjects Meet Their Limits: John Barth's "Click" and the Remediation of Hypertext
Laura Shackelford
Flickering Connectivities in Shelley Jackson's Patchwork Girl: The Importance of Media-Specific Analysis
N. Katherine Hayles
What's on your mind? Status Updates, Friend Suggestions And Data Mining
Renée Turner
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