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""Flows Dream / Shapes Hold": Tijdsgebondenheid, Overwriting, en Remixen in Generatieve Dichtkunst Hannah Ackermans
The New Apparatus of Influence: Material Modernism in the Digital Age James O’Sullivan
Editing the Interface: Textual Studies and First Generation Digital Objects Matthew G. Kirschenbaum
O Experimentalismo como Invenção, Transgressão e Metamorfose: A PO.EX Revisitada Através de Rui Torres, Álvaro Seiça
The CounterText Interview: Stephanie Strickland Stephanie Strickland, Mario Aquilina, Ivan Callus
Joined at the Hip: Simone Weil, Quentin Meillassoux Stephanie Strickland
Repurposing and Fitting the Pattern Christine Wilks
Narrative Affect in William Gillespie's Keyhole Factory and Morpheus: Biblionaut, or, Post-Digital Fiction for the Programming Era Eric Dean Rasmussen
Textual 'You' and double deixis in Edna O'Brien's A Pagan Place David Herman
Too Many Notes: Computers, Complexity and Culture in Voyager George Lewis
The Computational Sublime in Nick Montfort's ‘Round’ and ‘All the Names of God’ Mario Aquilina
Radio Silence J. R. Carpenter
The Crack in the Electric Window Charles Acland
Another Kind of Global English Rita Raley
Shuffling the Sjuzhet in Marc Saporta's Composition No. 1 Courtney A. Pfahl
Rhetorics of Surface and Depth in Digital Poetry Anna Katharina Schaffner, Andrew Michael Roberts
Story Generation After Tale-Spin Natalie Dehn
Poet and Program Robin Shirley
Word-Mixer: Computer Assistant for Creative Thinking D. V. Lyubich
Infopoesia ou Poesia Informacional E. M. de Melo e Castro
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