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Grasp All, Lose All: Loss of Grasp and Non-Functional Digital Interfaces in Electronic Literature
Diogo Marques
The Endgame or a Wake?: Tropes of Circularity in Literature Then and Now
Diogo Marques
"Flows Dream / Shapes Hold": Tijdsgebondenheid, Overwriting, en Remixen in Generatieve Dichtkunst
Hannah Ackermans
The New Apparatus of Influence: Material Modernism in the Digital Age
James O’Sullivan
Editing the Interface: Textual Studies and First Generation Digital Objects
Matthew G. Kirschenbaum
O Experimentalismo como Invenção, Transgressão e Metamorfose: A PO.EX Revisitada Através de Po-ex.net
Rui Torres
,
Álvaro Seiça
The CounterText Interview: Stephanie Strickland
Stephanie Strickland
,
Mario Aquilina
,
Ivan Callus
Joined at the Hip: Simone Weil, Quentin Meillassoux
Stephanie Strickland
Repurposing and Fitting the Pattern
Christine Wilks
Narrative Affect in William Gillespie's Keyhole Factory and Morpheus: Biblionaut, or, Post-Digital Fiction for the Programming Era
Eric Dean Rasmussen
Textual 'You' and double deixis in Edna O'Brien's A Pagan Place
David Herman
Too Many Notes: Computers, Complexity and Culture in Voyager
George Lewis
The Computational Sublime in Nick Montfort's ‘Round’ and ‘All the Names of God’
Mario Aquilina
Radio Silence
J. R. Carpenter
The Crack in the Electric Window
Charles Acland
Another Kind of Global English
Rita Raley
Shuffling the Sjuzhet in Marc Saporta's Composition No. 1
Courtney A. Pfahl
Rhetorics of Surface and Depth in Digital Poetry
Anna Katharina Schaffner
,
Andrew Michael Roberts
Story Generation After Tale-Spin
Natalie Dehn
Poet and Program
Robin Shirley
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