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Hyperrhiz 17: ELO 2016 Next Horizons
Keynote talks, essays and gallery works featured at Electronic Literature Organization Conference & Media Arts Festival, June 10-12 2016, Victoria B.C. Introduction by Dene Grigar.
Helen Burgess - 27.09.2017 - 17:59
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Hyperrhiz 12: Mapping Culture Multimodally
Hyperrhiz 12: Mapping Culture Multimodally
Helen Burgess - 27.09.2017 - 21:28
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Hyperrhiz 13: Kits, Plans, Schematics
Hyperrhiz 13: Kits, Plans, Schematics
Helen Burgess - 27.09.2017 - 21:32
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frAme, Issue 1
frAme, Issue 1
Scott Rettberg - 13.08.2018 - 20:36
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OEI #80–81: The zero alternative: Ernesto de Sousa and some other aesthetic operators in Portuguese art and poetry from the 1960s onwards
OEI #80–81: The zero alternative: Ernesto de Sousa and some other aesthetic operators in Portuguese art and poetry from the 1960s onwards
Alvaro Seica - 20.09.2018 - 11:18
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Electronic Literature [Frame]works for the Creative Digital Humanities
“Electronic Literature [Frame]works for the Creative Digital Humanities,” edited by Scott Rettberg and Alex Saum-Pascual, gathers a selection of articles exploring the evolving relationship between electronic literature and the digital humanities in Europe, North and South America. Looking at the combination of practices and methodologies that come about through e-lit’s production, study, and dissemination, these articles explore the disruptive potential of electronic literature to decenter and complement the DH field. Creativity is central and found at all levels and spheres of e-lit, but as the articles in this gathering show, there is a need to redeploy creative practice critically to address the increasing instrumentalization of the digital humanities and to turn the digital humanities towards the digital cultures of the present.
Alvaro Seica - 07.09.2020 - 00:44
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Online Literature in China: Present Situation and Theoretical Reflections
Research on culture and literature from the perspective of the media has been a hot topic among Chinese scholars in recent years. In this special issue, the relevant authors organize and analyze major issues in online literature, including understanding media culture, cyber technology and the characteristics of literature, defining online literature, online writing and online text. We hope to provide, to the best of our capacity, cultural interpretation and theoretical reference for the healthy growth and sustainable development of online literature and to serve as a modest stimulus for academic inheritance and innovation with regard to the theory and criticism of online literature.
(Source: last paragraph of introduction to special issue.)
Jill Walker Rettberg - 18.09.2020 - 10:08
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The New River (Spring 2020)
The New River (Spring 2020)
Scott Rettberg - 02.10.2020 - 14:31
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The New River (Fall 2019)
The New River (Fall 2019)
Lucila Mayol Pohl - 09.10.2020 - 10:55
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Taper #5: Pent Up
Each issue of Taper is edited by a collective. Editing and production is done in coordination with The Trope Tank at MIT, a laboratory directed by Bad Quarto proprietor and publisher Nick Montfort. Taper is not officially associated with MIT or hosted on an MIT server, however.
For the fifth issue, the editorial collective consisted of Kyle Booten, Angela Chang, Leonardo Flores, Judy Heflin, and Milton Läufer.
A constraint was established: the core part of each poem—the HTML on the page after the header—could be no more than a tiny 2KB (2048 bytes). Members of the editorial collective recused themselves from discussion of their own submissions. The collective works independently of the publisher to make selections. We thank Sebastian Bartlett for his help in managing the template.
The work in this fifth issue is written in HTML5, using ES6. It has been tested and found to work properly on current Firefox and Chrome/Chromium browsers across current platforms, as well as on Mac OS X Safari; everything does not work on Edge and iOS Safari.
Scott Rettberg - 16.10.2020 - 16:10
