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Alessandro Ludovico
Alessandro Ludovico is a media critic and editor in chief of Neural magazine (www.neural.it) since 1993. He is one of the founders of Mag.Net, an organization for electronic cultural publishing and served as an advisor for the magazine project of Documenta 12. He teaches at the Academy of Art in Carrara and has been a fellow in the research program Communication in a Digital Age of the Piet Zwart Institute and Willem de Kooning Academie (now research center Creating 010 of Hogeschool Rotterdam).
(Source: www.protoptyingfutures.net)
Eric Dean Rasmussen - 22.05.2012 - 14:57
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Amaranth Borsuk
A poet and scholar, Amaranth Borsuk’s work focuses on textual materiality—from the surface of the page to the surface of language.
She is the author of a book of poems,Handiwork, selected by Paul Hoover for the 2011 Slope Editions Poetry Prize (forthcoming, January 2012), a chapbook, Tonal Saw (The Song Cave, 2010), and, with Brad Bouse, the hybrid digital/print artist’s book Between Page and Screen (forthcoming, Siglio Press). She is the 2011 recipient of the Gulf Coast Poetry Prize for “A New Vessel,” selected by Ilya Kaminsky, and her poems, essays, and reviews have appeared widely in print and online.
Eric Dean Rasmussen - 06.06.2012 - 10:02
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Jonathan Baillehache
Jonathan Baillehache is assistant professor of French at the University of Georgia. He completed his PhD in Comparative and French literature at Université Paris 8 and Rutgers University, with a dissertation on the translation and digitization of Russian poetry. He has translated from Russian the poets Victor Sosnora, Alexander Skidan, Vladimir Majakovskij and Ilja Zdanevich for various journals.
Eric Dean Rasmussen - 12.06.2012 - 15:26
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Simon Penny
Simon Penny is an Australian practitioner in the fields of Digital Cultural Practices, Embodied
Mauro Carassai - 13.06.2012 - 18:03
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Jacob Garbe
Jacob Garbe
Eric Dean Rasmussen - 14.06.2012 - 15:10
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Jeanne M. Hamming
Jeanne Hamming is Associate Professor of English at Centenary College of Louisiana. Her specialties include multimedia writing, ecology studies, and science fiction.
Helen Burgess - 20.06.2012 - 18:52
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Jichen Zhu
Jichen Zhu is an assistant professor of Digital Media in School of Visual Arts and Design, at the University of Central Florida. She is also the director of the Procedural Expression Lab. Her work focuses on developing humanistic and interpretive theoretical framework of computational technology, particularly artificial intelligence (AI), and constructing AI-based cultural artifacts. Her current research areas include digital humanities, software studies, computational narrative, and serious games.
Jichen Zhu received a Ph.D. in Digital Media from Georgia Tech, under the advisement of Dr. D. Fox Harrell. She also holds a MS in Computer Science from Georgia Tech, and a Master of Entertainment Technology from Carnegie Mellon University.
Eric Dean Rasmussen - 22.06.2012 - 12:20
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Ruth Catlow
Ruth is an artist and co-founder and co-director of Furtherfield an online community for art, technology and social change and a gallery (formerly HTTP) in the heart of Finsbury Park, North London. She works with artists, curators, musicians, programmers, writers, activists and thinkers from around the world. She is currently developing the artistic programme and organisational infrastructure with a focus on Media Art Ecologies, aspiring to engender shared visions and infrastructures for other possible worlds.
Ruth has worked in Higher Education for over 15 years. She is Head of School at Writtle School of Design (WSD) developing Art and Design in land-based contexts. She is working with other disciplines within the college and with local, national and international partners. WSD is in the top four Art and Design institutions nationally- Guardian University Guide 2012.
Elisabeth Nesheim - 16.08.2012 - 16:30
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Katarzyna Giełżyńska
Motion grafik (w czeskiej telewizji), twórca animacji, montażystka, reżyserka telewizyjna. Interesuje ją szeroko rozumiana kultura duchowa, wszystkie muzy.
Patricia Tomaszek - 04.10.2012 - 16:17
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Media Archaeology Lab
The motto of this lab is that “the past must be lived so that the present can be seen.” Nearly all digital media labs are conceived of as a place for experimental research using the most up-to-date, cutting-edge tools available; however, the MAL (previously called the AML, or Archeological Media Lab)—which is, as far as we know, the first of its kind in North America—is a place for cross-disciplinary experimental research and teaching using the tools, the software and platforms, from the past. The MAL, then, is propelled equally by the need to maintain access to early works of electronic literature (and note too that, given how quickly technology changes, sometimes an “early work of electronic literature” may have been created as recent as 2001 and is similarly no longer viewable on current platforms) and by the need to archive and maintain the computers these works were created on.
Patricia Tomaszek - 06.10.2012 - 10:56
