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Formalisation d’un modèle fonctionnel de communication à l’aide des technologies numériques appliqué à la création poétique
This work develops a theoretical model of the communication which is established in e-poetry between an author and a reader by use of two computers. One is used to create the work and the other to read it. The files are transmitted with a CDROM.
We make first a diachronic study of the field. It shows that conceptions gradually evolve. The study of visual forms shows that the mind representation of the system made by the actors are important in this communication.
The model of linked text is purposed. The concept of text depends upon the global representation of the situation for each actor. This model is developed in cognitive and semiotic approaches. The notions of texte-à-voir, texte-écrit and texte-lu are introduced.
Scott Rettberg - 28.06.2013 - 17:02
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Digital Poesi. Æstetisk Analyse og det Mediales Rolle i Kunstværkers Kommunikation
ENGLISH SUMMARY Digital Poetry: Aesthetic analysis and the role ofmediality in the communication of artwork Digital poetry (language-based digital art) is a global, interdisciplinary movement consisting of poets, artists and programmers who study and develop opportunities for programmed writing. Digital poetry combines writing with animation, images and sound. There are moving letters, interaction and autogenerative programming. Some digital poems also consist of actual programming code. Digital poetry can be colourful, expressive, technologically advanced, organic, delicate and minimalistic. The thesis consists of analyses of selected examples of digital poetry and investigates, discusses and demonstrates how digital poetry can be analysed. This results in a wide range of theoretical issues concerning genre and intermediality, media philosophical questions regarding technologies of writing and issues related to programming, materiality, temporality and agency. The thesis is a methodological reflection on which concepts should be applied and what new set of questions should be asked in the analysis of digital poetry and contemporary digital art in a broader sense.
Patricia Tomaszek - 28.06.2013 - 17:21
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A Ciberliteratura: Criação Literária e Computador
A Ciberliteratura: Criação Literária e Computador
Alvaro Seica - 23.08.2013 - 15:11
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Scripting Reading Motions: The Codex and the Computer as Self-Reflexive Machines
In Scripting Reading Motions, Manuel Portela explores the expressive use of book forms and programmable media in experimental works of both print and electronic literature and finds a self-conscious play with the dynamics of reading and writing. Portela examines a series of print and digital works by Johanna Drucker, Mark Z. Danielewski, Rui Torres, Jim Andrews, and others, for the insights they yield about the semiotic and interpretive actions through which readers produce meaning when interacting with codes. Analyzing these works as embodiments and simulations of the motions of reading, Portela pays particular attention to the ways in which awareness of eye movements and haptic interactions in both print and electronic media feeds back onto the material and semantic layers of the works. These feedbacks, he argues, sustain self-reflexive loops that link the body of the reader to the embodied work. Readers’ haptic actions and eye movements coinstantiate the object that they are reading.
Alvaro Seica - 27.08.2013 - 15:55
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The Rematerialization of Poetry: From the Bookbound to the Digital
My dissertation "The Rematerialization of Poetry: Space, Time and the Body from the Bookbound to the Digital" is a deep-reaching account of what digital poetry is, what it does; it presents the reader with a historically and theoretically-based model for reading digital poetry within a limited scope of twentieth and twenty-first century science, media theory, and American/Canadian poetry. In this much-needed account of digital poetry, I first draw from media theorists ranging from Vannevar Bush to George Landow and Mark Poster as well as contemporary critics of electronic literature (such as N. Katherine Hayles, Marjorie Perloff, and Jerome McGann) in order to broadly contextualize the genesis of digital poetry and its relationship to the larger field of electronic literature. I then explore, in a section titled "My Digital Dickinson," the methodological possibilities and limits of using our understanding of the digital to inform our readings of bookbound poetry and vice-versa.
Patricia Tomaszek - 18.09.2013 - 12:36
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Roundtable on remediation of French literature
Syntonie is a project of digital review for ipad that would prefigure an anthology of French digital poetry. Only 3 works originally designed for a computer will be carried on ipad. The choose of the works, the new computing and the semiotics design will be done at the laboratory Paragraphe in relationship with the publisher. We will examine here the questions that this remediatisation asked: what is lost? What is preserved? What is changed? What balance between mediation for present audience and fidelity to the work? Are they facets of the work we can only document (semiotic representations inside the original program for instance)? Is remediatisation an act of preservation?
All these questions will be asked in technical, semiotics, literary and publishing points of view. The project will only begin in February and we will document all the process.
Scott Rettberg - 25.09.2013 - 10:42
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Autoautor, Autotexto, Autoleitor: O Poema como Base de Dados
This article contains an introduction to contemporary Portuguese electronic literature, focusing on works by Rui Torres. Starting from texts by other 20th-century authors, Rui Torres’ generative works recode their source texts by opening up their syntax and semantics to digital materiality and programmed signification. Randomized algorithms, permutational procedures
Alvaro Seica - 14.10.2013 - 11:41
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De la croissante invisibilité des poésies numériques en ligne dans la zone française
Au milieu des années 90 le développement du web a suscité beaucoup d'espérance de la part des poètes expérimentaux, qu'ils y voient la possibilité d'une diffusion de leurs travaux ou qu'ils envisagent des formes créatives nouvelles tirant parti des spécificités du réseau; en 97-98 était publié un numéro spécial de la revue DOC(K)S consacré au web: "un notre web", complété par un CD contenant des oeuvres numériques trouvées en ligne. Il s'agit aujourd'hui de faire le point et sur les auteurs présents dans ce numéro, sur les sites qu'ils animaient alors, sur les transformations intervenues, et surtout sur l'enthousiasme utopique de ces années en se demandant quelle place, dans la zone française, occupent aujourd'hui les poésies numériques en ligne. Au final, l'enquête conduite, sur la base d'une recherche systématique, manifeste le peu de visibilité de ces travaux et tente d'en analyser les causes.
(Source: Author's abstract from ELO 2013)
Arngeir Enåsen - 14.10.2013 - 13:57
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Med literaturo in novomedijsko umetnostjo: sonetoidni spletni projekti Vuka Ćosića in Tea Spillerja
Franco Moretti’s notion of “distant reading” as a complementary concept to “close reading,” which has emerged alongside computer-based analysis and manipulation of texts, finds its mirror image in a sort of “distant” production of literary works—of a specific kind, of course. The paper considers the field in which literature and new media creativity intersect. Is there such a thing as literariness in “new media objects” (Manovich)? Next, by focusing on the websites that generate texts resembling and referring to sonnet form, the article asks a question about the new media sonnet and a more general question about new media poetry. A mere negative answer to the two questions seemingly implied by Vuk Ćosić’s projects does not suffice because it only postpones the unavoidable answer to the questions posed by existing new media artworks and other communication systems. Teo Spiller’s Spam.sonnets can be viewed as an innovative solution to finding a viable balance between the author’s control over the text and the text’s openness to the reader-user’s intervention.
Scott Rettberg - 16.10.2013 - 16:19
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Une “poésie numérique”? Khlebnikov et Jakobson, Marinetti, Schwitters, Kostelanetz
Quelques protagonistes des avant-gardes historiques montrèrent de l’intérêt pour une poésie exclusivement faite de nombres.
Rebecca Lundal - 17.10.2013 - 17:58
