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1. Avatars of Story

   Traces the transformation of storytelling in the digital age. Since its inception, narratology has developed primarily as an investigation of literary narrative fiction. Linguists, folklorists, psychologists, and sociologists have expanded the inquiry toward oral storytelling, but narratology remains primarily concerned with language-supported stories. In Avatars of Story, Marie-Laure Ryan moves beyond literary works to examine other media, especially electronic narrative forms. By grappling with semiotic media other than language and technology other than print, she reveals how story, a form of meaning that transcends cultures and media, achieves diversity by presenting itself under multiple avatars.

   Eric Dean Rasmussen - 24.02.2011 - 09:00

2. Hypertext and the Female Imaginary

   from the publisher: Explores the use of hypertext in postmodern electronic and film media by women In Hypertext and the Female Imaginary, Jaishree K. Odin reveals how media that use hypertextual strategies of narrative fragmentation provocatively engage questions of gender or cultural difference. Odin addresses hypertext on two levels: as an artistic technique in electronic or film narratives and as a metaphor for describing the complexity of postmodernism in which different cultures, discourses, and media are in continual interaction with one another. Investigating the work of Trinh T. Minh-ha, Judy Malloy, Shelley Jackson, Stephanie Strickland, and M. D. Coverly, Odin demonstrates how these writers apply hypertextual strategies to subversively convey difference. Through her readings of various transformative hypertext narratives by women writers/artists, she pursues the question of what constitutes empowering descriptions of the world in a technology-mediated culture where the dominant discourse is turning everything into the same.

   Eric Dean Rasmussen - 24.02.2011 - 09:19

3. Ex-foliations: Reading Machines and the Upgrade Path

   In Ex-foliations, Terry Harpold investigates paradoxes of reading’s backward glances in the theory and literature of the digital field. In original analyses of Vannevar Bush’s Memex and Ted Nelson’s Xanadu, and in innovative readings of early hypertext fictions by Michael Joyce and Shelley Jackson, Harpold asserts that we should return to these landmarks of new media scholarship with newly focused attention on questions of media obsolescence, changing user interface designs, and the mutability of reading. In these reading machines, Harpold proposes, we may detect traits of an unreadable surface—the real limit of the machines’ operations and of the reader’s memories—on which text and image are projected in the late age of print. (Source: Publisher's website.)

   Eric Dean Rasmussen - 24.02.2011 - 09:48

4. Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations

   From the publisher: How to interpret and critique digital arts, in theory and in practice Digital Art and Meaning offers close readings of varied examples from genres of digital art, including kinetic concrete poetry, computer-generated text, interactive installation, mapping art, and information sculpture. Roberto Simanowski combines these illuminating explanations with a theoretical discussion employing art philosophy and history to achieve a deeper understanding of each example of digital art and of the genre as a whole.

   (Source: University of Minnesota Press catalog description)

   Eric Dean Rasmussen - 24.02.2011 - 10:25

5. Computers, Cut-ups and Combinatory Volvelles: An Archaeology of Text-generating Mechanisms

   Computers, Cut-ups and Combinatory Volvelles: An Archaeology of Text-generating Mechanisms

   Patricia Tomaszek - 24.02.2011 - 11:26

6. Prehistoric Digital Poetry: An Archaeology of Forms, 1959-1995

   In this book, the author, Chris Funkhouser provides a comprehensive historical, descriptive, and technical account of early works of computer-assisted poetry composition. Focusing on examples of digital poetry before the world wide web rather than on literary precursors to web experiments. Funkhouser demonstrates how technological constraints that would seemingly limit the aesthetics of poetry have instead extended and enriched poetic discourse. As a history of early digital poetry and a record of an era that has passed, this study aspires both to influence poets working today and to highlight what the future of digital poetry may hold. The book is divided into five different sections: origination, visual and kinetic design poems, hypertext and hypermedia, alternative arrangements and techniques enabled.

   Patricia Tomaszek - 24.02.2011 - 11:32

7. New Media Poetics: As We May Think/How to Write

   New Media Poetics: As We May Think/How to Write

   Patricia Tomaszek - 24.02.2011 - 11:38

8. Techsty: Literatura i nowe media

   Techsty to literacko - edukacyjny serwis internetowy po?wi?cony zwi?zkom literatury z cyfrowymi mediami. Tematy tutaj poruszane sytuuj? si? w miejscu przeci?cia si? literackiej praktyki i refleksji z praktyk? i refleksj? cyfrowych mediów: hipertekstu, Internetu i hipermediów.

   Magazyn to periodyczna, prawdopodobnie najwa?niejsza, ods?ona Techstów . W tym internetowym nieregularniku znajduj? si? artyku?y, opowiadania, eseje, wywiady i recenzje. S? to zarówno przek?ady jak i oryginalne teksty polskich autorów eksploruj?cych nowe wymiary sztuki s?owa w elektronicznym ?rodowisku. Co najistotniejsze, magazyn to platforma prezentacji m?odej polskiej literatury elektronicznej. Promujemy w nim wszelkie warto?ciowe przejawy e-literatury: opowiadania hiertekstowe, utwory cyberpoetyckie, hipertekstowe eseje metaliterackie. (Source: Journal website)

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   Jill Walker Rettberg - 25.02.2011 - 12:19

9. New Philosophy for New Media

   In New Philosophy for New Media, Mark Hansen defines the image in digital art in terms that go beyond the merely visual. Arguing that the "digital image" encompasses the entire process by which information is made perceivable, he places the body in a privileged position—as the agent that filters information in order to create images. By doing so, he counters prevailing notions of technological transcendence and argues for the indispensability of the human in the digital era. Hansen examines new media art and theory in light of Henri Bergson's argument that affection and memory render perception impure—that we select only those images precisely relevant to our singular form of embodiment. Hansen updates this argument for the digital age, arguing that we filter the information we receive to create images rather than simply receiving images as preexisting technical forms.

   Scott Rettberg - 26.02.2011 - 15:36

10. Destination Unknown: Experiments in the Network Novel

    PhD, University of Cincinnati, Arts & Sciences : English & Comparative Literature, 2003.

    Advisor: Dr. Thomas LeClair

    Scott Rettberg - 26.02.2011 - 16:15

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