Search
The search found 168 results in 0.903 seconds.
Search results
-
University of California, Santa Cruz (UCSC)
University of California, Santa Cruz (UCSC)
Aaron Reed - 20.06.2012 - 18:50
-
ZKM (Zentrum für Kunst und Medientechnologie)
As a worldwide unique institute of culture, the ZKM | Center for Art and Media is both museum and more than a museum. It is house for all media and genre, a house for both spatially-based art such as painting, photography and sculpture as well as for time-based arts such as film, video, media art, music, dance, theater and performance. The ZKM was founded as a museum in 1989 with the mission to perpetuate classic arts in the digital age – the reason for its also being referred to as »Electronic or Digital Art Bauhaus«. The ZKM also houses institutes and laboratories in which research and development is carried out. Alongside the classic guiding principle of the museum, namely, to protect works or art from deterioration and finally disappearing, the ZKM has also taken on the task of creating the conditions under which works of art arise. It achieves this, firstly, by way of the »artists-in-residence« program, and secondly, by way of the house’s colleagues. This is why it is called center and not museum. Due to its high-profile technical development and production work, the ZKM is considered the »Max Planck Institute of Arts«.
Klemens Bobenhausen - 09.08.2012 - 10:23
-
Digital Humanities in Practice (DIKULT 207, Fall 2012)
Digital Humanities in Practice (DIKULT 207, Fall 2012)
Patricia Tomaszek - 24.08.2012 - 14:00
-
Choose Your Own Adventure Assignment
Choose Your Own Adventure Assignment
Jill Walker Rettberg - 16.09.2012 - 21:26
-
places / traces / stories
Scott Rettberg shows several collaborative projects, made together with Roderick Coover and Nick Montfort. Jeremy Welsh shows Spatial Traces, a video work with sound by Robert Worby, and Places/Traces, a selection of works-in-progress from an ongoing series of investigations of place in video, photography, sound and text. The project consists of several parts, including "SMS Bamboo Forest", an ongoing work combining digital photographs, video and sound, started in 2009 in a Chinese garden in Sydney. Image below from the series Places/Traces (2010 - 2012) a collection of photographs recording traces and remnants, marks, scarrings, abandoned or discarded items and neglected spaces in the urban environment.
Scott Rettberg - 05.10.2012 - 14:30
-
Digital Literature and Arts II
Digital Literature and Arts II
Patricia Tomaszek - 11.10.2012 - 12:10
-
Itaú Cultural
O Itaú Cultural contribui para a valorização da cultura de uma sociedade tão complexa e heterogênea como a brasileira. É um instituto voltado para a pesquisa e a produção de conteúdo e para o mapeamento, o incentivo e a difusão de manifestações artístico-intelectuais. O Instituto é um centro de referência cultural, há mais de 20 anos promovendo e divulgando a produção artístico-intelectual brasileira - no Brasil e no exterior.
(Source: website)
Itaú Cultural contributes to the cultural appreciation of a society as complex and heterogenous as that of Brazil. It is an institute focused on the research and production of content and on the mapping, stimulation, and dissemination of artistic-intellectual manifestations. The institute is a cultural reference, and has for over 20 years promoted and divulged Brazilian artistic-intellectual productions both nationally and abroad.
(English translation: Luciana Gattass)
Luciana Gattass - 24.10.2012 - 17:06
-
III Simpósio Nacional ABCiber
O Simpósio Nacional ABCiber é uma iniciativa da ABCiber – Associação Brasileira de Pesquisadores em Cibercultura, entidade científico-cultural, interdisciplinar, de âmbito nacional, sem fins lucrativos. Em sua terceira edição, o evento é organizado pelo Grupo de Pesquisas em Comunicação e Práticas de Consumo (certificado no diretório do CNPq) e promovido pelo Programa de Mestrado em Comunicação e Práticas de Consumo da ESPM. O Simpósio reunirá, em três dias consecutivos, inúmeros artistas, coletivos, pesquisadores e alunos de Graduação e Pós-graduação de Ciências Humanas e Ciências Sociais Aplicadas de todo o país. Por meio dos eixos cultural/artístico e científico, o evento tem como objetivo promover a reflexão e a circulação do conhecimento e das produções artísticas no âmbito da cibercultura.
(Fonte: AbCiber)
Luciana Gattass - 25.10.2012 - 16:44
-
A Vida Secreta dos Objetos: Materialidades, Medialidades, Temporalidades
There are strong indications that a significant transformation is underway in the so-called “human sciences” (Geisteswissenschaften, sciences humaines, Humanities). After a period of intense crisis and uncertainty, in which human sciences have frequently sought to mirror or approach the hard sciences, the beginning of the twenty-first century seems to witness a broad renewal of disciplines, approaches and methodologies. From the questioning of its traditional foundations, humanities are reinventing themselves by a broad reconfiguration of its borders and even of the notion of “humanity” that served as its cornerstone. One of the areas where the wealth of this new scenario is most clearly displayed is that of media studies. Spurred by the impact of new digital technologies, media studies cleverly learned to appropriate the epistemological principles and major theoretical issues that have come to characterize the contemporary cultural scene.
Luciana Gattass - 26.10.2012 - 10:32
-
"The Digital Subject: Questioning Hypermnesia" - International and Transdisciplinary Conference
Les technologies numériques d’inscription et de préservation permettent aujourd’hui de constituer d’importantes archives électroniques, des bases de données complexes et favorisent l’apparition de nouvelles pratiques d’archivage du savoir, comme les encyclopédies collaboratives. Un tel développement technique contient en germe une reconfiguration profonde du rapport humain au monde et au savoir mais aussi sans doute une mutation de notion même de sujet humain.
Préfigurée dès les années 30 dans les travaux d’H G Wells (World Brain, 1937) ou ceux de Borges (« Funes el memorioso », 1944), le motif de l’hypermnésie, récurrent au sein des récits de science-fiction, essaime au sein d’autres formes littéraires, qu’il s’agisse de romans édités de manière traditionnelle ou d’œuvres littéraires sur support électronique. Parallèlement, la possibilité d’une extériorisation et d’une extension de la mémoire est un élément central dans des théories philosophiques contemporaines, notamment celle de « l’esprit étendu », de deux côtés de la frontière entre philosophies analytiques et continentales.
Arnaud Regnauld - 01.11.2012 - 18:03
