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Digital Humanities
The ADHO organizes and sponsors an annual conference. The first joint conference was held in 1989, at the University of Toronto--but that was the 16th annual meeting of ALLC, and the ninth annual meeting of the ACH-sponsored International Conference on Computers and the Humanities (ICCH). The conferences were renamed "Digital Humanities" in 2007.
Jill Walker Rettberg - 26.10.2014 - 05:26
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New Media Writing Prize 2013
Bournemouth University and if:book UK announced the shortlist for the 2013 New Media Writing Prize.
Thor Baukhol Madsen - 25.01.2015 - 19:58
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Reading wide, writing wide in the digital age: perspectives on transliteratures
Participants will be researchers having attained international recognition for their work in two fundamental lines of literary and cultural theory that we would like to pull together here, just as this is reflected in the presentation of the call for papers (see the attached file): 1. literary globalization phenomena and 2. cyberculture. Thus, we hope to generate a fruitful debate that might contribute to providing answers.
Maria Goicoechea - 26.01.2015 - 13:05
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2014 Electronic Literature Organization: Gallery of E-Literature First Encounters
The artists featured on Gallery of E-Literature First Encounters were not previously exhibited at a media arts show sponsored by the Electronic Literature Organization. In some cases, this is their first time exhibiting work in any setting.
(Source: ELO conference website)
Magnus Lindstrøm - 29.01.2015 - 15:43
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Trends in Literary Studies: Narrative, Cognitive and Historical Perspectives
In what ways can we renew Literary Studies? How far can new approaches be combined with existing ones?
Alvaro Seica - 04.02.2015 - 16:11
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compArt daDA: the database Digital Art
The compArt database Digital Art (daDA) is a growing repository on digital art. It currently focusses on five top categories: people (in their roles as artists, authors, gallerists, etc.), works, events, publications, and institutions. We use the slightly problematic term “digital art” in a broad sense. More or less like: in order to be included, an entity of the data base must have its roots in operations by digital computers; or reflect on such entities, or be otherwise related to them. But we allow for some sloppiness: we also insert entities of historic relevance to digital art. We are currently restricting attention to the early phase of digital art. As those we consider the years from about 1950 to 1979, the year of the first Festival Ars Electronica in Linz, Austria. During those years, digital art was mainly algorithmic art. At some later time, we intend to include other forms of digital art. We already now occasionally accept works, artists, etc. that bear enough of a stylistic kinship with early digital art. We almost exclusively deal with visual art. But here also, we allow for exceptions as, e.g., some entries from early computer music.
Alvaro Seica - 05.02.2015 - 10:32
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International Conference: Digital Literary Studies
International Conference: Digital Literary Studies
Daniela Côrtes Maduro - 06.02.2015 - 23:12
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Digital Arena: Stories Beneath Your Feet and Fingertips: Playing Locative Stories — Kathi Inman Berens
Fall 2014 Electronic Literature Reading Series
The Bergen Electronic Literature Research Group at the University of Bergen and the Bergen Public Library present:
Stories Beneath Your Feet and Fingertips: Playing Locative Stories by Kathi Inman Berens
Tuesday, November 4, 2014, 6-8 pm, Bergen Public Library
Kathi Inman Berens, Fulbright Scholar of Digital Culture visiting UiB from the University of Southern California, showed literary works set in cityscapes from Los Angeles, Toronto, Paris, London, even a locative story set in Bergen.
Humans have always scrawled stories onto their physical environs -- cave paintings, decorative friezes, eighteenth-century broadsides, graffiti, billboards. Equipped today with smart phones, artists and ordinary people are telling stories pinned to exact geospatial location using Google Maps, Twitter, and Layar (Augmented Reality).
Alvaro Seica - 16.02.2015 - 16:46
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Digital Arena: Combinatory Cinema — Scott Rettberg
Scott Rettberg presents collaborative, combinatory films, and an interactive artwork he has produced in collaboration with filmmaker Roderick Coover.
Three Rails Live (2012), a web-based combinatory film developed by Rettberg, Coover, and Nick Montfort, produces new juxtapositions of image and text on each run, delivering narrative fragments from a contemporary story of personal and environmental dissolution sandwiched between “perverbs” that deliver a “moral” to each story.
Toxi•City (2013-14) is a feature-length combinatory climate change film that layers segments of a speculative narrative of life in the toxic environment of the Delaware River Estuary after a series of hurricanes have devastated the landscape with the actual stories of area residents who perished during Hurricane Sandy in 2012.
Alvaro Seica - 19.02.2015 - 15:03
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Digital Arena: On 'New Directions in Digital Poetry' — Chris Funkhouser
Synthetic in essence and brittle in terms of longevity, digital poetry’s fluid states prevent us from considering works as being plastic. Yet since they are never completely fixed, works of digital poetry always maintain plasticity in presentation on the WWW. They exist in a state of being molded, receiving shape, made to assume many forms – often seeking qualities that depict space and form so as to appear multi-dimensionally.
C.T. Funkhouser’s lecture “On 'New Directions in Digital Poetry'” recounts the challenges and process of preparing a scholarly edition focusing on the pursuit of fully – and usefully – capturing the dynamics of this ever-changing genre. As poetry becomes a networked form, its poetics explodes and singular measurements of its pliancy resist finite definition. Recognizing plasticity as an aesthetic foundation establishes a valuable metaphor for generally qualifying the results of electronic writing to date, “On 'New Directions in Digital Poetry'” explicitly stems from Funkhouser’s experience teaching Electronic Literature courses at New Jersey Institute of Technology.
Bio:
Alvaro Seica - 19.02.2015 - 15:38
