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  1. Performance as a Categoriser

    Performance as a Categoriser

    David Prater - 03.05.2012 - 12:57

  2. Labyrinth

    As in Akira Kurosawas film Roshamon, the pairs of protagonists create a dilectic of two competing monologues -- inviting the audience locate the truth between the two stories.

    Scott Rettberg - 04.05.2012 - 10:37

  3. Vienna Underground: The Third Woman Project

    Multithreaded multisited multiversion project that played on Third Man by Orson Welles, dealing with themes of bioterrorism. A film was central to all iterations of the project, which involved installations, mobile phone videos, performance, fashion, and site-specific variations.

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    Scott Rettberg - 04.05.2012 - 10:57

  4. Huis Clos / No Exit

    A work-in-progress presentation of a performance project. Abraham's describes a scripted telematic performance in which constraints and interface limitations fme the performance. She describes her work as performance to do research, and research as a medium and playground. Always an exercise in self-organization--the performances are not directed. The performance is a multilingual one about communication, miscommunication, and translation.

    Scott Rettberg - 04.05.2012 - 12:44

  5. mayday

    Hypertext centered on Mass Observation at the time of New Labor's rise to power, a contributory crowd-sourced work in HTML.

    "This site went on-line at 05:00hrs (BST) May 1st 1998, unfolding over the day on an hourly basis until 04:00 hrs (BST) May 2nd. It presents selected extracts from a project, initiated by poet / publisher cris cheek as a nod to Mass Observation, which received a wide range of texts and images from the everyday on Mayday 97. We invited responses throughout Mayday 98, and they were uploaded as they came in.The site now stands as a writing, drawn from those details of their everyday lives that its contributors wished to register. Our responses to the accumulating mass of observations form part of what became, for us, a 'performance' of 'mayday'.....

    Scott Rettberg - 04.05.2012 - 13:25

  6. The sport of détournement, the détournement of sport, basic skills for media remixes

    The sport of détournement, the détournement of sport, basic skills for media remixes

    Scott Rettberg - 19.05.2012 - 13:20

  7. Psychographic Poetry

    Psychographic Poetry

    Scott Rettberg - 19.05.2012 - 19:45

  8. There he was, gone.

    How do we piece together a story like this one? A mystery. The title offers more questions than answers. There he was, gone. Where is there? Who is he? Where has he gone? How is this sentence even possible? There he was, not there. As if "he" is in two places and in no place, both at once. The once of "once upon a time." This story has to do with time. This story has to do with place. That much is clear. We take time to look around the story space. What do we see? A corner of a map. An abstraction of a place too detailed to place, unless the places it names are already familiar. Is this a local story then? For locals, between locals… if we do not know the answer to this question, then we are not local. We seem to have stumbled upon an ongoing conversation. Listen. A dialogue of sorts. It's too late. An argument, even. One interlocutor instigates. Can't you feel anything? The other obfuscates. It's only the spring squalls over the bay. All that's not said between these two hangs in a heavy mist, a sea fret low over a small fishing boat turned broadside to a pack of hump-backed slick black rocks. This story is fishing inshore.

    Scott Rettberg - 01.06.2012 - 17:29

  9. Into the Green Green Mud

    A story of love, and after-love. Eternity is a fickle thing, and the moments just keep coming. Clouds shift, the sun moves past, and squirrels are collecting nuts, so where does that leave us?

    Into the Green Green Mud is an ode to change & impermanence, both in content and medium. Starting from a simple text “script” we are creating a number of inter-related “performances” in various media. This version includes text, images, code, and animation, with a soundtrack that you can download and listen to. Future versions might include a printed book, a live multimedia performance, sky writing, or anything else we decide to explore.

    Miriam Suzanne - 20.06.2012 - 21:32

  10. Special America

    In 2008, in Providence, RI, a strange melancholy pervaded us to which we hesitated to give the grave and beautiful name of SPECIAL AMERICA. It began amorphously. Badges left in a hallway, flash rallies alongside the insinuations of handbill slogans, an ambiguous slideshow. Over the years, SPECIAL AMERICA appeared untroubled, yet in solitude we penned personal, soul-bearing texts, melancholy slogans that made us weep whilst inducing within us a perverse sense of comfort. Composed in corporate network space, our glum poesy set the tone for a new tale of longing and loneliness. In the past, the idea of calling this melancholy SPECIAL AMERICA always appealed to us; now we are almost ashamed of its complete egoism.

    Scott Rettberg - 27.06.2012 - 10:19

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