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1. The Dark Side of the Wall

   This generative poem creates a mashup of lyrics from two famous Pink Floyd albums: The Wall and The Dark Side of the Moon. The poem is organized into tercets followed by a single line in which Waters or Gilmour “takes over,” signaling shifts in leading roles in the band, which has a history of turbulent power struggles. Each tercet is assembled from lines from each album, lending both coherence at the line level, and intriguing juxtapositions that reveal some of Pink Floyd’s poetics.

   (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 28.02.2013 - 10:12

2. Scholars Contemplate the Irish Beer

   This generative poem transports its readers to Ireland, and all the water, sunshine, green fields, agriculture, and magic that goes into brewing its world-famous beers. This work is populated by poets, scholars, musicians, the pooka— a mischievous, dark, shape-shifting fairy creature— fields, blue lakes, valleys, forests, and other shapes taken by the land. All the people, faerie, and personified landscapes consider, contemplate, and dream of how they all are a part of the real and mystical brew that flows from St. James Gate.

   A peek into the source code reveals a key question by Malloy: “How would a poet drinking Guinness rewrite this work?” The work referred to is Nick Montfort’s “Taroko Gorge” which also produces an endless meditation of the components of a Chinese river gorge of the same name.

   (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 28.02.2013 - 10:17

3. Tournedo Gorge

   This generative poem folds in two distinctly different activities— cooking and coding— to create a mélange that harmoniously foregrounds their similarities. For example, declaring variables and establishing a data set in a program is conceptually equivalent to listing ingredients and measurements in a recipe. Both recipes and code are executed sequentially: one by a cook, and another by the computer to produce output. From this perspective, the food produced from a recipe is much like the poem generated by the execution of its source code.

   (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 28.02.2013 - 10:23

4. Camel Tail

   This generative work produces a 4 line stanza out of lines from Metallica albums every 5.5 seconds. It uses a single variable (“hair”) and a data set consisting of choice Metallica lines to produce what seems like endless Metallica lyrics.

   (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 28.02.2013 - 10:39

5. Snowball

   This generative poem about snow, slipping, and falling is aggressively scheduled to produce a sensation of motion and slippage. One cannot keep up for very long as a reader of this poem, but this is not a big problem because reading a sampling of any of its verses will give you an idea of what the poem is about. Like narrative comic strips and soap operas, there is plenty of redundance built into its structure, so you can join in, leave it, and rejoin at any time.

   (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 28.02.2013 - 10:54

6. Inside the House

   Based on Mark Z. Danielewsky’s House of Leaves, this generative poem imagines an endless hallway inside of a house, the novel’s macguffin. In the novel, as Navidson discovers that a hallway inside his new house is larger than the external dimensions of the house itself, and it is growing, he organizes an expedition into its depths, spending days exploring it without adequately mapping it. This “Taroko Gorge” remix was written by a student of Mark Sample’s “Post Print Fiction” course, and the mashup of the two works is an appropriate exploration of infinity, bound by human limits. As you enter the labyrinth that is this poem, think about how personified this hallway seems to be and what it means to explore the depths of its twisty little passages.

   (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 28.02.2013 - 11:04

7. Designer Gulch

   This generative poem explores the design world— populated by artists, models, assistants, photographers, interns, corporate clients, and others shaped by their desires for fame and profit shape their dreams. Conceptualized as a ” a never-ending epic of graphic labor” this “Taroko Gorge” remix was installed at the Berliner Technische Kunsthochschule and it is the first one to respond to user input. In this case, a motion sensor camera triggers a few lines of poetry every time a person enters the building, and displays the poem on two monitors. Interestingly enough, as the very same kinds of people featured in the poem walk in they can read about their ongoing labors, elevated to Sysiphean absurdity through permutation.

   (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 28.02.2013 - 11:12

8. Tasty Gougère

   This generative poem is dedicated to the gourmand in all of us. Though perhaps it’s more interested in exorcising it through health awareness. The poem itself is a remix of “Taroko Gorge” based on eating deliciously fatty and unhealthy foods, such as the Gougère from the title, but Burgess adds two other factors: one is an LDL cholesterol counter that counts up to 160 and provides advice on seeking medical attention, and another is a marquee strip that scrolls information on high levels of triglycerides and cholesterol levels. The masterstroke in this variation is the use of the “path” function in the code, which instead of revealing a monkey or Captain Kirk, it produces the phrase “myocardial infarction.”

   (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 28.02.2013 - 11:29

9. The O2 Tales

   This charmingly handcrafted hypertext work is built upon the narrative framework of The Canterbury Tales, but in a completely contemporary fashion, using the Simon Cowell’s popular tv musical talent show The X Factor as the motivation for a pilgrimage to the O2 concert arena in London. The inviting hand-drawn train (reminiscent of Max Dalton’s art used in Wes Anderson’s films) uses its characters as an interface to learn about their motivations and interconnected stories. The background music consists of amateur performances of popular songs, of a quality that might give Simon Cowell abundant opportunity for a snide remark, but in this case fits the tone and aesthetics of the piece. The poem in the Prologue echoes Chaucer in its structure, but is cut from the same cloth as the music— offering lines that win readers over with enthusiasm and charm, as it does when it rhymes “telly” with “melée.” (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 28.02.2013 - 11:45

10. Biggz

    This generative poem is built from four elements: an image, a caption, lines of verse by Simon Biggs, and a JavaScript framework Glazier developed for “White-Faced Bromeliads on 20 Hectares.” The poem and its contextual information are randomly generated whenever the page is loaded, reloaded, or every 20 seconds— which makes a marked difference in how one reads and conceptualizes the poem when compared to “White-Faced Bromeliads,” which refreshes every 10 seconds. Biggs’ lines of verse are perfectly grammatical, but unconventional in its logical formulations in the tradition of Language Poetry or Gertrude Stein, which makes them stand up well to the page’s generative engine.

    (Source: Leonardo Flores, I ♥ E-Poetry)

    Hannelen Leirvåg - 28.02.2013 - 14:24

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