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Composition No. 1
Composition No. 1 is a re-imagining of the little known classic by French writer, Marc Saporta. Saporta writes about the interconnected stories of a group of Parisians, centred around the Sorbonne. Quite literally, Composition No. 1 is made up entirely of stand alone pages. Each has its own self-contained narrative, leaving it to you to shuffle through and decide which order to read the book, and how much or little you want to read before you begin again.
Key features:
> Randomly shuffled pages, allowing you to play and read however much or little you want.
> Randomized, interactive cover; slide letters around like fridge magnets.
> Explore a typographic artwork, using the book's entire text.(Source: iTunes App store)
Scott Rettberg - 07.09.2011 - 11:52
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Tretet die Tür ein!
Tretet die Tür ein! is the german language version of Young-hae Chang Heavy Industries' Bust Down the Doors! The narrative is translated and the jazzy audio is different from the english version.
Meri Alexandra Raita - 07.09.2011 - 14:37
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Enfonçons la Porte!
This work is the french language version of Young-hae Chang Heavy Industries' Bust Down the Doors! The narrative is translated and the jazzy audio is different from the english version.
Meri Alexandra Raita - 07.09.2011 - 14:42
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Les Amants de Beaubourg
This work was made in the event of the 30th anniversary of the Centre Pompidou. Thirty works each represented a year from 1977 to 2007 and Young-hae Chang Heavy Industries represented year 2007 with the work Les Amants de Beaubourg. The work deals with more philosophical questions than other more narrative-based works, such as Bust Down the Doors!, by Young-hae Chang Heavy Industries and has many references to the creation of art by artists, especially Marcel Duchamp.
Meri Alexandra Raita - 15.09.2011 - 13:59
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STRUTS
STRUTS is an algorithmic narrative collage created from a collection of fragments of facts and fictions pertaining to a place and its people, history, geography and storm events. Narrative resonates in the spaces between the texts horizontally scrolling across the screen, the flickering updating of monthly tide gauge averages, the occasional appearance of live weather weather warnings pulled in by RSS feed and the animated set of photographs of the ends of the struts that support the seawall that protectsa portion of foreshore from the rising tides of the Northumberland Strait. The photographs were taken on May 23, 2011 the second day of a five-week stint as Open Studio Artist in Residence at Struts Gallery and Faucet Media Lab, Sackville, New Brunswick, Canada, May 22 – June 26, 2011. The Saxby Gale of 1869 is the storm we compare all possible storms to. The tide gauge data represents the monthly tide gauge averages for Shediac Bay from the month I was born to the month I moved from Canada to England.
Eric Dean Rasmussen - 19.09.2011 - 15:27
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BA-Tale
BA-Tale is an interactive, intermedial electronic literature piece, whose narrative is a fake myth about the formation of Slovakia’s capital—Bratislava. The way the reader engages with the piece brings about the concept of myth as an oral narrative and re-contextualizes it. The story is read in fragments—semantic units from the scattered moving text. The aspect of catching a fragment in time reminds one of listening to the oral story, although the necessity to remember the subsequent words in order to proceed adds a new aspect to this tradition. The sound is randomly computer-chosen from our database that defines for each unit a number of sounds. The semantically most important word of the unit was used as a keyword to find several corresponding sounds in freesounds.org.
Zuzana Husarova - 29.09.2011 - 18:21
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Fragments of Distances
The Fragments of Distances is a short, only 5 web pages long browser based narrative focusing on the inner world of the main protagonist as he (it as well might be a she) meets the tourists asking him for a direction in his hometown. In other words it’s about the difference of the remembering and experiencing self and how they get along in forming of the self image. Or perhaps it’s just about the streets of Ljubljana. After all there is a lot of Google Maps API involved in the narrative. Actually, I’ll leave it up to you to make your own take on it.
Jaka Železnikar - 30.09.2011 - 21:18
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Suits: A Narrative of About Twenty-Seven Hours, More or Less
Author's description from The New River:
This piece tells the story of a character's response to her father's death. In creating this piece, I worked in Flash ActionScript 3.0 to code a random trigger function, so that when you click on the suit icon a random sound file plays and an associated text appears on the screen.
Scott Rettberg - 11.10.2011 - 14:01
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La plissure du texte
A collaborative fairy-tale coordinated by Roy Ascott but incorporating fragments from participants around the globe who sent in their parts of the text on the ARTEX computer network.
Roy Ascott described this piece in an interview with Südwestrundfunk that is quoted on Media Art Net:
1983—that was in 1980, I actually set it up—1983, Frank Popper invited me to do a project for a huge exhibition in Paris, called Electra, which was looking at the whole history of electricity right across the spectrum of the arts. And I got rather good funding. I set up this planetary fairytale. We had fourteen nodes across the world, Australia, Hawaii, Pittsburgh, various places, ... Vienna, Amsterdam, and so forth. And to each node I ascribed an archetypical fairytale character. [...]
Jill Walker Rettberg - 01.11.2011 - 11:14
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The Life of the City of the Mind
In this creative work, Young-Hae Chang Heavy Industries adopts a new graphical style. Compared to their earlier monochrome works, such as Dakota, the use of buildings and a vertical text box adds a new dimension to the narrative.
Meri Alexandra Raita - 24.11.2011 - 16:28
