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  1. Dictionary of the Khazars: A Lexicon Novel

    Dictionary of the Khazars: A Lexicon Novel

    Scott Rettberg - 25.03.2011 - 12:52

  2. The Glass Snail: a Pre-Christmas Tale

    A hypertext fiction using the Word Circuits Connection Muse. The story includes two alternate beginning chapters and two alternate ends.

    Scott Rettberg - 25.03.2011 - 12:57

  3. Ferris Wheels

    Ferris Wheels

    Scott Rettberg - 25.03.2011 - 23:16

  4. On the Birthday of a Stranger

    On the Birthday of a Stranger

    Scott Rettberg - 25.03.2011 - 23:22

  5. Charmin' Cleary

    Charmin' Cleary

    Scott Rettberg - 25.03.2011 - 23:32

  6. The Barrier Frames / Diffractions Through

    Interactive poems that invite the reader to explore the aural and visual possibilities of densely package word clusters -- groups of words overlaid in physical and syntactic space. The mouse peels away layers of text, summoning waves of imagery from the depths. Rosenberg uses electronic writing to experiment with linguistic simultaneity and implicit association. His evocative word cluster challenge and extend poetic and hypertextual conventions, and his work has had wide influence on the design of spatial hypertext tools. (Source: Eastgate catalog description)

    Scott Rettberg - 26.03.2011 - 09:48

  7. Et null nynner

    Dette "cut up" diktet fortelles sakte, sakte i små hvite bokstaver på svart skjerm. Morten Skogly skriver selv at det er et "cut up" av dikt skrevet av ham, som "skriver seg selv (for den tålmodige)." Nesten som en skjermsparer kommer frasene fram, og skaper sammenhenger på skjermen som til tross for den tilfeldige sammensetningen nesten alltid gir mening. En stemme går igjen, en stemme som er engstelig: "Ikke forlat meg her", skriver den. Et null nynner er et eksempel på generativ poesi.

    Jill Walker Rettberg - 27.03.2011 - 13:13

  8. Neseblod

    Neseblod means "nose bleed" in Norwegian, and a blurred photo of a man's face, with blood around his nose, is a key visual element of the piece. This is a dynamic, audio-visual work where the reader can affect which sounds are produced and which textual fragments are displayed on the screen. The background consists of three images that repeat in a loop at the same time as a white line continuously moves in a loop from top to bottom of the screen. The reader can move eight white dots around on the screen, and each dot has its own sound and a small textual fragment. Each time the white line scans a white dot the sound and the textual fragment are realised. The work's aesthetic expression depends on how many dots the reader chooses to activate, and how the reader organises the dots in the space. (source: Hans Kristian Rustad for elinor.nu)NO LONGER ONLINE?

    Jill Walker Rettberg - 27.03.2011 - 13:40

  9. Tehtaan kuolema

     Tehtaan kuolema kertoo vanhoista tehtaista ja niissä viihtyvistä ihmisistä.Tehtaat eivät tuota enää tavaraa, mutta ne ovat edelleen tärkeitä. Ne ovat työtiloja, harrastuspaikkoja, kulttuurin keskuksia ja samalla konkreettinen osa kaupungin perinteitä. Silti tehtaat ovat joutuneet purku-uhan alle.Tätä reportaasia analysoidaan journalistisessa pro gradu -tutkielmassa Verkkoreportaasin synty

    Jill Walker Rettberg - 27.03.2011 - 14:38

  10. Planting Trees Out of the Grief: In Memoriam Robert Creeley

    "Planting Trees out of the Grief" is a lyrical essay, or work of creative non-fiction about mourning. "Planting Trees out of the Grief. In Memoriam Robert Creeley" is a ficticious story that mirrors the psychological processes of coping with mourning described in the essay.

    The hypertext will lead you through both texts as same as one goes through the process of mourning. You will go further and sometimes you realize you just stepped backwards finding yourself at the same point you were once before.

    Being at the same point (textpassage) you were once before you'll have the choice to follow new paths - or you have to go through the same until a new path (link) reveals. Sometimes people forget they were in grief and then, suddenly, they face their loss again. Therefore, I am dealing with intendend moments of recurrence. By this, you are forced to find new paths and follow other links.

    Mark Marino - 27.03.2011 - 17:52

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