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1. Play Music for My Poem

   The work plays a tension between media and treats the question of control. It is a piece of the “small uncomfortable reading poems” series. Play music for my poem is based on 2 computers that communicate with each other. The first one contains a combinatory generator of sound that plays music for the second computer. The second computer runs a set of 4 combinatory text generators composing a unique poem in 4 stanzas. The music manages the visibility of this text and the reader controls the music generator via a game running on the first computer.

   Hannah Ackermans - 08.09.2015 - 09:36

2. text, sound, electronics, live coding

   This is a performance by Hazel Smith and Roger Dean, involving a strong sonic and musical element interwoven with text. It includes sampled text and sound, electronics and live coding of text and sound. The performance will include two pieces, Metaphorics and Bird Migrants. These two works were performed earlier this year in the UK and Australia, but have undergone considerable development. Every iteration and performance of them (particularly of Metaphorics) is substantially different. Metaphorics (2014) for voice and coded sound This piece employs live voice, live-coded sound (using the platform Gibber by Charlie Roberts, University of California at Santa Barbara), and live algorithmic sound. It involves samples from a recording of parts of the text, together with electronic and sampled instruments. The piece is about metaphor: it also employs metaphor while at the same time deconstructing it. Historically metaphor has been one of the main tools of poetry. Attitudes towards metaphor have been very important in contemporary poetry and poetics, but have caused divisions in the poetic community. Some poets have clung to metaphor as a traditional mainstay of their craft.

   Hannah Ackermans - 30.11.2015 - 10:15

3. SimpleTEXT

   SimpleTEXT is a collaborative audio/visual public performance that relies on audience participation through input from mobile devices such as phones, PDAs or laptops. SimpleTEXT focuses on dynamic input from participants as essential to the overall output. The performance creates a dialogue between participants who submit messages which control the audiovisual output of the installation. These messages are first parsed according to a code that dictates how the music is created, and then rhythmically drive a speech synthesizer and a picture synthesizer in order to create a compelling, collaborative audiovisual performance. SimpleTEXT was originally funded by a commission from Low-Fi, a new media arts organization based in the UK.

   (Source: http://www.coin-operated.com/2010/05/01/simpletext-2003/)

   Hannah Ackermans - 06.04.2016 - 15:16

4. RECONSTRUCTIE

   RECONSTRUCTIE

   Hannah Ackermans - 17.11.2016 - 09:14

5. RECONSTRUCTION

   RECONSTRUCTION

   Hannah Ackermans - 17.11.2016 - 09:15

6. BACTERIËN

   In het filmpje BACTERIËN van dichter Paul Bogaert en beeldend kunstenaar Jan Peeters worden twee gedichten gecombineerd met beelden uit een Amerikaanse film over hoe men het best toiletten schoonmaakt. De schoonmaker neemt enthousiast de kleinste hoekjes onder handen terwijl bacteriën en dienstmededelingen zich verspreiden en vermenigvuldigen.

   De Engelse versie van het filmpje (BACTERIA) werd geselecteerd voor de competitie van het ZEBRA Poetry Film Festival 2014 in Berlijn. De jury selecteerde 29 films uit 770 inzendingen uit 70 landen. Het ZEBRA Festival, dat plaatsvond van 16 tot 19 oktober 2014, is het belangrijkste internationale platform voor poëziefilms.

   Hannah Ackermans - 17.11.2016 - 09:40

7. BACTERIA

   BACTERIA

   Hannah Ackermans - 17.11.2016 - 09:43

8. The Dice Player

   'The Dice Player' is an Animated Poetry film that visualizes a poem written by the Palestinian poet Mahmoud Darwish. It was recited in the live event 'In the Shade of Words' 2008, along with harmonies by the band Le Trio Joubran. (English subtitles are available)

   This is a Bachelor project made in the faculty of Applied Sciences and Arts in the GUC

   Seamus Riordan-Short - 07.06.2017 - 20:43

9. Boum!

   Boum! est un récit horizontal pour grands petits hommes, imaginé et illustré par Mikaël Cixous, mis en son par Jean-Jacques Birgé et propulsé par Mathias Franck.

   Première production du genre, Boum! détourne les codes de visualisation classiques et invente une nouvelle façon de s’immerger dans une histoire. Le principe d’une lecture horizontale enrichie par une bande sonore réactive et surprenante, bouscule et enrichi à chaque instant la perception du spectateur.

   Boum! dénote par la simplicité du procédé utilisé et la richesse du rendu. Les Inéditeurs marquent ici un retour aux sources quant au travail d’écriture et de mise en scène visuelle et sonore avec un credo simple : privilégier l’histoire et laisser l’imagination galoper.

   Pål Alvsaker - 07.09.2017 - 16:17

10. Flewn

    “Flewn” is a melancholic and surrealistic story in book app format about an old whale walking on stilts through a desert in search of a lost ocean, carrying on its back jars with sea creatures it has rescued. Beautifully executed, “Flewn” offers two reading modes: the story mode, in which the reader explores the whale’s story by scrolling through the illustrations, accompanied with music, animation, video, and text; and the game mode, which offers an interactive exploration of the story space from the perspective of a little frog whose helicopter must be kept on air by pedalling and in this way help to spot the ocean everybody is looking for.

    (Source: Description from ELO 2017: Book of Abstracts and Catalogs)

    Pål Alvsaker - 07.09.2017 - 16:47

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