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  1. Agata Chiusano

    Agata Chiusano

    Patricia Tomaszek - 12.01.2011 - 16:46

  2. Video Ergo Sum: Video as Symbolic Form

    From cinema to TV, from PC to iPhone, from videogames to the displays disseminated across the urban space, today everything is video. It form a whirl of images flowing in a single visual stream, an unstoppable and fluid visual continuum. Therefore, by explicitly hinting at Erwin Panofsky’s essay of 1927, in this text I try to understand if it is possible to develop a discourse on the situation of contemporary visual culture that echoes the one proposed by the German art historian. The following arguments try to prove that it is indeed possible by referring to the relations currently binding art, aesthetics and the new media, and in particular to the series of interdisciplinary studies developed by North-American cultural studies.

    Patricia Tomaszek - 12.01.2011 - 16:50

  3. New Media ArtPoetry: A Reflection on Practice

    New Media ArtPoetry: A Reflection on Practice

    Patricia Tomaszek - 12.01.2011 - 16:52

  4. Stefano Taccone

    Stefano Taccone (Naples, 1981) is an independent critic and curator. He studies the relationship between art and politics, art and activism, art and the public sphere and has developed numerous publications and edited several catalogues and exhibitions.

    Patricia Tomaszek - 12.01.2011 - 16:52

  5. Art, Activism and Web. Notes and Hypothesis for a Historical Overview

    Art, Activism and Web. Notes and Hypothesis for a Historical Overview

    Patricia Tomaszek - 12.01.2011 - 16:53

  6. A Short History of Electronic Poetry

    “Una Piccola Storia della Poesia Elettronica” presents a brief history of digital poetry, from the perspective of the Electronic Poetry Center (EPC), Buffalo, and the international E-Poetry Festivals of digital literature, art, and performance (E-Poetry). The paper engages the discipline from various perspectives, considering its relation to historic contextualizing movements and institutional mechanisms. Typifying the E-Poetry festivals, it is argued, are its exuberant origins: (1) the U.S. small press movements of the later twentieth century; (2) the activities and philosophies of the Electronic Poetry Center; (3) its self-definition as more broadly-conceived than that of hypertext; (4) the pre-existing literary ground of Language Poetry practices; (5) the vibrancy of the as-then-constituted Poetics Program at Buffalo, and; (6) a "symposium of the whole", the continued emerging importance of enthnopoetic localizations to an eventual realization of contemporary poetics.

    Patricia Tomaszek - 12.01.2011 - 16:57

  7. From Textual Random Synthesis to Hypermedia - The Genesis of a Multimedia Electronic Work: ALLETSATOR/ROTASTELLA

    From Textual Random Synthesis to Hypermedia - The Genesis of a Multimedia Electronic Work: ALLETSATOR/ROTASTELLA

    Patricia Tomaszek - 12.01.2011 - 16:58

  8. eLiterature: Literature in the Digital Era. Definition, Concept and Status

    In questo contributo si analizza il concetto di eLiterature e il suo statuto digitale. Si considera quindi il rapporto tra letteratura ed eLiterature e si presentano le caratteristiche peculiari di quest’ultima. Attraversando i concetti di digital born, paper-under-glass, ibridità, mutagenabilità, ergodicità, agency e testualità digitale si offre infine una definizione di letteratura elettronica.

    Patricia Tomaszek - 12.01.2011 - 17:00

  9. Luigi Caramiello

    Luigi Caramiello

    Patricia Tomaszek - 12.01.2011 - 17:02

  10. The Virtual and The Virtuous

    Con l’avvento di Internet la quantità di materiale "elettronico" esistente è aumentata sempre di più. Il web rappresenta sicuramente un passo in avanti sconvolgente nella storia del progresso dell’umanità; pur tuttavia tale dispositivo tecnologico è stato soggetto a numerose critiche dal momento che, secondo una posizione la quale, un tempo, avremmo definito “apocalittica”, questo ci starebbe portando verso la fine della Galassia Gutenberg. Con Internet ciò che è evidente è che ci si trova di fronte ad un’omogeneizzazione a livello del supporto grazie al quale la scrittura si veicola e si innesta, ma questa continua ad esistere, sia in quanto interfaccia possibile dell’intera storia tradizionale della letteratura, sia, ed in maniera consistente, in forme innovative. L'incontro tra digitale e mondo della letteratura ha dato vita ad uno scenario assolutamente inedito, senz'altro caratterizzato da una serie di nuove possibilità, ma, al contempo, anche da paradossi e puntellato da non pochi interrogativi.

    Patricia Tomaszek - 12.01.2011 - 17:03

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