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1. Oslo Screen Festival: Interview with Ottar Ormstad

   Before when was created, LYMS was screened. An interview with Ottar Ormstad about his work and artistic influences.

   Patricia Tomaszek - 18.11.2012 - 13:23

2. Cavewriting

   Push aside the thick, dark curtain, step across the cables on the floor and you'll find yourself standing on a white floor with white screens in front of you and to each of your sides. Above you are projectors and speakers. You're given a pair of goggles and a glove. You put them on and wait for Screen to begin. The space darkens. A voice begins to read: "In a world of illusions, we hold ourselves in place by memories." In the dark there is nothing for you to do but listen.

   Screen is a literary work that can only be experienced in a Cave. In a Cave, images -- or in the case of Screen, words -- are projected on all three walls and on the floor. When you stand in the Cave wearing goggles, you experience the projected images as a three dimensional space in which you can move around. The goggles and glove allow the Cave to track your position, so you can control the environment by moving your body and your hand.

   Light over the sill of an unshaded
   bedroom window, into a woman's eyes.
   She turns away, slips half back under sleep.

   Scott Rettberg - 28.01.2013 - 00:51

3. ELD & ELMCIP (Interview with Scott Rettberg & Joseph Tabbi)

   Scott Rettberg (ELMCIP elmcip.net/) & Joe Tabbi (ELD directory.eliterature.org/) 
   discuss how the acceleration of technology has influenced the stability of e-lit and discourse.

   As directors of archives with extensive historical roots in the history of the ELO, both these individuals contribute formidably to the 'collective memory' of electronic literature. Preservation and re-construction of reader experience are problematic issues; preserving e-lit involves preserving the context and networks of discourse that envelop e-literature in an 'ecology'. Optimal success involves creating the conditions for project 'interoperability': linking conversations and structures that ensure continuity.

   Neither Rettberg nor Tabbi, anticipated when they started that they would become become archivists, yet they now keep e-lit data from getting wet and/or disappearing.

   (Source: David Jhave Johnston's description)

   Scott Rettberg - 12.02.2013 - 08:52

4. Interview with Andrew Klobucar

   Andrew is a prof-editor-theorist at NJIT and creator (along with David Ayre) of the GTR Toolkit
   an algorithm OULIPO-style language shredder.

   For more info see: http://web.njit.edu/~newrev/3.0/workbench/Workbench.html
   
   This capta was recorded in Andrew's
   Jersey-side sky library
   on Feb. 7th, 2012.

   Scott Rettberg - 12.02.2013 - 11:14

5. Interview with D. Kimm

   Une interview en français (avec franglais from Jhave).

   Artiste interdisciplinaire, D. Kimm a publié quatre recueils poétiques; elle est en poète de performance au niveau international; et elle dirige Le Festival Voix d’Amériques http://www.fva.ca

   This capta was recorded at Banff Centre
   on Feb. 23rd, 2012.

   (Source: David Jhave Johnston, CAPTA project site)

   Scott Rettberg - 12.02.2013 - 11:23

6. Interview with Steve McCaffery

   Interview with Steve McCaffery

   Scott Rettberg - 12.02.2013 - 11:39

7. Interview with Amaranth Borsuk

   "A poet and scholar, Amaranth Borsuk’s work focuses on textual materiality—from the surface of the page to the surface of language."

   http://www.amaranthborsuk.com/

   Amaranth combines technical innovation with poetic-prose play that constructs context-content reflective of the mediated experience. Her augmented reality project Between Page and Screen (developed with her partner Brad Bouse) is an elegant austere mutation in poetics.

   This capta was recorded at SUNY U.Buffalo
   on Feb. 2nd, 2012.

   (Source: David Jhave Johnston, CAPTA)

   Scott Rettberg - 12.02.2013 - 11:47

8. Interview with Brian Kim Stefans

   Brian Stefans has achieved notoriety for a number of mischievous achievements: poetic subversion (The Dream LIfe of Letters), theoretical nimbleness (Fashionable Noise: On Digital Poetics), and curatorial omniscience (SF-MOMA OpenSpace: Third Hand Plays ).

   He is also a prof at UCLA & always in, his sparse timely way, a poet.

   We spoke on 2012-02-15 at the Banff Centre where Brian was a guest lecturer at the In(ter)ventions residency.

   (Source: David Jhave Johnston, CAPTA)

   Scott Rettberg - 12.02.2013 - 12:06

9. Interview with Charles Bernstein

   Interview with Charles Bernstein

   Scott Rettberg - 12.02.2013 - 12:20

10. Interview with Christian Bök

    Christian Bök is pre-eminent among paradigm shifters. He has done seminal sound poetry as a beatbox-poet, written a bestseller lipogram Eunoia, and now is bio-hacking a durable bacteria so it exudes protein poems.

    (Source: David Jhave Johnston, CAPTA)

    Scott Rettberg - 12.02.2013 - 12:37

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