E-literature in/with Performance, an ELMCIP Seminar  (CFP: Call for Papers/Presentations)

E-literature in/with Performance, an Electronic Literature as a Model of Creativity in Practice (ELMCIP) Seminar  

Arnolfini, Bristol, UK

May 3-4, 2012

As part of the ELMCIP research project, and under the aegis of University College Falmouth, a conference is being held at Arnolfini, Bristol to investigate the relationship between e-literature/digital text and performance. Members of the ELMCIP project, international speakers and practitioners will discuss the function and understanding of performativity and its relationship to digital literature through a series of papers, presentations and practical engagements.

Although the field of e-literature is rife with references to performance, they have tended to remain relatively untheorised. In the main, analysis or investigation of performance is restricted to the relationship between the text output (on the interface or projected into a performance space) and the live body responding performatively to that text, or else generating text through performance. There has been little attempt to fold digital text performance into the wider context of the ‘turn to performance’ among the humanities in recent decades. It is against this background of performance studies, ordinary language philosophy and speech act theory, the ethnography of ritual, performance of self and gender, performance writing, etc, that the conference will take place.

While continuing the investigation of live performance, we will be seeking to broaden the scope to include; interactivity, the performative gesture of the hand and fingers (digital text) on the interface, the performativity of language itself on the screen, social performance or how digital texts ‘perform’ us, the performance of codes and scripting, and the performance of the machine itself, i.e., what does an engineer mean when s/he talks about performance? In other words, we will be looking at the different modes of performance as they are manifest across the whole digital environment (dispositif) and, in order to give a fuller account of this complex of performative modes, we will also be investigating how they interact and collaborate with each other.

Conference proceedings, along with artist’s pages, will be published in a dedicated issue of the journal Performance Research (2013)

Call for papers: If you are interested in taking part in this event, please send an abstract (250 words) for a paper of 20 mins plus 10 mins addressing aspects of the ideas outlined above, or a proposal for a digital text performance/workshop, to Jerome.fletcher@falmouth.ac.uk

Invited artists (thus far): Annie Abrahams (Netherlands), Donna Leishman (UK), Cris Cheek (UK), J.R. Carpenter (Canada), Joerg Piringer (Austria).

Closing date for abstracts: Dec 30th. 

ELMCIP Seminar on Digital Poetics and the Present at the University of Amsterdam - Program

The program for the ELMCIP Seminar on Digital Poetics and the Present is now available. The seminar will take place on December 9th and 10th in Amsterdam, Holland at the University of Amsterdam. Readings and performances will be given in the evening at the political and cultural center De Balie (Friday) and the Perdu Theater (Saturday).

Keynotes will be delivered by Jan Baetens, Professor of cultural studies at the University of Leuven, Rita Raley, Associate Professor of English at the University of California, Santa Barbara, and Roberto Simanowksi, Professor at the Institute for Media Studies at the University of Basel. 

Digital literature covers a broad spectrum of creative work: from Facebook-poetry to interactive fiction and animated poems written in Flash. In recent years, both criticism and practice of digital literature have created a theoretical basis for the approach of the new artform. Ideas have been brought forward on the historical, contextual and institutional embedding of digital literature. Critics have proposed various ways to analyze the hybrid that digital literature is and have emphasised the necessity of a ‘media-specific analysis’. Now the time has come to look closer at techniques and effects of digital literary works, and at the contemporary contexts in which they are created. Digital literature does not operate in isolation: it is in all respects a contemporary artform. The seminar focusses on this question of digital ‘poetics’, understood as the question to the nature and the value of the work, both in criticism as in practice itself.

The complete program can be downloaded as a PDF file.

Coordination: Yra van Dijk  Conference website: http://elmcip.net/page/elmcip-events.

 The seminar is part of the project:  Developing a Network-Based Creative Community: Electronic Literature as a Model of Creativity and Innovation in Practice (ELMCIP) , a collaborative research project funded by Humanities in the European Research Area (HERA) JRP for Creativity and Innovation.

Key-note speakers:

Jan Baetens is Professor of cultural studies at the University of Leuven. He has widely published (most often in French) on word and image studies, particularly in the field of the so-called minor genres (graphic novel, photonovel, novelization) and contemporary French writing and poetry, more specifically in the field of constrained writing.

Rita Raley is Associate Professor of English at the University of California Santa Barbara and visiting scholar in the Dutch Literary Foundation program. Her primary research interests lie at the intersection of digital media and humanist inquiry, with a particular emphasis on cultural critique, artistic practices, and language. She is the author of Tactical Media (2009), a study of new media art in relation to neoliberal globalization, has been published by the University of Minnesota Press in its “Electronic Mediations” series.

Roberto Simanowski is Professor at the Institute for Media Studies at the University of Basel, Swiss, editor of the online jounal Dichtung Digital and the author of Digital art and meaning. Reading Kinetic Poetry, Text machines, Mapping Art, and Intyeractive Installations (University of Minnesota Press 2011, Electronic Mediations” series). 

Friday, December 9th:

University of Amsterdam, VOC room, Kloveniersburgwal 48, Amsterdam

 9.30 Key-note: Jan Baetens: Hypertext revisited.  The issue of ‘non-sequentiality’ in print and digital literature.

 10.30 Coffee/ Tea break

 

10.45-13.00: Analyzing digital poetics I

Serge Bouchardon: University of Technology of Compiegne, Gestural manipulations and digital poetic.

Raine Koskimaa: University of Jyvaskyla: Playing with time in digital fiction.


13.00-14.30 lunch break

 

14.30-16.00: Analysing digital poetics II. Short presentations followed by plenary discussion.

Jerome Fletcher, University of Falmouth : Digital Text: writing with the hand and fingers.

Maria Mencia, Kingston University, London: The Poetics of Sound in e-literature and the Avant-Garde tradition.


 16.00-16.15 Coffee/ tea break

 

 16.15-17.15 Key-note: Roberto Simanowski: Warfare and Conventionality: How avant-garde computer-generated text can be,

 

 17.15-19.30: Drinks and Dinner

 

20.00-22.00: Words in motion. Digital authors from different European countries will present new work.  With JR Carpenter and Jerome Fletcher, Serge Bouchardon, Maria Mencia, K. Michel, Henk van der Waal,  and Tonnus Oosterhoff. 
Location: cultural and political debating center De Balie, Kleine Gartmanplantsoen 10. Amsterdam. 

 

Saturday, December 10th

University of Amsterdam, Doelenzaal, Singel 421.

9.30-10.30: Key-note Rita Raley: Living Letterforms: The Ecological Turn in Contemporary Digital Poetics.

 

10.30 Coffee/ tea break

 

10.45-12.30:  Creativity and Affect

David Prater, Blekinge Institute of Technology, Sweden: Flashpoints: Reading Electronic Literature as a (Neural) Metaphor for Creativity.

Eric Dean Rasmussen, University of Bergen: Significant Affects in Digital Literature

Jill Walker Rettberg and Eric Dean Rasmussen (University of Bergen, Norway): Student Research Using the ELMCIP Knowledge Base.

 

12.30-14.00: Lunch

14.00-15.45  Remediation and Relation: digital and print literature.

Kiene Brillenburg-Wurth, University Utrecht: Writing as Erasure: Book Art, Memory, and Forgetting in the Digital Age.

Scott Rettberg, University of Bergen: Revisiting Reflexivity: American Metafiction and Hypertext Narratives.

Yra van Dijk: A performance of reality. Handwriting in digital poetry.

 

15.45-16.00 Coffee/ Tea break

 

16.00-17.00: Plenary discussion of artworks demonstrated the previous evening in presence of the authors. What are the effects, promises and possible pitfalls of these works? Panel with Rita Raley, Talan Memmott, Roberto Simanowksi and Jan Baetens.

 

17.00-20.00 Drinks and dinner

 

20.00-23.00 Evening show of digital literature: Aesthetic strategies as critical interventions. New work by JR Carpenter, Renee Turner, Andreas Jacobs. Panel hosted by Rita Raley.
Location: Perdu Theater, Kloveniersburgwal 86.

Screencast: RDF enhanced search, Filters, and WorldCat in the Knowledge Base

This screencast describes several new features in the ELMCIP Knowledge Base designed to make it even more useful for researchers. With the RDF power of Drupal 7, records in the knowledge base are accessible to search engines such as Google in new machine-readable ways. We recently added some filters to make finding creative works and critical writing in the Knowledge Base easier for researchers. We are also adding links from records in the Knowledge Base to WorldCat, so that KB users will be able see if a particular book or resource is available in their local library.

Multimedia: 

Second Call for Submissions to the ELMCIP Anthology of Electronic Literature

Electronic Literature as a Model of Creativity and Innovation in Practice (ELMCIP), a collaborative research project funded by the Humanities in the European Research Area (HERA) JRP for Creativity and Innovation, has extended the deadline for submissions of electronic literature from European writers and practitioners for its upcoming anthology. We are looking for innovative literary works by European authors that take advantage of digital media and computation.

Submissions for the second call will close November 7, 2011.

ELMCIP involves seven European academic research partners and one non-academic partner investigating how transnational and transcultural creative communities of practitioners form within global and distributed communication environments. Focusing on the electronic-literature community in Europe as a model of networked creativity and innovation in practice, ELMCIP intends both to study the formation and interactions of that community and to further electronic literature research and practice in Europe.

The anthology will provide a sample of Europe’s diverse electronic-literature practices. It will include around thirty works along with teaching materials from educators interested in electronic-literary practices. The anthology will be published online and on a cross-platform DVD.

All content will be offered under the Creative Commons Attribution-NonCommercial- NoDerivs 3.0 License allowing the disc to be installed, duplicated, and shared by individuals, libraries, and educational institutions. The intent is to provide educators, students and the general public with a free curricular resource containing a variety of examples of electronic literary works.

Works will be selected based on the following criteria:

  • European diversity: to represent a broad cross-section of authors and artists from different European cultures.
  • Formal diversity: to represent a broad sampling of approaches to electronic literature demonstrating the influence of multiple modes of practice and different types of interdisciplinary art practice.
  • Pedagogical relevance: the committee will attempt to select a range of works appropriate for teaching in secondary and university classroom settings

Submission Guidelines:

  • Authors may submit two works.
  • Works may be in any European language.
  • At least one author should have been a resident of a European country at the time the work was created.
  • Previously published works will be accepted for submission.

How to submit your work

Submissions in response to this second call must be delivered as follows:

  1. Prepare a plain text file with the following information:
  • The title of the work, in English and in the original language.
  • The names and email addresses of all authors and contributors of the work. Please indicate the primary contact.
  • A URL where a Zip archive of the work can be downloaded (even if the work is available online).
  • Include a text file containing the items above. (Name the text file [lastname]-submission.txt).
  • A short description of the work, between 125-250 words, in English and the original language.
  • Language(s) in which the work is produced.
  • Any special technical requirements for the work (plug-ins, specific browser, etc.)
  • If the work has been previously published or distributed please indicate the date, publisher, and location or format.
  • Prepare a .zip archive including the work in its entirety. Include the text file from step (1) at the top level of this archive, and name it “submisson.txt”. If the work is available online, include the submission.txt file as an attachment to the email.
  • Upload the .zip file to a web server so that it is available at the specified location.
  • Place all of the text in the “submisson.txt” file in the body of an email and send it to anthology@elmcip.net with ELMCIP ANTHOLOGY and the name of the piece being submitted included in the subject line.
  • The work should function in current Mac and Windows operating systems. Users should not be required to purchase additional software for the work to function, but may require software that is available for free and/or is typically pre-installed on contemporary computers, such as browsers and plug-ins

    Submissions will be entered  into the ELMCIP Knowledge Base: http://elmcip.net/knowledgebase.

    The anthology is scheduled for publication in December 2012.

    If your work is selected it will be published and distributed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License.

    During the fall of 2011, an additional call for pedagogical materials will be distributed, partially based on the works chosen for the anthology.

    Selection Committee:

    • Simon Biggs, Edinburgh College of Art
    • Yra Van Dijk, University of Amsterdam
    • Maria Engberg, Blekinge Institute of Technology
    • Jerome Fletcher, University College Falmouth
    • Raine Koskimaa, University of Jyväskylä
    • Talan Memmott, Blekinge Institute of Technology
    • Scott Rettberg, University of Bergen
    • Jill Walker Rettberg, University of Bergen

    Editors:

    • Talan Memmott, Blekinge Institute of Technology
    • Maria Engberg, Blekinge Institute of Technology
    • David Prater, Blekinge Institute of Technology

    Call for Papers: Remediating the Social

    Remediating the Social

    1st CALL FOR PAPERS

    The Electronic Literature as a Model of Creativity and Innovation in Practice (ELMCIP) research project invites paper and presentation proposals for its conference, Remediating the Social. Selected papers will be presented at the conference in Edinburgh, Scotland November 1-3, 2012.

    ELMCIP welcomes abstracts of up to 500 words for papers, presentations and group panel sessions that address network and digitally mediated creative practices that effect and reflect upon the role of creativity in social and community formation. Remediating the Social apprehends people and media as interacting generative agents, remediating one another as a vital part of contemporary social space. Papers that reflect upon "born digital" literary and artistic practice within the context of cultural formation are especially welcome. Papers might present theoretical positions, case studies or artist's presentations, as well as other forms. We welcome proposals for panel discussions on specific topics that engage the conference theme.

    Remediating the Social will be hosted at Edinburgh College of Art (eca) of the University of Edinburgh, in collaboration with New Media Scotland and University College Falmouth. The conference will be held at eca. An associated exhibition will be held at Inspace, a purpose-built research and exhibition facility in the University of Edinburgh's School of Informatics, fully instrumented to facilitate engagement with developments in new technologies, scientific research and creative practice. The exhibition will continue after the conference for three weeks.

    The conference programme will consist of paper presentations, across a range of disciplines and modes of inquiry, addressing examples of creative communities that have formed around various practices, media and discourses. Case studies, papers and panels, including examples arising from the ELMCIP project and other contexts, will be presented. The conference will be web-cast, allowing for remote attendees to monitor events and put questions to conference via a live public feed, employing mediating technologies within the event. Conference proceedings will be peer reviewed and published, with ISBN.

    About ELMCIP
    Electronic Literature as a Model of Creativity and Innovation in Practice (ELMCIP) is a three year collaborative research project running from 2010-2013, funded by the Humanities in the European Research Area Joint Research Programme for Creativity and Innovation. ELMCIP involves seven European academic research partners and one non-academic partner who are investigating how creative communities of practitioners form within transnational and transcultural contexts in globalized and distributed communications environments. Focusing on the electronic literature community in Europe, as a model of networked creativity and innovation in practice, ELMCIP studies the formation and interactions of that community and seeks to further electronic literature research and practice in Europe. The project partners are The University of Bergen, Edinburgh College of Art, Blekinge Institute of Technology, The University of Amsterdam, The University of Ljubljana, The University of Jyväskylä,, University College Falmouth and New Media Scotland.

    Abstracts of papers should be of no more than 500 words and/or two pages of A4 in PDF format. A biographical statement of no more than 250 words should be included (additional to the abstract word count).

    Abstracts must be sent as a single PDF file and not exceed 4 megabytes in size. They should include clear indication of technical and resource requirements as well as duration and space requirements (if applicable). Submissions will only be accepted electronically and to the email address below.

    Abstracts submission Deadline: December 30, 2011
    Notification of selection: February 29, 2012
    Full papers deadline: May 31, 2012
    Conference dates: 01-03 November 2012, Edinburgh College of Art, Edinburgh, UK
    Submissions to: artworks@elmcip.net
    http://www.elmcip.net/conference

    Co-Chairs: Simon Biggs and Jerome Fletcher. ELMCIP Project Leader: Scott Rettberg

    Peer-review committee:
    Jan Beatens, University of Leuven
    Giselle Beiguelman, Sao Paulo Catholic University
    Simon Biggs, Edinburgh College of Art
    Serge Bouchardon, University of Technology of Compiegne
    Friedrich Block, Stiftung Brückner-Kühner, Kassel
    Laura Borràs Castanyer, University of Barcelona
    Mark Daniels, New Media Scotland
    Yra Van Dijk, University of Amsterdam
    Maria Engberg, Blekinge Institute of Technology
    Jerome Fletcher, University College Falmouth
    Raine Koskimaa, University of Jyväskylä
    James Leach, University of Aberdeen
    Talan Memmott, Blekinge Institute of Technology
    Scott Rettberg, University of Bergen
    Margriet Schavemaker, Stedelijk Museum Amsterdam
    Janez Strehovec, University of Ljubljana
    Joseph Tabbi, University of Illinois at Chicago
    Penny Travlou, Edinburgh College of Art
    Jill Walker-Rettberg, University of Bergen

    CONTACT
    Email: artworks@elmcip.net
    Tel.: +44 (0)131 2216084
    Mail: ELMCIP 2012 Chair (att: Professor Simon Biggs)
    Research Zone, Edinburgh College of Art, University of Edinburgh
    Lauriston Place, Edinburgh, EH3 9DF, UK

    Supported by the HERA Joint Research Programme (www.heranet.info) which is co-funded by AHRC, AKA, DASTI, ETF, FNR, FWF, HAZU, IRCHSS, MHEST, NWO, RANNIS, RCN, VR and The European Community FP7 2007-2013, under the Socio-economic Sciences and Humanities programme.

    Interrogating Electronic Literature

    ELMCIP researchers Talan Memmott and David Prater, at Blekinge Institute of Technology, produced this docu-essay from last week's seminar on electronic literature and new media art, based on responses to short questions emerging from the seminar content.

     

    Multimedia: 

    Screencast: Introducing Notebooks in the Knowledge Base

    Notebooks are a new feature on the ELMCIP Knowledge Base made to make the KB more useful to researchers. Users can create notebooks for individual research projects, and easily include links to KB records for creative works, critical writing, authors, and events, along with their own notes about a given topic. These notebooks are then stored in the Knowledge Base, and accessible to the individual user from their profile page.

    Multimedia: 

    Screencast: new user profile features in the Knowledge Base

    This screencast introduces some new profile features in the ELMCIP Knowledge Base that will allow contributors to more easily access and track their records as they are edited over time, and will enable authors and critics to access all the records that have been created about their writing, directly from their profile page. Current Knowledge Base contributors are encouraged to try out the new features, and all electronic literature authors and scholars are enouraged to contact Eric Rasmussen at kb_editor@elmcip.net to set up an account.
     
    Multimedia: 

    ELMCIP seminar on E-Literature and New Media Art: Ljubljana, Slovenia, Sept 22-23

    The program for the ELMCIP E-Literature and New Media Art in Ljubljana, Slovenia has been announced. The seminar will be held Thursday and Friday September 22-23 the City Hotel in Ljubljana. Scholars, writers, and artists interested in attending should contact the seminar organizer, Janez Strehovec by email: janez.strehovec@guest.arnes.si

    The preliminary schedule is attached. Also attached is the reservation form for the City Hotel. Rooms should be reserved by August 31st.

    ELMCIP Knowledge Base open for new contributions and Anthology submissions

    We have migrated the ELMCIP Knowledge Base platform from Drupal 6 to Drupal 7, which was a non-trivial process. We have also moved from a shared host to a VPS, which should result in better performance. There are a few remaining issues that still need to be resolved, including some problems with existing video attachments, and the FAQ is temporarily disabled. However, users and contributors to the Knowledge Base can now enter and edit records as before. New features will be deployed over the course of the summer, and a more visually appealing redesign of the site is in the works. In the meantime, we will all enjoy using a faster database with more processing power. 

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