Conference paper or presentation

Displaying 1 - 500 of 585
Titlesort descending Author Year Tags
Netzliteratur: Text, Algorithmus, Interaktion Johannes Auer 2009
Primal Affective Ground and Digital Poetry David Jhave Johnston 2010 digital poetics, visual language, sound, affect, generative, combinatorial, video
What Spam Means to Network Situationism Justin Katko, Camille Paloque-Berges 2007 spam, marketing, ideology, reading, network, situationism
"Uncle Roger", an Online Narrabase Judy Malloy 1991 hypertext fiction, hypertext, fiction, database narrative, artist books
'Living Letterforms': The Ecological Turn in Contemporary Digital Poetics Rita Raley 2011
'Reading' Performance: Eugenio Tisselli's Wen Giovanna Di Rosario 2012
'This is Not a Game': Immersive Aesthetics and Collective Play Jane McGonigal 2003 cross-media, play, games
(R)Evolutionary Communication: Defining and Refining Digital Literature, Art and Storytelling Allegra Pietera 2008 pedagogy, space, video, narrative, interdisciplinary, storytelling
(Techno)dispositifs in Contemporary Art Practice: Fifty-year Theater Performance Noordung 1995-2045 by Dragan Živadinov Bojan Anđelković 2011 noordung, postgravity art, techno, technology, subject, subjectivity, dispositif, aparatus, body without organs, deleuze, foucault, nietzsche, ubermanch, eternal return
10 years of Interpoesia Wilton Azevedo 2011
7 Thesen zur Netzliteratur Johannes Auer 2000
A Cartography of the Aesthetics and Locality of Forgetting: Preliminary Remarks on Samuel Delany’s Dhalgren, Mark Amerika’s Hypertextual Consciousness [beta-version] and Christopher Nolan’s Memento Theodoros Chiotis 2005 cartography, procedural poetics, memory, literary criticism, film, hypertext, novel
A Clash between Game and Narrative Jesper Juul 1998 computer games, interactive fiction, narrative
A Cross-Medial Close Reading of Swedish Digital Poetry Mette-Marie Zacher Sørensen 2010 Swedish, Swedish digital poetry, digital poetry, concrete poetry, avant-garde, language
A Little Talk About Reproduction J. R. Carpenter 1998 photocopy, artist books, hypertext, HTML, art, art theory, web art
A Response to Nick Montfort's "Programming for Fun, Together" Scott Rettberg 2012 response, constraints, collaboration, social, programming, hacking
A Response to Roberto Simanowski's "The Compelling Charm of Numbers" Friedrich W. Block 2012
A Response to the Report on Publishing E-Lit in Europe Mark C. Marino 2011 electronic literature, publishing, discussion
A Short History of Electronic Poetry Loss Pequeño Glazier 2011 history, epoetry, festival, epc
A Tower of Sound Sissel Lillebostad 2012 curating, public space
Abandoning Canon: Fluid Texts and Implicit Collaboration in Electronic Narratives Lyle Skains 2012
About Some Programmed Forms in Digital Poetry Philippe Bootz 2011
Acoustic and Visual Imagination in Poetry from the Neo_Avantgarde to New Media Poetry in Yugoslav and Post-Yugoslav Poetry Dubravka Djurić 2011 new media poetics, visual poetry, poetics, Yugoslav poetry, literary history, avant-garde, socialist modernism, ideology, nationalism, concrete poetry
Adventures in Transition: Jason Nelson’s Scary Journey from Flash to J-Code and Desk to Hand Jason Nelson 2012
Aesthetic Animism: Digital Poetry as Ontological Probe David Jhave Johnston 2011 digital animism, poetry, tavit
Aesthetic Autonomy and Sensuous Appearing: Two Questions in the Aesthetics of Digital Poetry Andrew Michael Roberts 2008 interactivity, aesthetics, autonomy, sensuous, appearing, avant-garde, anti-aesthetic
After the Gold Rush: Sustainable Information Culture Stuart Moulthrop 2000
Against Digital Poetics Sandy Baldwin 2009 digital poetics
Against immersion – notes for non-virtual reality design Gonzalo Frasca 2000
Against Information: Reading (in) the Electronic Waste Land Andrew Klobucar 2012
Aleph Null as Tool, Thought Process, and Poetics Leonardo Flores 2012
All Together Now: Collective Knowledge, Collective. Narratives, and Architectures of Participation Scott Rettberg 2005 narrative, collaboration, fiction, collective, participation, systems
All Tomorrow's Parties Scott Rettberg 2010 history, ELO, community, parody, literary institutions, Robert Coover
An Account of Randomness in Literary Computing Mark Sample 2013 randomness, computing history, generation, cold war
An Archival Approach to Curating Born-Digital and Electronic Literary Materials Michael Forstrom, Catherine Stollar Peters, Melissa Waterworth, Gabriela Redwine 2008 archive, curation, preservation
An ethnography of a networked community as emergent creativity Penny Travlou 2010
Analysing Digital Poetry: A Case Study Philippe Bootz 2011
Analysis of Fitting the Pattern Yolanda de Gregorio Robledo 2010 narratology, reader reception, complexity, tools, multimodality
Andrews' Open Canvas: A Critical Code Studies Reading of Aleph Null Mark C. Marino 2012
Ansätze und Möglichkeiten künstlerischen Dialogs und dialogischer Kunst Reinhard Döhl 1996
Archiving Electronic Literature and Poetry: Problems, Tendencies, Perspectives Florian Hartling, Beat Suter 2010 electronic literature, e-poetry, interactive, archive, net literature, archiving, transience, conceptual art
Archiving Workshop Bill Bly, Deena Larsen, Marjorie C. Luesebrink 2012
Art at the biological frontier Eduardo Kac 1998 art, biology, telematics, telepresence, robotics, interactivity, dialogism, noen-litteratur
Art at the Interstice Carolyn Guertin 2008 cultural production, uncommodified culture, user-generated, social, ambivalence
Art, Activism and Web. Notes and Hypothesis for a Historical Overview Stefano Taccone 2011
Aspects of Experiencing Poetry in Digital Media Mohsen Emadi 2011 poetry, natural language, machine language
Assembling the Morrow Sandra Huber 2011
At the Time of Writing: Digital Media, Gesture and Handwriting Anna Gibbs, Maria Angel 2011 literary agency, agency, handwriting, gesture, locative media, graffitti, typography
Augmented Reality Fiction Stefan Schemat 2000
Augmented Reality Storyworlds: Building Spatial Hyperfictions in the York Future Cinema Lab Caitlin Fisher 2008 augmented reality, spatial hypermedia
Authorial Scholarship 2.0: Tracing the creative process in online communities Leonardo Flores 2012 media ecology, affordances, online communities, creative process
Authorship and agency in networked environments Simon Biggs 2010 authorship, agency, environments
Avatars Sharing Agency: Metaphor in Interactive Narrative Environments Jeff Rush 2008 avatar, agency, negotiation, game, interactive narrative
Bearing the Fruits of E-­Poetry: A Personal Decennial View Chris Funkhouser 2011 digital poetry, e-poetry, electronic poetry
Better Looking, Close Reading: How Online Fiction Builds Literary-Critical Skills John David Zuern 2012 electronic literature, digital fiction, pedagogy, teaching, ethics, close reading, digital textuality, reading-ethics of
Between Experiments and Traditions: Italian and Portuguese E-poetry Giovanna Di Rosario 2010 experimental poetics, Brazilian concrete poetry, Italian Futurism, visual poetry, epoetry, legibility
Between Place and Interface: Designing Situated Sound for the iPhone Anders Fagerjord 2009
Big Brother really is watching you: Literature in mobile dataspace Beat Suter 2011 surveillance, electronic literature, locative media, locative
Biopoetry Eduardo Kac 2011 digital poetics, poetics, biopoetry, holopoetry
Bitwise: The Logic of the Digital Aden Evens 2010 digital culture, digital technology, digital aesthetics, binary, ontology
Blending the Crossword with the Narrative: An Examination of the Storygame Jimmy Maher 2008 interactive fiction, story game, immersion, interactivity
BLOGS REMEDIATION TRANSMEDIALITY FROM DIGITAL TO PAPER TO EBOOK Stefano Calzati 2011 blogging, remediation, transmediality, printed book, ebook, Saramago, Duchesne
Blue Lacuna: Lessons Learned Writing the World's Longest Interactive Fiction Aaron A. Reed 2010 interactive fiction, natural language, natural language source code, inform 7, story game, game, character, narrrative, technique
Blurring of Public and Private Space in New Media Art Belinda Haikes 2008 public space, private space, interactivity, social systems
Bob Brown's Reading Machine and the Comic Experience of Electrified Reading Eric Rettberg 2012
Bookishness on Screen Jessica Pressman 2012 nostalgia
Brautigan Bibliography and Archive: Digitizing a Literary Life John F. Barber 2008 archive, bibliography, database
Bridging Intertextuality and Intermediality from a Cultural and Literary Perspective Asunción López-Varela Azcárate 2008 intertextuality, textuality, digital literacy, literary studies, intermediality, multimodality
Bringing the Art of Design to the National Park Service: The Fort Vancouver Mobile Project Dene Grigar 2012
Broméliacées: Translating Bromeliads as Transliterature Loss Pequeño Glazier 2012
Building the Infrastructural Layer: Reading Data Visualization in the Digital Humanities Dana Solomon 2013 data visualization, network analysis, digital humanities, cultural analytics
Can We Help Being Creative? James Leach 2011 creativity, community, creative community
Cannibalistic Tendencies in Digital Poetry: Recent Observations & Personal Practices Chris Funkhouser 2009 creative cannibalism, remix, flarf
Card Shark and Thespis: Exotic Tools for Hypertext Narrative Mark Bernstein 2001 hypertext narrative, tools, systems, writing, authoring software, immersion, interactivity
Carrying across Language and Code Natalia Fedorova, Nick Montfort 2012 translation, digital poetry, algorithmic text generation, interactive fiction, computation, electronic literature
Case Studies in American Creative Communities Rob Wittig 2010 American communities, environmental factors, situation, interpersonal factors, Invisible Seattle
Catalonian Electronic Literature Communities Laura Borràs Castanyer 2010 history, Catalonia, communities, vinaros, Barcelona
Cavewriting: Spatial Hypertext Authoring System Damon Loren Baker 2008 CAVE, cave writing, teaching, hypertext fiction
Ceux l'[image] encore/ une image langue: Beginning with How it is when translating certain processes of electronic literature John Cayley 2012
Chasing Ghosts: Experiencing the Visual Tactility of Michael Joyce’s Electronic Hyperfictions, afternoon, a story (1987) and Twelve Blue (1996) Arnaud Regnauld 2012
Chatten und Clicken Uwe Wirth 2000
Choice vs. Interaction: the Case of Online Caroline William Cole 2001
Chuva de letras: de presenças, ausências de literatura digital Luciana Gattass 2010
Cinematic Paradigms for Hypertext Adrian Miles 1998 cinema, hypertext, hypermedia
Cityscapes: Thinking Through Practice María Mencía 2011 practice-based research, process, audiovisual, interactive, performance, collage, web, inter-phonetic, multicultural, muli-linguisitc, multi-ethnicities, urban calligram, urban screens
Close Reading 2.0: Reimagining Critical Practices for E-Poetry Leonardo Flores 2012
Close-­Reading: Digital Poetry Leonardo Flores 2011 poetry, close reading
Closer again! Alexandra Saemmer 2010 digital literature, electronic literature, semiotic model, digital discourse, semiotics, figure of animation, temporal semiotic unit
Code, Cod, Ode: Poetic Language & Programming Loss Pequeño Glazier 2004
Code, Interpretation, Avant-garde Roberto Simanowski 2011 code, interpretation, avant-garde
Code: Redact <Redact> Sandy Baldwin, Alan Sondheim 2008 codework, language, performance, embodiment, 3D, choreography, psychoanalysis
Codeswitch: the Transborder Immigrant Tool Amy Sara Caroll 2011
Coincidentally the Screen has Turned to Ink: Electronic Literature for Library Spaces Søren Bro Pold 2012
Collaborative Art Experiments on Facebook Raffaele Pinto, Letizia Caiazzo 2011 facebook, collaborative art
Collective Memory and the Development of a Field: Building the ELMCIP Electronic Literature Knowledge Base Scott Rettberg 2012
Commenting Creative Code Nick Montfort, Stephanie Strickland 2012 BASIC, 1970s, 1980s, code comments
Comments on Comments in Code Jeremy Douglass 2011 code, code comments, paratext
Comparative Analysis of the Cyberfeminist Hyperfiction and New Media Art work: Francesca da Rimini’s Dollspace Maya Zalbidea Paniagua 2011 feminism, cyberfeminism, hyperfiction, digital art
Computing Language and Poetry Nick Montfort 2012 poetry generator, digital poetics, narrative, computer narrative, interactive fiction, narratology, stanzory
Con/Tact/ile Jerome Fletcher 2011
Condors' polyphony and jawed water-lines catapulted out: Gnoetry and Its Place in Text Processing's History Chris Funkhouser, Andrew Klobucar 2012 experiment, software program, Gnoetry, text processor, 1980s, artificial poetry, digital poem
Continuous Paper Nick Montfort 2004 materiality, screen essentialism, humanities computing, word processing, computing, computer writing
Continuous Paper: Print Interfaces and Early Computer Writing Nick Montfort 2004 materiality, human-computer interaction, interfaces, print interfaces, interface ecology, computer creativity, adventure games
Contrasts and Convergences of Electronic Literature Dene Grigar 2012 electronic literature, literary history, literature and technology, interpretation
Contributing to the ELMCIP Knowledge Base Eric Dean Rasmussen 2011 workshop, pedagogy, teaching, ELMCIP, electronic literature, database, knowledge base
Corporeal Poetry: Experiments with 3D Poetry in the MOVE Lab Dene Grigar 2008 3D, lab, media art
Creative Communities: Nooks, Niches, and Networks Talan Memmott 2011 electronic literature, digital art, community, mailing list, networks, social networks
Creativity as a social relation? James Leach 2012
Creativity is something for hairdressers - so what is it for writers? Why the differentiation of 'literature' and 'writing' is obsolete, and what the Internet has to do with it Florian Cramer 2012 literature, writing, internet
Cris Cheek on Poetics and Projection Cris Cheek 2012
Cross-­Referenced E-­Lit and Scholarship: The ELMCIP Knowledge Base Patricia Tomaszek 2011 communities, database scholarship
Crossed Lines Sarah Atkinson 2008 artist talk, interactive film, installation, multilinear film
Cultural Narrative in Augmented Reality Jay David Bolter 2000
Curveship: An Interactive Fiction System for Interactive Narrating Nick Montfort 2009 interactive fiction, authoring system, development system, narrative variation
Cybertext Narratology Markku Eskelinen 1999 cybertext, fiction, narratology, postmodern fiction, Oulipo
Cybertext palimpsests - literature to the nth degree Markku Eskelinen 2000 cybertext, narratology
Cyborg Tactics and Perilous Hermeneutics in Lexia to Perplexia Shifts in materiality across space. Daniel Carter 2010 cyborg, hermeneutics, electronic literature, experimental poetics, interactive
Dali Clocks: Time Dimensions of Hypermedia Stephanie Strickland 2001 time, temporality, netart, perception, web art
Database Research and Publishing: Using the ELMCIP Electronic Literature Knowledge Base Eric Dean Rasmussen 2011 electronic literature, publishing, database, Drupal
Davey Dreamnation and the Performance of Self David Thomas Prater 2012
Der Leser als DJ oder was Internetliteratur mit HipHop verbindet Johannes Auer 1999
Der ludoliterarische Typenkreis. Analyse und Kategorisierung digitaler Spiele und anderer Cybertexte Mela Kocher 2004
Derivative Writing: E-literature in the world of new social and economic paradigms Janez Strehovec 2012
Developing a Network-Based Creative Community: Electronic Literature as Model of Creativity and Innovation in Practice (ELMCIP) Scott Rettberg 2010 ELO, ELMCIP, electronic literature, scott rettberg
Die unsichtbare Geschichte: Thesen zum Wesen der Netzliteratur Christiane Heibach 2000
Digging For The Roots Of Interactive Storytelling Carolyn Handler Miller 2008 interactive narrative, history, myth, ritual, game
Digital Arts and Literature – Is it Just a Game? Alexandra Saemmer 2011 games, play, literariness
Digital Culture and the End of the University Jay David Bolter 2011
Digital literary arts, pedagogy and the issue of disciplinarity Maria Engberg 2013
Digital Literary Text as a Play and a Ride Janez Strehovec 2011
Digital Literature and the Modernist Problem Maria Engberg, Jay David Bolter 2010 digital literature, modernism, avant-garde
Digital Literature in France (conference presentation) Serge Bouchardon 2010 france, history, genre
Digital Modernism Jessica Pressman 2008 modernism, digital modernism
Digital Narratology: Rethinking Narrative Competence in Mediated Spaces Jennifer Roudabush 2010
Digital Oracles Martha Carrer Cruz Gabriel 2008 search, privacy, trust, filtering, critical new media, artist talk
Digital Orientalism: Japan and Electronic Literature Alice Ferrebe 2008 translation, transculturation, transliteration, orientalism, ethnicity, self-reflexivity
Digital Panoramas and Cinemascapes Roderick Coover 2008 panorama, cinemascape, scrolling, media differences
Digital Poetry Beyond Avant-Garde Readings: Proposing a Digital Lyric Holly Dupej 2008 lyric, textual analysis, posthuman, gesture, musical language, avant-garde
Digital readings. Reading through images and sound Giovanna Di Rosario 2011
Digital Text: writing with the hand and fingers Jerome Fletcher 2011
Digital Word in a Palm: Digital Poetry between Reading and immersive Bodily Experience Janez Strehovec 2007 3D, poetry, atmosphere, immersion, embodiment
Discussion of processes and issues for ELMCIP anthology Maria Engberg 2010
Distant Mirrors and the LAMP Matthew G. Kirschenbaum 2013 digital humanities, discourse networks, communication channels, scholarly publishing
Distributed Authorship and Creative Communities (conference paper) Simon Biggs, Penny Travlou 2010
Distributed Matters: Production of Presence and the Augmented Textuality of VR Luciana Gattass 2012 presence, presence effects, interpretation, CAVE
DIWO: Do It With Others – No Ecology without Social Ecology Ruth Catlow, Marc Garrett 2012
Do the Domains of Literature and New Media Art Intersect? The Cases of Sonnetoid web projects by Vuk Ćosić and Teo Spiller Aleš Vaupotič 2011 new media art, digital art, e-literature, electronic literature
Documenting Your Work: A Workshop on Using the ELMCIP Knowledge Base for Authors, Critics, and Teachers of Electronic Literature Scott Rettberg, Eric Dean Rasmussen 2012 database, electronic literature, Consortium for Electronic Literature, CELL, digital humanities
Dutch digital literature Yra van Dijk 2010
E-Art: Fragmentation and Assembling Alessandro Zinna 2011 artistic tradition
E-Learning and Literary Studies: Towards a New Culture of Teaching? Laura Borràs Castanyer 2004
E-lit context as Records Continuum: the “lost” Michael Joyce’s Afternoon Italian edition and the archival perspective Paola Pizzichini, Mauro Carassai 2010 computer forensics, digital archaeology, digital artifact, archive, network-oriented, e-lit, electronic literature
E-lit From a Librarian's Perspective Thomas Brevik 2011 accessibility, electronic literature, archiving, reading, library
E-literature and the New Social Paradigms Janez Strehovec 2011 e-lit, electronic literature
E-Literature and the Social Janez Strehovec 2012 new media art, information society, attention economy
E-literature and the Un-coded Model of Meaning: Towards an Ordinary Digital Philosophy Mauro Carassai 2012 digital works, visual, illusion, New Criticism
E-Literature vs. E-poetry Caterina Davinio 2011
E-Poetry Triangulated Markku Eskelinen 2009
E-poetry: the Palpable Side of Signs Giovanna Di Rosario 2008 visual poetry, materiality, epoetry, interpretation, writing, grammatology, calligram, meaning, typography, syntax, entax, rhopalic
Early Authors of E-Literature, Platforms of the Past Dene Grigar 2012 electronic literature, e-lit, literary history, interfaces, command-line interface, Apple IIe, digital poetics
Eccentric Gameplay: Simulating the Digital Any-Space-Whatever Stephanie Boluk, Patrick LeMieux 2010 aesthetic gaming, videogames, eccentric games, experimental videogame
Editing the Electronic Literature Collection, Volume Two Laura Borràs Castanyer 2011 collaboration, Electronic Literature Organization, editing, electronic literature, literary history, anthology, scholarly editing
Ein neues Literaturmilieu [zwischen Transfugalität und "Event-ualität"] Beat Suter 2000
Electrifying Detail: Writing and Reading Triggers in Textual Zoom Florentina Armaselu 2012 textual zoom, writing, reading, detail
Electronic Authorship, Collaboration, Community, and Practice Scott Rettberg 2011 authorship, collaboration, community, creative community
Electronic Literature as Interface Criticism Søren Bro Pold 2011
Electronic Literature for All: Performance in Exhibits and Public Readings Clara Fernández-Vara 2012 accessibility, audience engagement
Electronic literature or digital art? And where are all the challenging hypertextual novels? Gitte Mose 2009 digital art, hypertext fiction, literariness
Electronic Literature Publishing and Distribution in Europe Markku Eskelinen, Giovanna Di Rosario 2011 publishing, electronic literature, literary history, e-lit, white paper, distribution
Electronic Literature Publishing in Europe: Sample Cases from Finland Raine Koskimaa 2010 publishing
Electronic Literature Publishing in Europe: Sample Cases from Italy Giovanna Di Rosario 2010
Electronic Literature Without a Map Markku Eskelinen 2008 computer games, ergodic literature, cybertext, electronic literature, narrative games, hypertext fiction, hermeneutics, literary studies, literary history, ergodic poetry, stretch text
Electronic Publishing Erin Costello 2011
ELiterature Formalization and Pedagogical Implications Fabio De Vivo 2011 e-literature, pedagogy, Didactic, Formalization
eLiterature: Literature in the Digital Era. Definition, Concept and Status Fabio De Vivo 2011
ELIZA Revisited Noah Wardrip-Fruin 2008 chatterbot/conversational character, textual interaction, breakdown, procedural, processes, design
ELMCIP Research Project Goals, Results, and Impact -- Presentation for the Remediating the Social Conference Scott Rettberg 2012 elmcip conference outputs hera project
Embodied Algorithms: On Space and Mobility as Structural Metaphors Romy Achituv 2012 embodied, algorithm, models, strucutral metaphors, installations, data visualization
Endgames: The Poetics of Silence Steven J. LeMieux 2011
Endless Text: New Media Technologies in The Raw Shark Texts Kiene Brillenburg Wurth 2008 novel, experimental fiction, print fiction, serial fiction, intermedial
Entity, Identity: Towards a Tool for Indexing Documents Concerning Digital Poetry Philippe Bootz, Samuel Szoniecky, Abderrahim Bargaoui 2009
Entwurf einer Hyperpoetik Heiko Idensen, Matthias Krohn 1991
Ethnographic Study of an Online Creative Community Penny Travlou 2010
Evaluating digital literature: social networks, selection processes and criteria Alexandra Saemmer 2012 selection, canonization, editorial process, evaluation criteria
Exchanges and Cross-Fertilizations Mapping the Field: Four Perspectives on Aleph Null Jim Andrews, Leonardo Flores, Giovanna Di Rosario, Mark C. Marino 2012 team-reading, surface, code, biography
Exhibiting Electronic Literature Dene Grigar 2012 curating, exhibiting
Exhibiting Electronic Literature in Libraries Søren Bro Pold 2012 exhibiting, libraries, installation
Experimental Poetry and Technology in Argentina: History, Critique, Politics Claudia Kozak 2011 history, Argentina
Experiments in Literary Cartography José Carlos Silvestre 2010 spatiality, hypertext fiction, electronic fiction, narrative, maps, cartography, google maps
Extended Narratives in Egypt: The Book of Going Forth by Day Marjorie C. Luesebrink 2008 landscape, register, map, navigation, point of view, artist talk
Fabrikverkauf. Die Familienbande Johannes Auer
Fairytale Trans-migrations: The Case of Little Red Riding Hood Susana Pajares Tosca 2012
Feral Disciplines & Hybrid Codes Renée Turner 2011
Feral Hypertext: When Hypertext Literature Escapes Control Jill Walker Rettberg 2005
Filiations and History of Digital Literature in France Serge Bouchardon 2011 france, history, characteristics, groups
Flashpoints: Reading Electronic Literature as a Metaphor for Creativity David Thomas Prater 2011
Forms of Future Michael Joyce 1997 electronic literature, digital textuality, writing, interactive fiction, future, authorship
From (Command) Line to (Iconic) Constellation Kenneth Goldsmith 2001 archive, concrete poetry, web
From ALAMO to Transitoire Observable: evolution of the French digital literature Philippe Bootz 2010 poetry, france, history, Phillippe Bootz, Transitoire Observable
From Audio Black to Artful Noises: Looking at Sound in Electronic Literature Kenneth Sherwood 2008 sound and image, sound, multimedia
From capacity to truncation: What can happens in 30 seconds of digital poetry Chris Funkhouser 2010 Robert Coover, the elevator, digital poetry, Janez Strehovec, poetics, meta-textual, linguistic, textual, non-linguistic
From French to Italian: What Do We Need to Translate When We Translate E-Literature Giovanna Di Rosario 2012
From Instrumental Texts to Textual Instruments Noah Wardrip-Fruin 2003
From Lexias to Remediation: Theories of Hypertext Authorship in the 1990s Eric Dean Rasmussen 2002 authorship, hypertext, hypertext theory, literary history, remediation, poststructuralism
From Literary Digital Creative Writing to Digital Literature Teaching in France: A Preliminary Survey Philippe Bootz 2011 digital literature, pedagogy, teaching digital literature in France, teaching
From Oral Poetry to Tridimensional Poetry Agata Chiusano 2011 poetry, video poetry, transmission, memory
From Reality to Interactive Fiction and the Way Back Urs Richle 2012 interactive fiction
From Storyspace to Browsers: Translating afternoon, a story into Polish and XML Mariusz Pisarski 2012
From Textual Random Synthesis to Hypermedia - The Genesis of a Multimedia Electronic Work: ALLETSATOR/ROTASTELLA Pedro Barbosa 2011
Frontiers of Electronic Literature Rita Raley, N. Katherine Hayles 2012 electronic literature, media studies, literary studies
Fugues: An Associative Project on Reading Poetry through the Use of Hypermedia Alice Van der Klei 2008 critical new media, hypermedia, association, pedagogy, adaptation
Galatea’s Riposte: The Reception and Receptacle of Interactive Fiction Lisa Swanstrom 2012 interactive fiction
Game-Based Digitally Mediated Narrative Construction Frances Lucretia Van Scoy 2010 short story, novel, Sydney Sheldin, game, text based, artificial intelligence, narrative, game-generated narrative, player character, authoring system
gCreating: Adventure in Style and The Marble Index in Curveship Nick Montfort interactive fiction, narration, narrative, literary art, interactive fiction system, artificial intelligence, e-lit, electronic literature
Generating Books: Paradoxical Print Snapshots of Digital Literary Processes J. R. Carpenter 2011 generative fiction, generative, remediation, print
Genre, Form, and Cultural Practice in Contemporary Electronic Literature Maria Engberg 2008 genre
Geo-Spatial Aesthetics: Time, Agency and Space in Electronic Writing Anna Gibbs, Maria Angel 2011
Geolocative Storytelling Off the Map Kathi Inman Berens 2012 geolocative, locative, storytelling, L.A. Flood, sonic_implacement
German Net Literature: In the Exile of Invisibility Patricia Tomaszek 2011 communities, Germany, literary systems, scholarship, post-processing, empirical study of literature, esl, awards
Gestural Manipulation and Digital Poetics Serge Bouchardon 2011 figure, manipulation, semiotics
Gesture-Driven Electronic Literature for Mobile Devices: The Gestural Narrative Interaction Engine (GeNIE) D. Fox Harrell 2012
Getting Started in the Digital Humanities Panel Discussion (ELMCIP) Eric Dean Rasmussen 2012 digital humanities, research infrastructure, ELMCIP
Giving form to choice: tree-structures and the question of notational systems in multimedia. Carol-Ann Braun 2010 tree-structures, notational systems, multimedia, Raymond Queneau, Oulipo
Golpe de gracia and the Latin American Electronic Literature Perla Sassón-Henry 2010 Golpe de Gracia, electronic literature, narrative, cross-platform narrative
Graphic Sublime: On the Art and Designwriting of Kate Armstrong and Michael Tippet Joseph Tabbi 2010 narrative, non-linearity, literary modalities, combinatory
Holopoetry, Biopoetry und digitale Literatur. Parameter einer Annäherung Roberto Simanowski 2004
Hors-Categorie: An Embodied, Affective Approach to Interactive Fiction David Benin 2008 interactive fiction, embodiment, affect, drugs, doping, Tour de France
How We Read: Close, Hyper, Machine N. Katherine Hayles 2010 reading, hyperreading, close reading, machine reading, pedagogy, teaching, distant reading, interpretation, literary studies, digital humanities
Huis Clos / No Exit Annie Abrahams 2012 performance, mother tongue, language, telematic, webcam, control, communication, puppets
Hypermediating the Game Interface: Grand Theft Auto and the Alienation Effect Jason Farman 2008 computer game, alienation, Hypermediacy, political, avatar, immersion, satire
Hypertext and bigos: On esthetic categories of modern and post-modern Polish fiction that may help us describe electronic literature in yet another way Mariusz Pisarski 2008
Hypertext and Creative Writing Jay David Bolter, Michael Joyce 1987 Storyspace
Hypertext Fiction from 1987-1999 Jill Walker Rettberg 2010
Hypertext Fiction in the Twilight Zone Raine Koskimaa 1998 hypertext fiction, space, time
Hypertext Revisited: The Issue of Non-Sequentiality in Print and Digital Literature Jan Baetens 2011 hypertext, installment, sequentiality, fragment, short form, minimalism, link
Hypertextual Rhythms (The Momentary Advantage of Our Awkwardness) Michael Joyce 1992 hypertext, hypermedia, hypertext fiction, literary history
I like IRC & SMS Rita Raley 2008 IRC, SMS, multimedia, installation, performance, user-generated texts
Implied Code as Mental Geography Jeremy Douglass 2008 turing test, psychogeography, maps, cartography, navigation
In Search of Sustainability: Institutional and Curricular Limitations of Teaching Electronic Literature Jörgen Schäfer 2011 sustainability, teaching, pedagogy, electronic literature, digital literature
In the Event of Digital Text. Performativity and E-literature. Jerome Fletcher 2011
In Urban Jungles: Literature and Locative Media Jörgen Schäfer, Peter Gendolla 2010 electronic literature, mobile media, mixed reality, multimodal, locative narrative
Inanimate Alice: a Pedagogical Community Kate Pullinger
Infinite Interfaces and Intimate Expressions: Hand-Held Mobile Devices and New Reflective Writing Spaces Lisa Holloway-Attaway 2008 mobile, interface
Innovation oder Trivialität? Zur hypermedialen ‚Übersetzung‘ der Moderne am Beispiel des Elektronischen Lexikon-Romans Friedrich W. Block 2000
Internet Literature in China: A New Literary Revolution? Chen Jing 2010 internet literature, electronic literature, new media, virtual identity, new folk literature, china
Intertextuality in Digital Poetry Yra van Dijk 2008 digital poetry, hypertext theory, intertextuality, hypertextuality, electronic poetry, interpretation, hermeneutics
Intervals and Links: The Indeterminancy of a Link's Possible Future Adrian Miles 1999 hypertext, post-cinematic, link, indetermination, cinema
Into the Deep End: An Approach to Generation of Formal Poetry Andrew Brogdon 2010 depth-first searches, dfs, search tree, formal poetry, makov chain, electronic poetry, phonetic data
Introducing Literature Across Frontiers Nia Davies 2011 literary organization, nonprofit, publishing
Invisible Participation: Writing on/over/against the Cloud Daniel C. Howe, John Cayley, Jason Huff, Mimi Cabell 2012
Is There a Message in the Medium? The Materiality of Language John Cayley 2011 materiality, light, sound, writing-materiality, materiality of language, literary theory, reading, book
Is Your Computer's Sound on? Fiction on the Flash Platform Jens Kirk 2009 Flash, transition from print, adaptation
Italian E-­poetry: Breaking the Traditions? Giovanna Di Rosario 2011
Jesurun's Digitalist Firefall: Staging the Analogical Relation as Cognitive Performance Christophe Collard 2012
Jim Andrews on Aleph Null Jim Andrews 2012
Junction of Image, Text, and Sound in Net.fictions Zuzana Husárová 2008 narrative, fiction, narratology, multisensory reading, reading-multisensory
Kombinatorische Dichtung und Computernetzliteratur (Kasseler Fassung) Florian Cramer 2000
L' après-midi d'un phonème, or la faune of après-afternoon Michael Joyce 2012
Landscape (Re)-Visioned Jim Bizzocchi 2008 landscape, cinematic landsape, post-production, ambient video
Language, Voice, Sound, Computer Jörg Piringer 2011
Le(s) Mange Texte(s): Creative Cannibalism and Digital Poetry Chris Funkhouser 2007 cannibalism, antropophagy, digital poetry
Lesen und Schreiben im Internet Johannes Auer 1997
Lessons Learned from Designing Children’s Interactive Narratives Angela Chang, Pei-yu Chi, Cynthia Breazeal, Nick Montfort, Henry Lieberman 2010 interactive narratives, children's literature, user interaction, systems
Light & Dust: Polyaesthetic Experiences with Locative Augmented Reality Maria Engberg 2011
Literary Aspects of the New Media Art Works by Jaka Železnikar and Srečo Dragan Narvika Bovkon 2011 new media art, digital literary art
Literary Programming (In the Age of Digital Transliteration) John Cayley 1999 practice, programming, inscription, performance, poetry, hypertext, generation, kinetic text, transliteration
Literatura digital: una nueva relación entre teoría y práctica experimental 2012
Literature: Lift this End Stuart Moulthrop 2012
Litteraturen i en multimediatid, med eksempler fra nordisk elektronisk litteratur Patricia Tomaszek 2013 samtidslitteratur, e-lit, digital literacy, digitale kompetenser
Live Movies Gail White Scott, Kirby Malone 2008 media art, performance
Locating the Creativity in the Interactive Fiction Community Yra van Dijk 2012
Locating the Literary in Electronic Lucidity: Jason Nelson's Evidence of Everything Exploding Astrid Ensslin 2012 literary game, artificial, art game, interactive experiences, cross media narrative
Locating the Literary in New Media Joseph Tabbi 2008 posthuman, digital textuality, digital culture, materiality, literary studies, constraints, literariness
Logging In Sandy Baldwin 2008 logging, cognition, subjectivity, turing test, login
Looking Behind the Façade: Playing and Performing an Interactive Drama Jörgen Schäfer 2009 interactive drama, games
Machine Libertine Natalia Fedorova 2012
Machine Subjectivity, Politics and Digital Arts Jichen Zhu 2010 artificial intelligence, interactive narrative, computational art, digital art, systems
Machinic Performance John Lumley 2012 machinic, performance, digital textuality
Making Connections Visible: Building a Knowledge Base for Electronic Literature Scott Rettberg 2011 electronic literature, ELMCIP, creativity, cross-referencing, databases, creative community, open access, collaboration, archiving
Making Meaning: Negotiating Seduction in New Media Works Nanette Wylde 2008 technological seduction, novelty
Making Sense: aspects of the literary in electronic environments Maria Angel, Anna Gibbs 2010 e-literature, e-lit, interactive, literature and technology, body, affect
Making/Trans-lating Literature in Immersive 3D Robert Coover 2012
Mapping out Spaces for E-Lit Criticism Jessica Pressman 2008 journals, online journals, publication venues, discourse networks, discursive space
Massively Multireader: A Networked Teaching of House of Leaves across Five Classrooms Brian Croxall 2011 collaborative teaching, scholarly communication, distant teaching
Matter and Void: Digital Narrative Endings Jennifer Roudabush 2011
Memory at work in Michael Joyce's afternoon, a story, Shelley Jackson's Patchwork Girl, and Mark Amerika's Grammatron Arnaud Regnauld 2011
Menschliche Praxis. Zu einer Re-Animation der literarischen Anthropologie in den Game Studies Frank Furtwängler 2004
Mes Hypertropes: Programmed Poems from a Founding Member of Oulipo Amaranth Borsuk 2012
Meta Discourse: An Investigation into Possibilities of Meta-Fictions in the 21st Century Jennifer Roudabush 2008
Mimesis: An Integrated Social Networking Application and Computer Game for Exploring Social Discrimination D. Fox Harrell 2012 mimesis, social networking, game, discrimination
Mining the Arteroids Development Folder Leonardo Flores 2010 poetic game, programming, linguistic, video games, poetry, computer programming, visual poetry, interactivity, programmable media, development process
Mining the Knowledge Base: Exploring Methodologies for Analysing the Field of Electronic Literature Jill Walker Rettberg, Scott Rettberg 2013 visualization, database, digital humanities, authorship, tags, electronic literature
Missed Collections: Away From the Canon, Toward the Archive Dana Solomon 2010 new media, yhchi, Young-Hae Chang Heavy Industries, electronic literature, non-linear, multi-directional, adaptive, textual preservation, archive, preservation, storage
Mobile Media Narratives: From Site-Specific Stories to Locative Hypertexts Jason Farman 2010 personal computing, pervasive computing, mobile media, ubiquitous computing, mobile technologies, site-specific, community narrative, locative narrative
Mobile Tagging as Tools to cCeate Mixed Reality in eLit Martha Carrer Cruz Gabriel 2010 mobile tagging, mobile technologies, mixed reality, electronic literature, elit, e-lit, barcode
Mobilizing the Poli Laura Goldstein 2011
Multimedia Project of Isaac Rosenberg and William Blake Cynthia Deike-Sims 2008 critical new media, multimedia, William Blake, Isaac Rosenberg
Multimodal Metaphor and Intersubjective Experiences: The Importance of Eye-Contact in Davidson’s Graphic Novel The Spiral Cage and in Annie Abrahams Net-Project On Collaboration Asunción López-Varela Azcárate 2011
Musical Time with Kinetic Type Brian Evans 2008 music, kinetic typography
My Own Private Augmented Reality: ulillillia's Mind Game Allen Riley 2010 digital media, digital software, experiential, poetry, augmeted reality
Nam Shub – A Text Creation and Performance Environment Jörg Piringer 2007 platform, software art, visual poetry, sound poetry. tool
Narrating Artificial Daydreams, Memories, Reveries: Toward Scalable Intentionality in Expressive Artificial Intelligence Practice D. Fox Harrell, Jichen Zhu 2008 memory, artificial intelligence, expressive processing, intentionality, agency
Narrative (Pre)Occupations: Self-Surveillance, Participation, and Public Space Carolyn Guertin 2012 surveillance, narrative, electronic literature
Narrative and the Split Condition of Digital Textuality Marie-Laure Ryan 2004
Narrative Archaeology and the New Narrativology Jeremy Hight 2004 narrative, story, place, locative narrative
Narrative choice-making, literary trajectories and interactive environments: on the structure and writing of the Unknown Territories Roderick Coover 2010 narrative, choice making, literary history, exploration
Narrative in Social Media Dene Grigar 2011 narrative, social media, social networking, twitter
Narrative Traditions in Digital Conditions: Communal Authorship in Digital-Born Text, Jennifer Roudabush 2011
Narratologie 2004. Herausforderungen der Erzähltheorie durch Netzliteratur und Computerspiele Fotis Jannidis 2004
netwurker_mez + her cardboard avatar [who might be made up of Boxes, but is *not* Boxxy] Mez Breeze, Florian Cramer 2012
Netzliteratur. Umbrüche in der literarischen Kommunikation Peter Gendolla, Jörgen Schäfer 2004
Netzliteratur.net and Edition Cyberfiction Beat Suter 2011 publishing, electronic literature, literary history, Germany, Switzerland
New Forms of Subjectivity? Writing and Corporeality in Australian New Media Art Anna Gibbs, Maria Angel 2008 Australia, subjectivity, corporeality, image and text, visual media
New Media ArtPoetry: A Reflection on Practice María Mencía 2011
New Media ArtPoetry: A Textu(r)al Surface María Mencía 2011 digital literary art, new media artpoetry, textuality, poetics, materiality, textural, digital materiality
New Media Literary: Hypertextual, Cybertextual, and Networked Katarina Peovic Vukovic 2008 hypertext, cybertext, introductory
New Media Textuality and Semiotics Teo Spiller 2011 digital textuality, semiotics
New Media, New Historicisms Matthew G. Kirschenbaum 2000
New Media: Its Utility and Liability for Literature and for Life Joseph Tabbi 2011
New Plots for Hypertext?: Towards a Poetics of the Hypertext Node Mariusz Pisarski 2011 hypertext, narrative, coherence, fiction, kernel, lexia, node, poetics
Nokturno.org Marko Niemi 2011
NT2: Nouvelles technologies, nouvelles textualités Bertrand Gervais, Gabriel Tremblay-Gaudette 2011
Ocotillo Loss Pequeño Glazier 2012 textual, visual, real-time, poetry
Odysseen im Schreibraum. Utopien, Abgründe und Möglichkeiten des Schreibens im Netz Heiko Idensen 2000
Of People not Machines: Authorship, Copyright and the Computer Programmer Elena Cooper 2012 authorship, copyright, computer programmer, digital art, creative practice
Omission impossible: the ergodics of time Markku Eskelinen 1998 time, hypertext, cybertext, narratology, ergodic
On Condenstaion: how "Computer Aided Poetry" works Eugenio Tisselli 2010 cloud computing, digital poetry, condensation, world wide web, transformation, computer aided poetry
On Display: Body-­Machine-­Poem Sandy Baldwin 2011
On Gasspedal Animert Kristian Pedersen 2012
On Moving and Being Moved Maria Angel, Anna Gibbs 2008 embodiment, intimacy, synaesthesia
On the Surface of Aleph Null Giovanna Di Rosario 2012
Open and Shut? Narrative Closure and Completeness in Shelley Jackson’s my body: a Wunderkammer Jennifer Roudabush 2009
Open Source Cure Salvatore Iaconesi 2012
Oral Traditions and Electronic Ambitions: The Trajectory of Flight Paths in a Plugged-In World Jennifer Roudabush 2010 narrative, interaction, communal narratives, collective narrative, social media
Oral Traditions and Electronic Ambitions: The Trajectory of Flight Paths in a Plugged-In World Jennifer Roudabush 2010
Original Chat: Exploring the Origins of the Turing Test Mark C. Marino 2008 turing test, chatbot, artificial agents, interactive fiction
Out of Place: Digital In-Grouping Donna Leishman 2012
Palimpsest Amy Guy 2012 locative literature, locative, mapping, literary walk, mobile, Edinburgh
Patterns of Hypertext Mark Bernstein 1998 hypertext, patterns, structure
Performance and the Digital Text Jerome Fletcher 2012 digital textuality, performance, textuality, context, event
Performance as a Categoriser Clive Fencott 2012 playreader, performance, digital textuality, electronic texts
Performance of Code: Jörg Piringer in Conversation with J. R. Carpenter Jörg Piringer, J. R. Carpenter 2012
Performances Of Writing In The Age Of Digital Transliteration John Cayley 1998 performance, digital writing, programmability, translation
Performed poetics in multi-linear narrative situations Martin Rieser 2012 peformance, senses, spatiality, architecture
Performing the Digital Archive: Remediation, Emulation, Recreation Manuel Portela 2012
Personal Narratives, Corporate Templates Jill Walker Rettberg 2009 narrative, locative, social networks, semantic
Philosophical Labyrinths in Cybertexts Miriam Havemann 2009 cybertext
Piecing Together and Tearing Apart: Finding the Story in afternoon Jill Walker Rettberg 1999 hypertext, fiction, narratology, confusion, ambiguity
Pipe Bomb: Exploding Code in the Work of Rene Margritte and Jodi Patrick LeMieux 2010 essay, art criticism, Rene Margritte, HTML, aesthetic, digital media, artwork, Joan Heemskerk, Dirk Paesmans, Jodi
Play On: Plot and Pause Points in Hypermedia Narrative Marjorie C. Luesebrink 2000
Played by Hyperfiction. Modes of Reading Megan Heyward's "Of Day, of Night" Hans Kristian Rustad 2008 reading, text game, aesthetics, absorption
Players only Love you when they’re Playin': Community as Algorithm in Programmable Poetics Chris Funkhouser, Andrew Klobucar 2012
Playing with time in digital fiction Raine Koskimaa 2011
Po-Ex archive and Exhibition Possibilities Rui Torres 2012
PO.EX '70-­80: The Electronic Multimodal Repository Rui Torres, Manuel Portela 2011 experimental literature poesia experimental digital archives, emulation, video poetry, sound poetry, concrete poetry, visual poetry, electronic literature
Poesia Eletrônica no Brasil: Alguns Exemplos Jorge Luis Antonio 2003 Brazilian elit, epoetry, holopoetry, videopoetry
Poetic Ergodic Capture Philippe Bootz 2011 ergodic, cognition, ergodic/interactivity/participation, noematic reading, ergodic reading, ergodic capture, game poem
Poetic Machines: From Paper to Pixels Jeneen Naji 2012
Poetic mediation across practices and institutions: Sailing with Pequod together with Poets and Interaction Designers Erling Björgvinsson 2011
Poetic Transformations in(to) the Digital Friedrich W. Block, Rui Torres 2007 adaptation, intertextuality, poetics, visual poetry, sound poetry, combinatory, algorithmic
Poetry Confronting Digital Media Giovanna Di Rosario 2011 poetry, poetics, digital poetics
Polish Way to E-Literature from Baroque to 21st Century Andrzej Pajak 2008
Polyaesthetics in Digital Literary Arts: Steve Tomasula's TOC and Multimedia Fiction Maria Engberg 2010 narrative, anxiety
Porting E-Poetry: The Case of First Screening Leonardo Flores 2012 preservation, obsolescence, digital materiality, emulation, translation
Portuguese E-Lit Archive Rui Torres 2011 poesia experimental, archive, experimental literature
Post-Processing Translations of E-Lit Works and Scholarship Patricia Tomaszek 2012 language diversity, translation, national communities, post-processing, database scholarship
Practical Play: Research and Invention Talan Memmott 2008 play, lab, practice-based research
Presentation of ELMCIP European Anthology of Electronic Literature Talan Memmott 2012
Presentation of the ELMCIP Anthology of European Electronic Literature (Rap version) Maria Engberg, Talan Memmott 2012
Presenting plans for ELO2015 Roderick Coover 2012
Principles and Processes of Generative Literature: Questions to Literature Jean-Pierre Balpe 2004
Productions of Presence: Sensing Electronic Literature Luciana Gattass 2012 installations, poiesis, proprioception
Programmed digital poetry: a poetry of the apparatus; media art? Philippe Bootz 2011 digital poetry, programmability
Programming for Fun, Together Nick Montfort 2012 programming, demoscene, history and criticism, computational platforms, creative computing
Programming Literary Flow Jeremy Douglass 2008 flow, flowcharts, infographics, narrative diagrams, controlled traversals, flow-control programming, metaphor, aesthetics
Prosthesis, or The Forthcoming Public Cloud IaaS Magic Quadrant Tenancy Ian Hatcher 2012 public space, cloud, private space
Provocation by Program: Imagining a Next-Revolution Eliza Nick Montfort, Andrew Stern 2008 process-intensive, provocation, literary program, chatterbot/conversational character
Quantum Authoring for "Prom Week": What We Learned Writing Six Thousand Lines of Procedurally-Driven Dialogue Aaron A. Reed 2012 dynamic media, virtual world, computer-mediated narratives, simulation, gameplay
R3/\/\1X\/\/0RX - an artist's presentation Christine Wilks, Randy Adams, Chris Joseph 2012
Re-reading the Digital: An inquiry through practice Penny Florence 2012 digital reading, subject, subjectivity
Re:Cycle - A Computationally Generative Ambient Video System Jim Bizzocchi 2012 video art, metadata, generative narrative
Reading (de)coherent hypertexts: a creative performance based on a close reading of the German hyperfiction Zeit für die Bombe Alexandra Saemmer 2012 hypertext, hyperfiction, performance, reading
Reading Augmented Spaces and the Dimensions that Define Them Jacob Garbe, John T Murray 2012 augmented reality
Reading Cybertexts - An Empirical Approach Raine Koskimaa 2000 reading, interpretation
Reading Hyperfiction - Mission Impossible? Rasmus Blok 2000 reading, form, plot
Reading Practices in Electronic Literature: A Dialogic Approach Cheri Crenshaw 2008 reading, rhetoric, dialogism, remediation
Reading Virtual Geographies Porter Olsen 2012 Second Life, virtual world
Reading-View(s)ing the Über-box: a critical view on a popular prediction Anders Fagerjord 2000
Reclaiming the 'Golden Age': The Second Person in Digital Fiction Astrid Ensslin, Alice Bell 2010 literary hypertext, electronic literature, flash fiction, fiction, second person, narration
Reconfiguring Publishing Carolyn Guertin, Rita Raley 2012 publishing, electronic literature, distribution, Electronic Literature Collection
Reconfiguring the Author: The Virtual Artist in Cyberspace (Keynote Address) Mark Amerika 2000 authorship
Reflections on the iconicity of digital texts Alexandra Saemmer 2011 digital textuality, iconicity, iconic irradiation, semiotics, gesture
Remediating English Pedagogy: Nurturing immersive, complex and creative literary experiences for students in contemporary times Angela A. Thomas 2012
Remediating Stretchtext Mark Bernstein 2010 hypertext, hypertext narrative, literary hypertext, stretchtext
Remediating the Social introduction Simon Biggs 2012
Remediation as Passage. The example of the French poem Nouvelles Impressions d’Afrique by Raymond Roussel Inés Laitano 2011
Remix Writing and Postproduction Art (Workshop) Mark Amerika 2008 remix, postproduction art
Remixthecontext: The Transmedia Artist in Network Culture Mark Amerika 2012
Rencontre: An Experimental Tool for Digital Literature Serge Bouchardon, Jean Clément, Jean-Hugues Réty, Nicolas Szilas 2008 electronic literature, writing machines, visualization, hypersection, nonlinear fiction, authoring software
Rendezvous: A collaboration between art, research and communities Cécile Chevalier 2012
Responsive Environments Myron Krueger 1977 art, meaning, technology, interaction, environment, responsive
Reversed Remediation. A Critical Display of the Workings of Media in Art Saskia Korsten 2011 remediation, art, trompe-l'oleil, media critique
Reversed Remediation. How Art Can Make One critically Aware of the Workings of Media Saskia Korsten 2011 Hypermediacy, immersion, remediation, media (art)
Revisiting Reflexivity: American Metafiction and Hypertext Narratives Scott Rettberg 2011
Revolution and Literal Poetics: Writing to be Found and the Natural Language Liberation Fron John Cayley 2011
Rhetorics of Media Coupling in the Digital Age Alexandra Saemmer 2011 rhetoric, media coupling, iconicity
Rhizomes, Lines and Nomads: Doing Fieldwork with Creative Networked Communities Penny Travlou 2012 ethnography, transnational, transcultural, creative community, distributed
Rhythms of Technology Rob Swigart 2000
Russian E-poetry: Emergent Natalia Fedorova 2013
Sámi literature in the age of digitalization and globalization Coppélie Coqc 2009 Sami, orality, adaptation, identity
Sauti ya wakulima: "The Voice of the Farmers": The creation of a community memory through appropriated media Eugenio Tisselli 2012 agriculture, activism, collaboration, climate change, collective narrative, environment, knowledge sharing, Tanzania
Scandinavian Electronic Literature and Communities Hans Kristian Rustad 2010
Scholarly Publishing of Hypertext, the Case of "The Victorian Web" George P. Landow 2011 hypertext, Victorian literature, scholarly editing, publishing
Scott McCloud's The Right Number: Gaining Currency with Multimedia Technology and Digital Publishing in the Web Comics Revolution Dawn Dietrich 2008 comics, web comics, micropayments, graphic novel
Screaming Screen and Binary Idealism Johannes Auer 2001
Scripting Writing and Reading in Jim Andrews's Digital Poems Manuel Portela 2010 visuality, semiotics, animation, intertextuality, digital toys
See Spot Link. Link, Spot, Link: How to read and appreciate electronic literature (Workshop) Deena Larsen 2008 links, images, sound, motion, electronic literature
Seeing Story and Mapping Narrative Carolyn Guertin 2011
Semantisation, Exploration, Self-reflection and Absorption: Our Modes of Reading Hypertext Fiction Hans Kristian Rustad 2008 hypertext, reading, hypertext fiction, reader-response
Senghor on the Rocks: A Georeferenced Electronic Novel Christoph Benda, Florian Ledermann 2008 narrative, novel, geopoetics, mapping, cartography
Sensory Modalities and Digital Media Andrew Klobucar 2008 social networks, pedagogy, interpretation, architecture, indeterminacy, semantic networks
Seven Types of Interface in the Electronic Literature Collection Volume Two Stephanie Strickland, Marjorie C. Luesebrink 2012 interface, ELC2, electronic literature, e-lit, embodiment, reading, interpretation
Shakespeare in Simlish? Responsive Systems and Literary Language Noah Wardrip-Fruin 2012 interactive fiction, language
Significant Affects in Digital Literature Eric Dean Rasmussen 2011
Six Problems in Search of a Solution: The Challenge of Cybertext Theory and Ludology to Literary Theory Markku Eskelinen 2007
Slow Games, Slow Poems: The Act of Deliberation in "Slow Year" Mark Sample 2012 slow reading, reading, temporality, digital poetics
Some stylistic devices on media interface Alexandra Saemmer 2008 semiotics, animation, interface, figuration, interfacial media figures, terminology, poetics of interaction
Sound Rites: Relationships Between Words and Sound in New Media Writing Hazel Smith 2012 sound, multimedia
Space for writing: a sidelong glance at the history of immersive spatial hypertext Damon Loren Baker 2010 hypertext, spatial hypertext, electronic writing, virtual reality, CAVE, cave writing
Spatial Remediations Roderick Coover 2012 interactive documentary, spatiality, remediation
Stalking the paratext: speculations on hypertext links as a second order text Francisco J. Ricardo 1998 paratext, links, non-linear
STORYSPACE: a Tool for Interaction, Report to the Markle Foundation Regarding G85105, Jay David Bolter, Michael Joyce 1986 Storyspace
Strange Rain and the Poetics of Motion and Touch Mark Sample 2012 digital storytelling, tropes, interface, interpretation, Apple iOS, haptic, motion, touch
Stringing Disturbances in Poetic Array Spaces: Reading by Close Reading Loss Pequeño Glazier 2012
Student Research Using the ELMCIP Knowledge Base Jill Walker Rettberg, Eric Dean Rasmussen 2011 teaching, knowledge base, lesson plan
Subjective Boundaries: Shelley Jackson's Hypertexts and the Terrain of the Skin Cara Ogburn 2008 skin, embodiment, hypertext
Subversive Writing and the Digital Text Davin Heckman 2011 subversion, tactical media, politics
Supercritical Creativity David M. Berry 2010 creativity
SurREAL: Dramatis Personae on the Digital Stage Lisbeth Klastrup, Susana Pajares Tosca, Elin Sjursen, Jill Walker Rettberg 2000 games, characters, readers, virtual world
Tag Clouds: Reading the Poetic Interface Jeremy Douglass 2007 interface, tag clouds, web 2.0
Tagging Practices and the Disturbed Dialectic of Literary Criticism Davin Heckman 2011 tagging, dialectic, literary criticism, electronic literature, Hegel, semantic web, speed
TanGo & Co. - Bericht über einige Stuttgarter InternetProjekte Reinhard Döhl 2000
Taxonomies and Folksonomies in Databases Jörgen Schäfer 2011
Teaching Digital Literature within a “Research and Teaching Partnership” in a Transatlantic Blended Learning Environment Patricia Tomaszek 2008 teaching, collaboration, pedagogy, digital literature, collaborative teaching, blended learning
Teaching Digital Writing through Digital Literature - Case Studies in Schools, Universities and Digital Public Spaces Serge Bouchardon 2011
Technologies That Describe: Data Visualization and Contemporary Fiction Heather Houser 2012 visualization, data visualization, contemporary fiction, prose, narrative, literary studies, interpretation, design, visual culture
Technopoetry in Argentina: Routes and Detours Claudia Kozak 2011
Terms of Use John Cayley 2012 live performance, information structures
Text and Digital Media: The Visualization of Code, Codex and Context Lanfranco Aceti 2009 images, interdisciplinarity, visual
Text as Virtual Reality (Techno-Aesthetics and Web-Literatures) Janez Strehovec 1998
Text-Tänze, Anagramme und Adaptionen: Vorbereitungen für eine Ästhetik der Hypersysteme bei R. Roussel, H. Bellmer und O. Wiener Peter Gendolla 1991
Textuality and Graphic Novels: Identity, Influence and Adaptation in V for Vendetta and Beyond Kristine Trever 2008 graphic novel, text and image, film, simulation, semiotics, web comics
The (Problematic) Issue to Evaluate Literariness: Digital Literature Between Legitimation and Canonization Alexandra Saemmer 2012 evaluation, canonization, literariness
The (Vis)poetics of Jim Andrews: 'A Pen' Leonardo Flores 2008 lettrist, tool, participation, vispo, poetics
The Aesthetic of Dissonance within 6amhoover.com Donna Leishman 2008 disorder, dissonance
The Aesthetics and Practice of Computational Literature Daniel C. Howe, Braxton Soderman 2008 aesthetics, computation, generation, authoring system, layering, materiality, authorial intent, constraints, distributed creativity
The Aesthetics of Materiality in Electronic Literature Serge Bouchardon 2008 poetics, materiality, electronic literature, aesthetics, hyperfiction, interface, stylistics, interfacic figures, figuration, synecdoche, mediality, interactive writing
The apparatus of digital literature: a stenographic disposition in five minutes or less Ben Roberston 2011 novelty, apparatus
The Archeological Media Lab: A Locavore Approach to Access & Preservation Lori Emerson
The Archive as Historical Practice Loss Pequeño Glazier 2010 archive, Robert Coover
The Artist, the Database, and the Project of the University John Cayley 2012 database, knowledge, university, publication, participation, institutionalization, cloud
The Book, the Cinema, and the Vestigial Structures of Electronic Literature David Clark 2012
The Broadside of a Yarn: A Situationist Strategy for Spinning Sea Stories Ashore J. R. Carpenter 2012 multimodal, locative narrative, narrative, generative, generative narrative, performative, map, mapping, situationist
The Broken Mirror: Paradigms of Subjectivity in Digital Writing and Informatic Culture Andrew Klobucar 2010 participator media, social networks, network relations, social media, critical/political/philosophical, web 2.0, subjectivity
The Compelling Charm of Numbers: Writing for and thru the Network of Data Roberto Simanowski 2012 facebook, diaries, personal, narrative, non-fiction, representation, quantified self
The Creative Imperative Simon Biggs 2011 creativity, social ontology, agency, gift economy, community
The Critical Interface Søren Bro Pold 2005
The Cuckoo Bird of Fiction: Pastiche, Hoax and the Evolution of Form Rob Wittig 2008 pastiche, hoax, form, literary history, vernacular
The Digital Manual Smita Kheria 2012 collaboration, case studies, digital manual, knowledge sharing
The Digital Poem against the Interface Free Lori Emerson 2012 interfaces, reading, interpretation, electronic literature, e-poetry, digital poetry, interface free
The Digitization and Translation of Russian Avant-garde Poetry Jonathan Baillehache 2012
The Distributed Author: Creativity In the Age of Computer Networks Christiane Heibach 2000 authorship
The E-ssense of Literature Robert Kendall 2008 generative, source code, criticism, methodology
The Effects of Software on the Digital Creative Process Odile Farge 2011 software, interface, process
The Electronic Literature Directory Joseph Tabbi, Davin Heckman 2011 database, archive, ELO, ELD, digital humanities
The ELMCIP Electronic Literature Knowledge Base: Documentation, Connections and Visualisations Jill Walker Rettberg 2013
The ELMCIP Knowledge Base Scott Rettberg, Eric Dean Rasmussen 2011 ELMCIP, databases, digital humanities, electronic literature, teaching methodology, research infrastructure, literary studies
The ELMCIP Knowledge Base and the Formation of an International Field of Literary Scholarship and Practice Scott Rettberg 2011 community, knowledge base, database, consortium, directory, research infrastructure
The ELO and Two E-Lit Exhibits Nick Montfort 2012 libraries, exhibiting, games
The ELO and US Electronic Literature in the 2000s Scott Rettberg 2010 literary history, ELO, Electronic Literature Organization, USA, electronic literature, literary institutions
The End of E-Lit Steve Tomasula 2012
The End of Time: On Kawara and Kawara Machines Stephanie Boluk 2011
The Experience of the Unique in Reading Digital Literature Raine Koskimaa 2011 unique, generative, singularity, interpretation
The Extensions of the Body in New Media Art Maja Murnik 2011 body, new media art, embodiment
The Four Corners of the E-lit world. Textual Instruments, Operational Logics, Wetware Studies and Cybertext Poetics Markku Eskelinen 2011 electronic literature, textual instruments, wetware, cybertext poetics, poetics, digital poetics
The Genealogy of a Creative Community: Why is Afternoon the "Grandaddy" of Hypertext Fiction? Jill Walker Rettberg 2011 hypertext fiction, creative community, genealogy, literary history, reception history
The heuristic value of electronic literature Serge Bouchardon 2010
The heuristic value of electronic literature Serge Bouchardon 2010 narratology, semiotics, aesthetics, rhetoric, anthropology, archivistics, literary studies, electronic literature, heuristics, pedagogy
The International Interactive Fiction Community Nick Montfort 2010 interactive fiction, community, competition, software
The Literary in Network-Based Writing and Reading Practices Jörgen Schäfer 2011
The Lyrical Quality of Links Susana Pajares Tosca 1999 links, hypertext
The Machinimatic Moment Gregory Turner-Rahman 2008 machinima, narrative, user-generated, game, liminality
The magnificent 7 Laura Borràs Castanyer 2010 non-english, ELO, e-literature, digital literature, romance language, close reading
The materialities of close reading: 1942, 2009 David Ciccoricco 2010 close reading, narrative theory, critical methodologies
The Medium Is the Metaphor Melinda White 2008 medium, metaphor, hypertext, critical new media, Flash
The Monstrous Book and the Manufactured Body in the Late Age of Print: Material Strategies for Innovative Fiction in Shelley Jackson’s Patchwork Girl and Steve Tomasula’s Vas John M. Vincler 2010 digital technology, body, late age of print, hypertext, materiality, novel
The New Gamified Social Daphne Dragona 2012 attention economy, social media, game-space, gamify
The New-Media Novel: The Intersection of Film, E-Lit & Story Steve Tomasula 2010 electronic literature, e-lit, new media, new media novel, multimedia novel
The Pasts and Futures of Netprov Rob Wittig 2012 netprov, participatory, collaboration, satire, writing performance
The Pleasure Principle: Immersion, Engagement, Flow J. Yellowlees Douglas, Andrew Hargadon 2000 hypertext fiction, interactive narratives, navigation

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