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1. Whispering

   This video poem delivers lines of poetry in a sequence that emphasizes lines and words through kinetic language and precise timing to unnerve the reader. From the outset, it begins to set its creepy tone through as short looping soundtrack that provides a metronomic quality to the poem, which unfolds line by line drawing attention to certain words by flashing snippets of almost recognizable images and words. Its visual design uses oranges and reds to contrast with a blue window-like rectangle that changes position slightly over the course of the poem. The train-like sound reinforces a sense that the reader is on rails, leading to an inevitable, chilling conclusion as the poem’s imagery unfolds and the reader realizes where this is leading its readers.

   (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 19.02.2013 - 20:23

2. The Mall as a Machine for Living

   This delightfully subversive hypertext poem is designed much like the mall it critiques. The reader browses from node to node in a linear or meandering way much like a shopper enters a mall or department store space and walks from store to store, discovering a variety of texts that hold together very nicely. The texts are sometimes about architecture, malls, cathedrals, and the Mall of America. One of the largest in the world, this giant mall in Minnesota is the focal point for a series of conceptual blends that lead the poem deep into absurdity. This is a piece that unfolds in the reader’s head as the seemingly factual information presented start to strain verosimilitude in a very semantic appropriation of prosaic language.

   (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 19.02.2013 - 20:31

3. Noiselines

   This collaborative poem is composed on a “page space” created by Valdeomillos to explore the signal-to-noise-ratio by placing interface, image, and text in a relation by which they create noise for each other.

   (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 28.02.2013 - 13:54

4. untitled(to reconstruct)

   This collaborative poem places the same text Jody Zellen wrote for “Cut to the Flesh” into a page space designed by Jason Nelson (originally for “Branch/Branch” and “A Tree with Managers and Jittery Boats”). This tree structure is a fascinating way to organize lines of verse because it creates multiple possible readings as the reader opens up branches in the hierarchy.

   (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 28.02.2013 - 14:07

5. Biggz

   This generative poem is built from four elements: an image, a caption, lines of verse by Simon Biggs, and a JavaScript framework Glazier developed for “White-Faced Bromeliads on 20 Hectares.” The poem and its contextual information are randomly generated whenever the page is loaded, reloaded, or every 20 seconds— which makes a marked difference in how one reads and conceptualizes the poem when compared to “White-Faced Bromeliads,” which refreshes every 10 seconds. Biggs’ lines of verse are perfectly grammatical, but unconventional in its logical formulations in the tradition of Language Poetry or Gertrude Stein, which makes them stand up well to the page’s generative engine.

   (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 28.02.2013 - 14:24

6. Taroko Gary

   Another take on Taroko Gorge by Nick Montfort. Leonardo Flores uses some of Gary Snyder's words from "Endless Streams and Mountains".

   Hannelen Leirvåg - 28.02.2013 - 19:24

7. Deseo - Desejo - Desire: 3 Erotic Anipoems

   Three short animated poems about desire, made in Flash.

   Hannelen Leirvåg - 28.02.2013 - 19:41

8. Internal Damage Data

   “Internal Damage Data” uses the structure of a multiple choice questionnaire for self assessment of internal damage to shape the first part of the poem. For each question, Mez uses option C (maybe, unsure, other…) to develop her poem, seeking to transcend the traditional yes/no binaries in such questionnaires. In the part depicted above, she uses algorithms to structure her poem: using the logic and language of programming to guide the reader’s experience of the poem. (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 12.03.2013 - 23:56

9. Memory

   This cleverly conceptualized poem engages the social media meme as an canvas, cultural construct, and writing constraint. Using a meme generating service to write the texts on the memes and publish them as images, arranging them in the page. As co-author of the webcomic The World According to Geek, Valle Javier could’ve easily arranged the images as panels on a horizontal comic strip, but instead chose to do so vertically. This reinforces a poetic reading of this work as a whole, using each meme as a unit of meaning that is part of a textual flow.

   (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 07.05.2013 - 16:03

10. mooon

    mooon (2015) is the fourth video made by Norwegian poet and artist Ottar Ormstad since 2009. Here again viewers encounter letter-carpets and a yellow y Ormstad identifies with and which he is known for. Different from the other videos, letter-carpets are not projected on still images, but for the first time on live video footage Ormstad shot on his Samsung S4 during travels in Denmark, Sweden, Norway, Iceland, Vilnius and Berlin in 2014. The video may be seen as a research for documenting water on the mooon. Like in his video natyr (2011) he's using a strong sound in the very start for creating a period of silence in the beginning of the work. Other references to his earlier works can also be found: The 'eau-poem' in the first part is closely related to his web-poem svevedikt (2006), and his first video LYMS (2009). Ormstad also continues his multi-lingual project using words from different languages intentionally without translation. It invites viewers for an individual experience of the video and visual poetry that is based upon the viewer's language background.

    Ottar Ormstad - 25.06.2015 - 12:26

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