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1. Matières textuelles sur support numérique

   Matières textuelles sur support numérique

   Scott Rettberg - 30.01.2011 - 17:45

2. Francisco J. Ricardo

   "Francisco J. Ricardo Ph.D. is media and contemporary art theorist. A Research Associate at the University Professors Program and co-director of the Digital Video Research Archive at Boston University, he also teaches digital media theory at the Rhode Island School of Design. He has degrees from Thomas Edison College,Harvard University and Boston University. His research examines historical, conceptual, and computational intersections between contemporary art and architecture, on one hand,and new media art and literature, on the other. He has presented in ACM, Digital Arts and Culture, CAA, and Cyberculture conferences.Recent publications include Cyberculture and New Media (Rodopi, 2009) and Literary Art in Digital Performance (Continuum, 2009). His vocations include music composition and performance, yoga, fencing, astrology, and other radical geographies of the self."

   Eric Dean Rasmussen - 31.01.2011 - 09:43

3. Continuum

   Continuum is a leading independent academic publisher, unconstrained by the interests of any global media group or academic institution, and based in London and New York. We enjoy the business of publishing, and thrive on working with authors to devise a successful approach for each title we publish. Our expertise and experience allow us to make quick decisions, and, when needed, to bring important ideas rapidly to a global readership. New technology provides many new paths to market, and Continuum is actively engaged in digital distribution, in a way which maximises dissemination and protects rights holders. Publishing We publish around 600 books each year, focusing on the Humanities, Education, and Religion. Our backlist comprises some 7,000 titles. Our output includes textbooks, supplementary course books, research monographs, reference works and professional books, as well as related general non-fiction. Academic proposals are peer-reviewed before we commit to publication, to help ensure quality and to support the career progression of our authors.

   Eric Dean Rasmussen - 31.01.2011 - 09:49

4. Introduction: Juncture and Form in New Media Criticism

   Introduction: Juncture and Form in New Media Criticism

   Eric Dean Rasmussen - 31.01.2011 - 11:37

5. What is and Toward What End Do We Read Digital Literature?

   What is and Toward What End Do We Read Digital Literature?

   Eric Dean Rasmussen - 31.01.2011 - 11:39

6. Strickland and Lawson Jarmillo's slippingglimpse: Distributed Cognition at/in Work

   Strickland and Lawson Jarmillo's slippingglimpse: Distributed Cognition at/in Work

   Eric Dean Rasmussen - 31.01.2011 - 12:57

7. Stephanie Strickland

   Stephanie Strickland’s 10 books of poetry include How the Universe Is Made: Poems New & Selected (2019) and Ringing the Changes (2020), a code-generated project for print based on the ancient art of tower bell-ringing. Other books include Dragon Logic and The Red Virgin: A Poem of Simone Weil.

   Strickland’s 12 collaborative digital works include slippingglimpse, a poem that maps text to Atlantic wave patterns; the Vniverse app for iPad, interactive companion to the print V : WaveTercets / Losing L’una; Sea and Spar Between, a poem generator paired with Duels—Duets, a companion generator reflecting on Sea and Spar’s composition and paired also with cut to fit the toolspun course, the Sea and Spar code glossed.

   Recent work includes Liberty Ring! (2020), interactive companion to Ringing the Changes; House of Trust, a generative poem in praise of free public libraries; and Hours of the Night, an MP4 PowerPoint poem probing age and sleep.

   Eric Dean Rasmussen - 31.01.2011 - 13:12

8. Artificial Poetry: On Aesthetic Perception in Computer-Aided Literature

   Artificial Poetry: On Aesthetic Perception in Computer-Aided Literature

   Eric Dean Rasmussen - 31.01.2011 - 15:39

9. Katja Kwastek

   Dr. Katja Kwastek is an art historian and coordinator of research at the school of arts at Ludwig Maximilian University in Munich. She served as vice-director of the Ludwig Boltzmann Institute Media.Art.Research. in Linz (Austria), where she directed the research projects on interactive art until 2009. Prior to this, she worked as assistant professor at the art history department of the Ludwig Maximilian University in Munich and was a Visiting Scholar at the Rhode Island School of Design (Providence, RI). Her research focuses on contemporary and new media art, media theory and aesthetics. She has curated exhibition projects, lectured widely and published many books and essays, including Ohne Schnur. Art and Wireless Communication, Frankfurt (2004). She recently finished a book manuscript on the aesthetics of interaction in digital art.

   (Soruce: Transmediale.de)

   Eric Dean Rasmussen - 31.01.2011 - 15:42

10. The Possible Worlds of Hypertext Fiction

    Publisher's blurb: Written in hypertext and read from a computer, hypertext novels exist as a collection of textual fragments, which must be pieced together by the reader.The Possible Worlds of Hypertext Fiction offers a new critical theory tailored specifically for this burgeoning genre, providing a much needed body of criticism in a key area of new media fiction.

    Table of Contents: The Universe of Hypertext Fiction
    Hypertext Fiction and the Importance of Worlds
    Contradictions, World Views and the Nature of Truth in Michael Joyce's (1987) afternoon--a story
    Going, Going, Gone: the Slippery Worlds of Stuart Moulthrop's (1995) Victory Garden
    Is there a Mary/Shelley in this World? Parody and Counterparts in Shelley Jackson's (1997) Patchwork Girl
    The Colourful Worlds of Richard Holeton's (2001) Figurski at Findhorn on Acid
    Bibliography
    Index

    Eric Dean Rasmussen - 01.02.2011 - 11:43

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