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  1. The Knotted Line

    The Knotted Line is an interactive, tactile laboratory for exploring the historical relationship between freedom and confinement in the geographic area of the United States. With miniature paintings of over 50 historical moments from 1495-2025, The Knotted Line asks: how is freedom measured? Just as importantly, The Knotted Line imagines a new world through the work of grassroots movements for self-determination.

    (Source: The Knotted Line home page)

    Scott Rettberg - 21.12.2012 - 15:09

  2. 217 Views of the Tokaido Line

    The great Japanese travel artists - Basho, Hiroshige, Soseki - are used as models for a digital journal about traveling the Tokaido train line (Kyoto-Tokyo) with my daughter. Working against the implicit linearity of the journey-the forward motion of the train-the six-minute video loop, with generative haiku, is designed to evoke the ephemeral jolts of contemporary travel and to uncover the moments lost in any narrative retelling.

    (Source: Author's description)

    Scott Rettberg - 21.12.2012 - 15:16

  3. MUPS

    MUPS (MashUPs) is an online sonic mashup engine
    built in 2012 in Flash (sorry iOS users) by Jhave
    for the sheer pleasure of simultaneity.

    MUPS has been seeded with the following content:

    PennSound MUPS
    1260 audio poems
    from the PennSound archives.

    These audio files are used with permission.
    I gratefully acknowledge the generosity of Charles Bernstein
    and the encouragement of Christopher Funkhouser.

    How does it work: MUPS can play multiple audio files (up to 32 streams) simultaneously. It can also WEAVE those files: by playing short segments of each voice until it encounters silence, then playing the next voice. MUPS offers users control over how the WEAVE occurs.

    Issues: after extended use, MUPS can get confused.
    Refresh your browser. Enjoy.

    Scott Rettberg - 01.01.2013 - 18:01

  4. Passing Through

    This multimedia hypertext work weaves together unpopulated images, ambient sounds, and the text of overheard conversations in several cities to produce an immersive experience of a journey. Best experienced in cinematic conditions (good speakers or headphones, large screen, dark room, no distractions, fullscreen browser window), this is a navigationally minimalist. Each image has an area you can click on to go to the next, and it’s not difficult to find, since it tends to be large and placed over a focal point in the photograph. The simplicity of the interface and knowing from the outset that it is a linear experience, allows readers to relax into the work and not be distracted by wondering about where to go or what decision to make. The sounds and scheduled presentation of the texts also encourage paucity and reflection on the whole sequence of images as a whole. (Source: Leonardo Flores, I ♥ E-Poetry)

    Scott Rettberg - 01.01.2013 - 18:38

  5. Losing the Lottery

    Losing the Lottery

    Scott Rettberg - 01.01.2013 - 22:42

  6. Uncontrollable Semantics

    This minimalist poem hovers right on the edge of being an art piece, because each of its 50 environments offers a different mouse-driven (aimed?) interface and music. The four words positioned on the screen’s cardinal points create a space amid them that is both conceptual and a canvas. What is the relation between words positioned in opposite spaces? How do they relate to the title to each section? How do the sound and animation relate to the words and title? Clicking on the words lead to another node in this wondrously strange hypertext… This intriguing art poem is highly entertaining, as long as you can abandon thoughts of meaning and simply enjoy playing with the piece.

    (Source: Leonardo Flores, I ♥ E-Poetry)

    Scott Rettberg - 01.01.2013 - 22:56

  7. konsonant

    This suite of Letterist sound poems for the iOS platform offers several environments and behaviors for the letters that inhabit them.The interfaces go from simple to complex, and Piringer uses phrases with the verbs “draw, control, build, create, and connect” to guide the reader to interact and play with the letters and tools offered. (Source: Leonardo Flores, I ♥ E-Poetry)

    Scott Rettberg - 01.01.2013 - 23:09

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