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1. fakephone4a(n)droid

   Objecto mixed-media. Cartões em tipografia; telefone com código transparente e poemas em cartão; app web

   Rui Torres - 21.02.2021 - 19:18

2. Árvore

   Inspired by poems by António Gedeão, António Ramos Rosa, Fernando Pessoa, Herberto Helder, Miguel Torga and Ruy Belo. Commissioned by the Museum of the Tree of Alto Minho, Portugal. Combinatory poetry with lexicon of flora from Northern Portugal.

   Rui Torres - 21.02.2021 - 21:01

3. Not a Book: Locating Material Traces of Collaborative Print and Digital Technologies in the Archive

   Abstract: As a project that is situated between “the print” and “the digital” and as one that places print-based artifacts in conversation with digital artifacts, “not a book” is concerned with the histories, presents, and futures of books and the technologies of reproduction and replication used to make them.  Created from digital images of the traces left from the original copper engraved botanical prints on the interleaved blank pages of a digitized edition of one printed copy of an 1844 issue of “Flora Batava” magazine, the project reflects on and raises questions regarding just what a book is and was by delving into the history of “the” book as a collection of historically contingent technologies and social processes.  Seeking to document and understand how the material traces of bookmaking processes and technologies become legible in new ways once they are reframed and accessed in the context of new technologies of replication and reproduction, this project offers viewers an opportunity to reflect on the ways in which histories of print technologies are embedded in digital technologies and how

   Cecilie Klingenberg - 27.02.2021 - 15:42

4. YOU SAY TIME IS A RIVER

   You Say Time is a River is een ruimtelijke, digitale poëzie bundel, ontwikkeld en samengesteld door Maria Barnas in opdracht van de AMC Kunststichting.

   Iedereen in een wachtkamer leeft in een eigen tijd. Voor sommigen verstrijkt de tijd als stroop, voor anderen pulseert de tijd als een stroboscoop. Maria Barnas maakte voor de afdeling Spoedeisende hulp van het AMC met poëzie een ruimte waarin ze de uiteenlopende tijdslijnen van de bezoeker betreedbaar maakt.

   Maria Barnas nodigt u uit om een gedicht van maximaal drie regels aan te leveren waarin u uw eigen tijdsbeleving vanuit de wachtruimte beschrijft. Zij maakt een keuze uit de ingezonden gedichten en laat deze vertalen. De gedichten zijn na te lezen in de digitale dichtbundel die Barnas voor het AMC samenstelt, op deze website.

   Siebe Bluijs - 25.03.2021 - 10:49

5. Nee mijn verhaal ja

   Standalone artistic VR-installation that entails a 10 minute immersive experience for the Oculus Quest and Vive Focus Plus. It consists of three chapters which each have their own interactive form. 

   David Peeters - 10.05.2021 - 11:47

6. Karaoke

   Karaoke is a short 8-minute film that shows walks through the city of Taipei. The details Ruth Verraes noted are different from the images Erik Lindner noted. Karaoke is an important form of relaxation in Taipei. The film contains sounds from the city: singing, musical fragments, recognisable sounds that are associated with a dustcart. Halfway the video a poem is shown on screen. 

   David Peeters - 21.05.2021 - 13:00

7. In de storm van zo straks

   In an empty landscape a storm is announced by uprising sand, moving objects, silent people and a traffic jam on a narrow road. 

   David Peeters - 21.05.2021 - 13:17

8. Wachtwoord Marco Polo

   K. Michel en Dirk Vis maakten een gedicht in de vorm van een interactief landschap. Fietsen, letters en de mijmeringen van een treinreizigster schieten voorbij.

   David Peeters - 21.05.2021 - 15:37

9. Scripting Observable with RiScript

   This workshop presents a hands-on introduction to the RiTa v2.0 tools, including the new RiScript language. Version 2 of RiTa is a complete rewrite of the library that is easier-to-use, faster and more powerful. The workshop will cover the basics of RiTa and RiScript in JavaScript, with a specific focus on the Observable notebook environment.

   Scott Rettberg - 25.05.2021 - 14:07

10. “Let my readers go”: Freedom, the ‘post-’, electronic ‘literature’

    What do Jeremy Hight’s Glacial, A Novel (whose content he has pledged to Tweet one word at a time every day between the November 2020 and June 2042), Anna Anthropy’s Queers in Love At the End of the World (a Twine romance unfolding at the eleventh minute before the apocalypse which readers are allowed to devour in just ten seconds), and Claire Dinsmore’s The Dazzle as Question (a hypermedia prose-poem about old-school artistry versus the onset of the digital with a penchant for blind(sid)ing its reader) all share in common? For one, they are narratives mediated by computer-hosted platforms and invested in wresting lection from their readers. For another, this paper will argue, they are examples of the post-literary according to a very specific and not strictly conventional definition.

    Milosz Waskiewicz - 25.05.2021 - 15:04

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