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CODE STORY
CODE STORY is a visual and literary arts project, which includes nine digital code portraits. Which includes nine static, physical photographs, and nine dynamic, virtual Web pages.
The Digital code are compromised of standard codes with values ranging from 0 to 255. It is the value, sequence, and most importantly the interpretation of these codes that determine what information is represented. The Codestory project investigates possibilities for a creative interpretation of digital code.
sondre rong davik - 12.09.2018 - 14:50
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White-Faced Bromeliads on 20 Hectares
White-Faced Bromeliads on 20 Hectares is a digital poem, which includes a mixture of primarily the English language with some instances of Spanish. In this work Glazier explores alternatives to our customary experiences, through the use of a generator which changes the text of the poems every 10 seconds, turning it from it’s traditional static state to one with movement and change. Furthermore, the evocation of traveling through the images and anecdotes, provides an exploration of a multilingual and multicultural experience. Additionally, the presences of the HTML code leads to a work with multiple possibilities, primarily on how the reader perceives and experiences the work due to the possible technical reading of the code and the multiple possible poetic readings.
Lyvette Martell - 29.11.2018 - 21:39
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ZeroDeath
ZeroDeath is a digital poetry created by Yohanna Joseph Waliya, He uses HTML as his platform to potrai his poetry. Floating animations of binary code and colours are to be seen in the background.
Yohanna Joseph Waliya - 10.04.2019 - 05:18
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Future Lore
"Future Lore" is a poetry generator that remixes Nick Montfort's poetry generator "Taroko Gorge". It presents a futuristic free-for-all world where chaos rules.
Filip Falk - 05.06.2019 - 01:00
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Gladiator Simulator
The gladiator Spiculus enters the arena one last time in this text-based simulator. Armed with a sword and shield, he fights gladiator after gladiator until he is killed. The character Spiculus is inspired by one of the most famous gladiators of the 1st century AD Rome. Spiculus won many great battles and was well-known by audiences. He was particularly admired by the emperor Nero who rewarded him with palaces and riches for his heroics.
(Source: Author's description)Filip Falk - 18.07.2019 - 21:22
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Vocable Code
Vocable Code is both a work of “software art” (software as artwork, not software to make an artwork) and a “codework” (where the source code and critical writing operate together) produced to embody “queer code”, examining the notion of queerness in computer coding through the interplay of different human and nonhuman voices. Collective statements and voices complete the phrase “Queer is…” and together make a computational and poetic composition. Through running Vocable Code on a browser, the texts and voices are repeated and disrupted by mathematical chaos, creating a dynamic audio-visual literature and exploring the performativity of code, subjectivity and language. Behind but next to the executed web interface of Vocable Code (13082018), the code itself is deliberately written as a codework, a mix of a computer programming language and human language, exploring the material and linguistic tensions of writing and reading within the context of (non)binary poetry and computer programming.
Trygve Thorsheim - 13.09.2019 - 11:01
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Sentenced to Covid: Voices of the Pandemic
Sentenced to Covid: Voices of the Pandemic displays our single-sentence responses to the pandemic. You can read the responses in either manual or auto mode (the latter which provides an endless looping display of the responses). If you want, you can write your own response for others to see.
(Source: Exhibition Documentation)
Lene Tøftestuen - 06.05.2021 - 14:45
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Elys, The Lacemaker: The Book of Hours of Madame de Lafayette
The story of Elys, the Lacemaker to the Princess of Cleves is a double-true fiction. First, a lacemaker is not mentioned in the text of Madame de Lafayette's Princess of Cleves. However, the Princess surely had both seamstresses and personal fitters for her couture. It was not uncommon for a proper trousseau to be many years in preparation. Elegant ladies were sewn into their gowns before setting off to the ball. Also, no record attests that the Viscount of Chartres had a natural child--or certainly not one named Elys. But it was customary to donate unwanted souls to the service of the many needs of the Court. As a fictional lacemaker, Elys would certainly have heard the folktale, "Little Red Riding Hood." Early, oral versions of the tale include the wolf asking Riding Hood if she planned to take the "path of pins" or the "path of needles." The Grandmother, too, is blind--attesting to the fate of the real lacemakers who worked from age four until their sight failed in adolescence. I have adapted the Cinderella story for Elys' mother, Elle.
Dene Grigar - 08.11.2021 - 20:25
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Ted the Caver
Ted the Caver is a gothic hypertext fiction piece regarded as one of the earliest examples of 'creepypasta' or online horror legend. Published to the free Angelfire web hosting service in early 2001, it’s presented as the authentic hypertextual diary of a man called Ted and documents his exploration of a 'mystery' cave system. During publication, Ted the Caver gained broad popularity. Although this has since waned, it continues to be shared among those who discuss gothic experiences (Taylor, 2020).
Ted the Caver has been credited with pioneering two foundational aspects of online horror fiction—the use of real-time updates and the use of hyperlinks, the latter of which gave the work "a distinctive digital quality that could not have been reproduced on paper" (Crawford, 2019).
Works cited:
T. R. Taylor, "Horror Memes and Digital Culture," in The Palgrave Handbook of Contemporary Gothic, C. Bloom, Ed., Cham, Switzerland: Palgrave Macmillan, 2020, pp. 985-1003.
Tegan Pyke - 24.04.2023 - 16:01
