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  1. Culture and Norms in the Information Society: Identity, Gender and Social Interaction (DIKULT 106, Fall 2014)

    Culture and Norms in the Information Society: Identity, Gender and Social Interaction (DIKULT 106, Fall 2014)

    Alvaro Seica - 04.02.2015 - 13:17

  2. compArt daDA: the database Digital Art

    The compArt database Digital Art (daDA) is a growing repository on digital art. It currently focusses on five top categories: people (in their roles as artists, authors, gallerists, etc.), works, events, publications, and institutions. We use the slightly problematic term “digital art” in a broad sense. More or less like: in order to be included, an entity of the data base must have its roots in operations by digital computers; or reflect on such entities, or be otherwise related to them. But we allow for some sloppiness: we also insert entities of historic relevance to digital art. We are currently restricting attention to the early phase of digital art. As those we consider the years from about 1950 to 1979, the year of the first Festival Ars Electronica in Linz, Austria. During those years, digital art was mainly algorithmic art. At some later time, we intend to include other forms of digital art. We already now occasionally accept works, artists, etc. that bear enough of a stylistic kinship with early digital art. We almost exclusively deal with visual art. But here also, we allow for exceptions as, e.g., some entries from early computer music.

    Alvaro Seica - 05.02.2015 - 10:32

  3. MATLIT: Materialities of Literature

    MATLIT: Materialities of Literature is an open access, peer-reviewed, online journal published by Coimbra University Press and the Centre for Portuguese Literature at the University of Coimbra. The journal addresses the material and technological mediations of literary practices, with a particular focus on printness, digitality, aurality, and intermediality. The research fields covered by the journal extend from literary studies to comparative media studies and to digital humanities. MATLIT uses the following working languages: Portuguese, English, Spanish, French, and Italian. Adopting an interdisciplinary and transmedial perspective, the journal is organized into thematic issues. Each issue has its own Call for Papers.

    (Source: http://iduc.uc.pt/index.php/matlit/about/editorialPolicies#focusAndScope)

    Daniela Côrtes Maduro - 06.02.2015 - 22:58

  4. Bok og bibliotek

    Norwegian journal for librarians, published six times a year. Subscriptions available on paper or PDF.

    Jill Walker Rettberg - 17.02.2015 - 14:59

  5. APRJA

    APRJA is an open-access research journal that addresses the ever-shifting thematic frameworks of digital culture. APRJA stands for “A Peer-Reviewed Journal About” and invites the addition of a research topic to address what is considered to be key aspects of contemporary digital art and culture (and thereby complete each journal title). We take a particular interest in software studies, media archaeology, platform politics, interface criticism, computational culture and artistic research.

    As an open-access research journal, APRJA is freely available without charge to the user and his/her institution. Users are allowed to read, download, copy, distribute, print, search or link to the full text of the articles in this journal without asking prior permission to authors or the publisher (under a creative commons license).

    Alvaro Seica - 25.02.2015 - 11:59

  6. Frónesis

    A journal of the Centre d'Estudis Joan Maragall.

    Alvaro Seica - 15.04.2015 - 16:46

  7. Viking

    Viking is a legendary imprint with a distinguished list of extraordinary writers in both fiction and nonfiction. The Viking Press was founded in New York City on March 1, 1925, by Harold K. Guinzburg and George S. Oppenheimer. When the Viking logo, a ship drawn by Rockwell Kent, was chosen as a symbol of enterprise, adventure, and exploration in publishing, the popular authors included Sherwood Anderson, James Joyce, and D.H. Lawrence. Today, Viking boasts bestselling fiction authors like Pulitzer Prize winner Geraldine Brooks, Tana French, Elizabeth George, Sue Monk Kidd, Jojo Moyes, National Book Award Winner William Vollman, and Nobel Prize winner J.M. Coetzee. In 1925, the Viking nonfiction writers included James Weldon Johnson and August Strindberg. Today, Viking’s critically and commercially successful nonfiction authors, include Nathaniel Philbrick, Daniel James Brown, Steven Pinke, Antony Beevor, and Timothy Keller.

    (Source: http://www.penguin.com/meet/publishers/vikingbooks/)

    Alvaro Seica - 28.04.2015 - 20:55

  8. Media Art Net

    Objectives

    Alvaro Seica - 03.05.2015 - 23:38

  9. Coach House Books

    In 1965, a young typesetter named Stan Bevington, newly transplanted to Toronto from Edmonton, began printing versions of the new Canadian maple-leaf flag. With the money he made hawking these flags in hippie Yorkville, he rented an old coach house and bought a Challenge Gordon platen press. With a newfound colleague, Dennis Reid (now a curator of the Art Gallery of Ontario), he printed a book of poetry by Wayne Clifford. Writers and artists soon flocked to the little coach house with their projects, bpNichol’s Journeying and The Returns and Michael Ondaatje’s The Dainty Monsters among them. Coach House has always maintained a dual role in Canadian letters by both publishing and printing books.

    (Source: http://chbooks.com/about_us)

    Alvaro Seica - 09.05.2015 - 17:16

  10. Critique: Studies in Contemporary Fiction

    Critique: Studies in Contemporary Fiction

    Jill Walker Rettberg - 16.08.2015 - 10:35

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