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  1. The Struggle Continues

    The work The Struggle Continues consists of monochrome text set to a jazzy soundtrack. There is one exception from this in the work, a big yellow smiley that breaks with the black and white text. The thematics of the text is about the struggle for sex: "THE STRUGGLE CONTINUES FOR STARK NAKED LOVE" and the texts play on a left side rhetoric with sentences such as: "FOR THE MASSES" and "FOR THE WORKERS". The work ends with the phrase: "MY STARK NAKED LOVE!".

    The work was presented in the Metrotech Commons in Brooklyn, NY in 2011.

    Meri Alexandra Raita - 02.10.2011 - 10:52

  2. Artist's Statement No. 45,730,944: The Perfect Artistic Web Site

    Artist's Statement No. 45,730,944: The Perfect Artistic Web Site

    Meri Alexandra Raita - 02.10.2011 - 11:25

  3. Metablast

    In Metablast, Young-hae Chang Heavy Industries uses their well-established text-display methods to "perform" the entire text of the a discussion of an earlier work, 0perati0n Nuk0rea (2003), from the community blog Metafilter. A link to 0perati0n Nuk0rea had been posted to the front page of Metafilter on April 18, 2003, and the many comments that followed make up the text of Metablast.

    In 2004, Metablast itself would also be discussed on Metafilter.

    The work was published on Young-Hae Chang Heavy Industries' webpage in 2004 according to Internet Archive's Wayback Machine, and converted to video form somewhere between 2018-2021.

    Meri Alexandra Raita - 02.10.2011 - 12:03

  4. The Sea

    The work was published on Young-Hae Chang Heavy Industries' webpage in 2003 according to the Internet Archive's Wayback Machine.

    Meri Alexandra Raita - 02.10.2011 - 13:41

  5. Riviera

    Set in the usual monochrome style and with a jazzy soundtrack synonymous with Young-Hae Chang Heavy Industries' work, Riviera introduces a new element: division of the screen into four horizontal spaces. In each of these spaces, text flows past—horizontally in the English version of the work, vertically in the Chinese—at different rates, each providing different views of the Hae-Oondae Sea.

    The work was published on Young-Hae Chang Heavy Industries' web page in 2002, according to the Internet Archive's Wayback Machine, and converted to video form around 2018.

    Meri Alexandra Raita - 02.10.2011 - 13:43

  6. Beckett's Bounce

    Beckett's Bounce tells story of two persons meeting in a taxi. The passenger is an anonymous writer, but the driver is the legendary writer and playright Samuel Beckett. They converse, mostly about violence and sex, and engage in sexual acts with prostitutes. The work is set in the usual monochrome style of Young-Hae Chang Heavy Industries, with white letters on a black background, also features a jazzy soundtrack. 

    The work was published on Young-Hae Chang Heavy Industries' web page in 2002 according to the Internet Archive's Wayback Machine.

    Meri Alexandra Raita - 02.10.2011 - 13:46

  7. All Fall Down

    Set in the usual monochrome style of Young-Hae Chang Heavy Industries, the work All Fall Down focus on the fact that everybody will fall down eventually, saints, doctors and bums alike. The work has two seperate narrations and it is near impossible to follow both at the same time as the pace in this work is fast. The work is set to a jazzy soundstrack featuring a long drum solo set to the famous groove from Dave Brubeck's Take Five.

    The work was published on Young-Hae Chang Heavy Industries' web page in 2002 according to the Internet Archive's Wayback Machine.

    Meri Alexandra Raita - 02.10.2011 - 13:50

  8. Royal Crown Super Salon

    The work was published on Young-Hae Chang Heavy Industries' web page in 2003 according to the Internet Archive's Wayback Machine.

    Meri Alexandra Raita - 02.10.2011 - 13:52

  9. Super Smile

    The work was published on Young-Hae Chang Heavy Industries' web page in 2005 according to the Internet Archive's Wayback Machine.

    Meri Alexandra Raita - 02.10.2011 - 13:56

  10. Orient

    This poem from circa 2002 contains the same linguistic text— that is, the same sequence of words— as the 2003 “Nippon” but it is a very different work.

    “Orient” is set to the tune of “B. Quick” by Sonny Rollins, which makes it last slightly over 9:13. This song is a fast-paced bebop that sets an urgent, desperate, even frantic tone - making your heart race and eyes tear as you try to keep up with an aggressive reading pace. Stick with it and you’ll end up exhausted and bewildered as your brain gets taken through what reads like a stream-of-consciousness narrative about cheerful men who go to a bar and interact with desperately bored women whose job it is to make them feel at ease.

    Meri Alexandra Raita - 02.10.2011 - 13:58

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