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Ghost Moons
A kanji-ku based on the character for ‘moon.’
Scott Rettberg - 07.01.2013 - 15:48
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The Rainbow Factory
The Rainbow Factory is a interactive black comedy poem by Peter Howard made in flash. It's about how rainbows are made in a factory and that it is "Dirty business".
When you start it up you will be met with a indroduction scene with the title and then the gates opening to the factory. Then you are introduced to the factory and you are able to click on it's windows to reveal how rainbows are made.Scott Rettberg - 07.01.2013 - 15:53
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Speak: a Hypertext Essay
This modest work is an essay which engages non-linear narrative and includes multimedia elements such as sound and image. The title is taken from Gayatri Spivak's essay, "Can the subaltern speak?." Variously, postcolonialism and feminism as discourses of 'otherness' have addressed the notion of 'speaking' and 'speaking position', asking questions such as 'who speaks for whom?', 'who is authorised to speak'. Such questions displace the idea that the 'other' is absent or silent, or that the 'other' is indeed 'other'.
(Source: 2002 ELO State of the Arts gallery)
Scott Rettberg - 13.01.2013 - 22:40
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Postales
A woman leaves her country. She tries to meet vacant spaces, to forget paths. She's considering the new territory. She's not stopping. A trip is more a seeking than an adventure. The decision to leave a country first comes from the will to break apart of the family circle, with the blind old uses, and over all, the will to get out from a cocoon, and take the way of self-modification.
Sequences are derogating, asking for answers, facing or not each other. A quest or an escape, or simply to be a Labyrinth, where images goes back to the target, in the central node of it's performance and its hopeless thoughts: the nude, the nude flesh of life.
(Source: 2002 ELO State of the Arts gallery)
Scott Rettberg - 17.01.2013 - 21:46
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Poem by Nari does Windows
This hypertext poem examines language and instructions from help menus and other documentation in the Windows 98 operating system, juxtaposing it with texts and images from other sources (credited in “Windows”) as well as with original material. The formatting for the Windows texts is designed for readers to read them clearly, allowing for Microsoft’s prosaic, utilitarian voice to emerge clearly and deliver instructions for procedures that seem unnecessarily complex. The “Poem by Nari” texts (Warnell’s poetic persona) are made strange and poetic through visual formatting: primarily by eliminating spaces between words, arranging streams of texts in columns, and capitalizing by constraint rather than by convention.
(Source: Leonardo Flores, I ♥ E-Poetry)
Hannelen Leirvåg - 10.02.2013 - 22:32
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Internal Damage Data
“Internal Damage Data” uses the structure of a multiple choice questionnaire for self assessment of internal damage to shape the first part of the poem. For each question, Mez uses option C (maybe, unsure, other…) to develop her poem, seeking to transcend the traditional yes/no binaries in such questionnaires. In the part depicted above, she uses algorithms to structure her poem: using the logic and language of programming to guide the reader’s experience of the poem. (Source: Leonardo Flores, I ♥ E-Poetry)
Hannelen Leirvåg - 12.03.2013 - 23:56
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Blue Rooms
"Blue Rooms" is my senior thesis for the Vassar College English Department. This project has been assisted by many spirit voices. I have also had much support from the living and one of those creatures is my friend, guide, mentor, and officially--my thesis advisor--Michael Joyce who invited me into this medium and taught me to swim in it. I am so grateful. Michael has far too many accomplishments to gloss here with a list. So instead of writing a pale summary I instead direct you to his homepage where you can have a look-see if you haven't already. More than words...
The text of "Blue Rooms" was originally composed in the hypertext program that Jay Bolter and Michael Joyce created--Storyspace--which allows for complex linking and link guards (which the internet currently cannot provide) between spaces that can host images and text. Early on though, with the encouragement of Michael, I realized I wanted to dream "Blue Rooms" into the Web so that as many as possible could visit and have a look around. The Storyspace files were exported directly into html, keeping all the original text and links, and then collaged with the images.
Jill Walker Rettberg - 04.07.2013 - 12:25
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Tentative d'épuisement de Tentative d'épuisement d'un lieu parisien de Georges Perec
Tentative d'épuisement de «Tentative d'épuisement d'un lieu parisien» de Georges Perec est une oeuvre qui reprend intégralement le texte de Perec en y ajoutant de nombreux hyperliens. Fidèle au projet perecquien de l'épuisement du réel, de Jonckheere en offre une version hypermédiatique en doublant l'exploration du réel d'une exploration de l'espace Web. En effet, chaque hyperlien de l'oeuvre renvoie à une page Web qui est toujours en lien avec le signification du mot hyperlié. Certaines URL mènent à d'autres oeuvres du Web, alors que d'autres mènent à des sites commerciaux. (Source: NT2)
Jill Walker Rettberg - 26.08.2013 - 10:17
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My Hands/Wishful Thinking
Working within the early netart aesthetic of the popup, hypertext, and digital automation of sound, my hands/wishful thinking produces an online memorial to the tragic death of Amadou Diallo, a twenty-two year old immigrant from Guinea who was shot forty-one times based on a case of mistaken identity and police overreaction in 1999. In this piece by Mendi and Keith Obadike, the blinking, repeating hand of Keith Obadike grasps a wallet purchased from the same store on 125th street in Harlem where Diallo worked. Perhaps this is even the same brand of wallet that Diallo held which the NYPD claimed was a gun. Recalling experimental photographs like Glenn Ligon’s Hands (1996), my hands/wishful thinking draws together the hand of the artist, the hand of Diallo, and the hand of the user navigating the web page. Mendi and Keith Obadike begin with the premise that "thoughts are things" and for every shot fired a thought has been written down as an act of poetic resistance. Released in an age before social media, my hands/wishful thinking exemplifies the transformative potential of the Internet at the turn of the millennium.
Magnus Knustad - 29.09.2016 - 13:44
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Гипертекст
Raoul Karimow - 29.11.2017 - 03:17
