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1. Русская вирутальная библиотека

   Цели и задачи

   Целью Русской виртуальной библиотеки (РВБ) является электронная публикация классических и современных произведений русской литературы по авторитетным источникам с приложением необходимого справочно- комментаторского аппарата.

   В задачи РВБ входит:

   разработка и внедрение эффективных методов электронной издательской деятельности, основанных на использовании технологии SGML/XML;
   организационная и техническая поддержка независимых публикаторов, чья деятельность соответствует тематическому плану и эдиционным стандартам РВБ;
   создание сетевого научного сообщества, объединяющего публикаторов и комментаторов произведений русской литературы, специалистов в области электронных публикаций, а также разработчиков лингвистически ориентированного программного обеспечения;
   публикация произведений из списка-программы РВБ.
   Социальное назначение РВБ

   Natalia Fedorova - 15.02.2013 - 21:04

2. Rhizome Artbase

   Founded in 1999, the Rhizome ArtBase is an online archive of digital art containing over 2,500 art works. Encompassing a vast range of projects from artists all over the world, the ArtBase provides an online home for works that employ materials such as software, code, websites, moving images, games and browsers towards aesthetic and critical ends. The mission of the ArtBase is to provide free, open, and permanent access to a living and historic collection of seminal new media art objects.

   The ArtBase includes two types of art objects: Linked Objects and Archival Copies. Both, Linked Objects and Archival Copies, include information about an artwork ("metadata"), such as the artist's name, the date the project was created, the project's title, original URL, keywords, technologies used, an artist's statement and a thumbnail image. Artists who submit artworks as Linked Objects or Archival Copies provide us with such metadata, which we may then edit to ensure completeness, consistency and accuracy.

   Source: Rhizome.org

   Elisabeth Nesheim - 27.02.2013 - 13:28

3. ADA - Archive of Digital Art (former Database of Virtual Art)

   The Database of Virtual Art documents the rapidly evolving field of digital installation art. This complex, research-oriented overview of immersive, interactive, telematic and genetic art has been developed in cooperation with established media artists, researchers and institutions. The web-based, cost-free instrument – appropriate to the needs of process art – allows individuals to post material themselves. Compiling video documentation, technical data, interfaces, displays, and literature offers a unique answer to the needs of the field. All works can be linked with exhibiting institutions, events and bibliographical references. Over time the richly interlinked data will also serve as a predecessor for the crucial systematic preservation of this art.

   (Source: Database of Virtual Art website)

   Elisabeth Nesheim - 27.02.2013 - 14:59

4. Art and Electronic Media Online

   The Art and Electronic Media Online Companion emerged as a project of an intensive one-week MA seminar at the compArt Center for Excellence in Digital Art at the University of Bremen.  Seventeen students worked together to develop the web interface and initial content based on the 2009 print publication Art and Electronic Media. Indeed, content creation and website design mutually informed each other, so the site has emerged - and will continue to emerge - from a highly collaborative process. The lead Drupal developers were Walter Jenner and Tim Mundt. Cristina Botta, Marten Müller, Ryan Scoville, Jan Smeddinck

   (Source: Art and Electronic Media Online website)

   Elisabeth Nesheim - 07.03.2013 - 15:19

5. Hyperizons

   One of the most extensive lists of hypertext fiction, scholarship and events in the 1990s. Was an important hub of information on the web at the time, and remains a documentation of the past, broken links and all.

   Jill Walker Rettberg - 28.06.2013 - 23:39

6. Voice of the Shuttle

   Alan Liu's Voice of the Shuttle launched in 1994 was one of the first and most important indexes of web content related to the humanities -- before Google, before Yahoo or any other all-encompassing web portal or search engine. The site moved to a database format in 2001 and is sitll in operation in 2013.

   Scott Rettberg - 30.06.2013 - 22:11

7. Estudios en Intermedialidad como Mediación Intercultural (Studies on Intermediality and Intercultural Mediation)

   Historical and cultural heritage generates important economic activities directly related to their identification, protection, conservation, restoration, management and enhancement related to fundamental aspects in the area of Humanities and Social Sciences, where multiple relationships between heritage, arts and cultural industries arise. The research program Studies on Intermediality and Intercultural Mediation SIIM brings together several research initiatives on a socio-constructivist basis that essentially argues that the development of mental functions is a socio-genetic, so that cognitive development is the result of exposure to social and psychological levels, a movement that is 'mediated' through social interaction and technology.

   Maya Zalbidea - 22.08.2013 - 21:26

8. cyberfiction.ch

   English description:

   this database shows german hyperfictions and netliterature from 1996 to 2003. it consists of three lists with short descriptions. the database is based on earlier hyperfiction lists published online with beluga (1996 - 1999). this version dates from 2000 and presents 100 different entries.

   The Resource is offline (accessed September 2013).

   German description:

   diese datenbank enthält ein korpus deutschsprachiger hyperfictions aus den jahren 1996 - 2003. grundlage der beschreibungen waren die alten hyperfiction-listen bei beluga (1996 - 1999). die folgende datenbank ist im jahre 2000 zusammengestellt worden und umfasst etwa 100 einträge.

    

   Source: cyberfiction.ch

   Patricia Tomaszek - 09.09.2013 - 13:55

9. compArt daDA: the database Digital Art

   The compArt database Digital Art (daDA) is a growing repository on digital art. It currently focusses on five top categories: people (in their roles as artists, authors, gallerists, etc.), works, events, publications, and institutions. We use the slightly problematic term “digital art” in a broad sense. More or less like: in order to be included, an entity of the data base must have its roots in operations by digital computers; or reflect on such entities, or be otherwise related to them. But we allow for some sloppiness: we also insert entities of historic relevance to digital art. We are currently restricting attention to the early phase of digital art. As those we consider the years from about 1950 to 1979, the year of the first Festival Ars Electronica in Linz, Austria. During those years, digital art was mainly algorithmic art. At some later time, we intend to include other forms of digital art. We already now occasionally accept works, artists, etc. that bear enough of a stylistic kinship with early digital art. We almost exclusively deal with visual art. But here also, we allow for exceptions as, e.g., some entries from early computer music.

   Alvaro Seica - 05.02.2015 - 10:32

10. Media Art Net

    Objectives

    Alvaro Seica - 03.05.2015 - 23:38

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