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1. Thoughts on a Literary Lab

   For the “Theories and Practices of the Literary Lab” roundtable at MLA yesterday, panelists were asked to speak for 5 minutes about their vision of a literary lab. Matthew Jockers spoke on the conception and agenda of the Stanford Literary Lab, which he started with Franco Moretti.

   Scott Rettberg - 17.01.2013 - 21:04

2. Close Reading Electronic Literature: A Case Study of William Poundstone’s “Project for the Tachistoscope: [Bottomless Pit]“

   AS OF JANUARY 2012, THIS BOOK IS NOT YET PUBLISHED. This book presents a case study for developing digital humanities methods of literary interpretation by close reading a born-digital literary work from three radically different methodological perspectives. I read the onscreen aesthetics, Mark Marino practices Critical Code Studies and analyzes the programming code, and Jeremy Douglass uses cultural analytics to show how data-visualizations stimulate literary interpretations. Together we collaborate in scholarly hermeneutics, weaving our interconnected questions into shared understanding while arguing that such transdisciplinary approaches provide the multiple perspectives necessary to illuminate digital poetics. (Source: Jessica Pressman's website)

   Jill Walker Rettberg - 23.01.2013 - 11:05

3. Техника чтения 2.0: литературные практики после интернет-революции

   Техника чтения 2.0: литературные практики после интернет-революции

   Natalia Fedorova - 23.01.2013 - 19:24

4. Russian E-Lit 1.0 - 3.0

   Russian E-Lit 1.0 - 3.0

   Natalia Fedorova - 29.01.2013 - 02:46

5. Петербургская «Невидимая граница» в Москве

   Петербургская «Невидимая граница» в Москве

   Natalia Fedorova - 31.01.2013 - 01:27

6. Walking and Mapping: Artists as Cartographers

   From Guy Debord in the early 1950s, to Richard Long, Janet Cardiff and Esther Polak more recently, contemporary artists have returned again and again to the walking motif. Debord and his friends tracked the urban ambiences of Paris to map the experience of walking at street level. Long trampled a path in the grass and snapped a picture of the result (A Line Made by Walking). Cardiff created sound walks in London, New York and San Francisco that sent the audience out walking. Mapping is a way for us to locate ourselves in the world, physically, culturally, or psychologically. Debord produced maps like collages that traced the “psychogeography” of Paris, while Polak and her team equipped nomadic Fulani herders in Nigeria and Cameroun (West Africa) with GPS devices and developed a robot to map their itineraries in the sand. Today, the convergence of global networks, online databases, and new tools for mobile mapping coincides with a resurgence of interest in walking as an art form. In Walking and Mapping, Karen O’Rourke explores a series of walking/mapping projects by contemporary artists.

   Karen O'Rourke - 02.02.2013 - 20:34

7. The Future of Russian: Language Culture in the Era of New Technology

   This project deals with a phenomenon of global relevance, and its results will therefore be of interest to a wider audience than exclusively Russian studies.

   New media technology has radically changed the conditions of linguistic communication worldwide. In Russia, the technological revolution has taken place at a time of dramatic political and social upheaval, which further reinforces the process and its consequences in several areas, including language development, text production and text dissemination. Traditional forms, means and contexts of communication are challenged as new genres and media develop, and these developments have an impact on language change and linguistic culture. Trends in the centralization and censorship of the more conventional media compound the effects of new technologies: as television stations and newspapers become increasingly controlled by interests controlled by or sympathetic to the political leaders, the Internet is rapidly becoming the outlet of choice for voices of opposition.

   Natalia Fedorova - 15.02.2013 - 14:04

8. Dramaturgy and the Digital

   a look at new dramaturgical strategies prompted by digital practice.

   J. R. Carpenter - 11.03.2013 - 19:15

9. Litteraturen i en multimediatid, med eksempler fra nordisk elektronisk litteratur

   Den papirbaserte boka har beveget seg inn i en tid hvor ungdommen påvirkes i en multimedia-verden. Tradisjonell lineær fortelling, der en definert forfatter lager et ferdig produkt, tilbys alternative muligheter.
   Web'en utvikler seg fra å være skriftbasert til større bruk av bilder og lyd, og nye arbeider kan gi leseren mulighet til å delta i utviklingen av fortellingene. Denne utviklingen trenger vi ikke se som en kamp mellom to alternative løsninger.

   Den elektroniske litteraturen sier noe om samtiden som samtidslitteraturen ikke kan på samme måte, den kan øve leseren opp til det nye århundrets komplekse medie- og tekstunivers.

   Patricia Tomaszek - 20.03.2013 - 13:02

10. Remiksy, remediacje, redefinicje

    Remiksy, remediacje, redefinicje

    Patricia Tomaszek - 16.04.2013 - 15:10

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