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The New River (Fall 2018)
When you consider that writing as a form hasn’t really changed all that much since The Epic of Gilgamesh, some 4,000 years ago, what’s occurring in the world of new media becomes that much more impressive. Digital writing is already able to do things that authors aspired towards for years; incorporating visuals, music, and sound, as well as interacting directly with audience. In this issue we’ve tried to put forth work that exemplifies the wide range new media is capable of.
(Source: https://www.cddc.vt.edu/journals/newriver/18Fall/editor.html)
Lucila Mayol Pohl - 17.10.2020 - 12:18
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A NOTE FROM THE EDITORS (Fall 2018)
When you consider that writing as a form hasn’t really changed all that much since The Epic of Gilgamesh, some 4,000 years ago, what’s occurring in the world of new media becomes that much more impressive. Digital writing is already able to do things that authors aspired towards for years; incorporating visuals, music, and sound, as well as interacting directly with audience. In this issue we’ve tried to put forth work that exemplifies the wide range new media is capable of.
(Source: https://www.cddc.vt.edu/journals/newriver/18Fall/editor.html)
Lucila Mayol Pohl - 17.10.2020 - 13:18
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The New River (Spring 2018)
The world as we know it is changing: drones can deliver burritos, cars can drive themselves, all movies are remakes, and our middle school math teachers were all wrong – we do always have a calculator in our pocket. Welcome to the future! We’re talking about your smartphone. These small rectangular devices have affected nearly every aspect of our lives. New media is no exception. For this issue, we have curated a collection of pieces, both desktop and mobile, that exemplify all that new media has to offer in this future we live in.
Source: https://www.cddc.vt.edu/journals/newriver/18Spring/editor.html)
Lucila Mayol Pohl - 17.10.2020 - 13:36
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A NOTE FROM THE EDITORS (Spring 2018)
The world as we know it is changing: drones can deliver burritos, cars can drive themselves, all movies are remakes, and our middle school math teachers were all wrong – we do always have a calculator in our pocket. Welcome to the future! We’re talking about your smartphone. These small rectangular devices have affected nearly every aspect of our lives. New media is no exception. For this issue, we have curated a collection of pieces, both desktop and mobile, that exemplify all that new media has to offer in this future we live in.
(Source: https://www.cddc.vt.edu/journals/newriver/18Spring/editor.html)
Lucila Mayol Pohl - 17.10.2020 - 14:20
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Digital Humanities
A chapter in the Bloomsbury Handbook of Literary and Cultural Theory about the emergence of a new field of digital arts, Hypertext.
Joseph Tabbi - 30.11.2021 - 14:40
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The Bloomsbury Handbook of Literary and Cultural Theory
The Bloomsbury Handbook of Literary and Cultural Theory is the most comprehensive available survey of the state of theory in the 21st century. With chapters written by the world's leading scholars in their field, this book explores the latest thinking in traditional schools such as feminist, Marxist, historicist, psychoanalytic, and postcolonial criticism and new areas of research in ecocriticism, biopolitics, affect studies, posthumanism, materialism, and many other fields.
In addition, the book includes a substantial A-to-Z compendium of key words and important thinkers in contemporary theory, making this an essential resource for scholars of literary and cultural theory at all levels.
(from Bloomsburys description)
Joseph Tabbi - 30.11.2021 - 14:53
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Janky Materiality: Artifice and Interface
In this paper I explore blurry intersections and cracked interfaces between page, screen and speaker, analog and digital practice. With reference to the work of Judd Morrissey and Mark Jeffery, Talan Memmott, Claire Donato, Shelley Jackson, Ian Hatcher, Brian Eno, Rob Wittig, Rachel Zolf, bpNichol, David Jhave Johnston, Young-Hae Chang Heavy Industries, Erín Moure, Douglas Kearney, Tan Lin, and others, I think about the ways digital material practice extends the post-structural field, as page-based practices are (further) destabilized by computer-based experiments. These writers treat language itself as a janky technology that works (at least temporarily) through its own failures, so that digital mediation serves to further break and rewire language operations. The “speaker” component of my research refers both to experiments with decentered (if not quite dematerialized) poetic voice, and the sonics of actual voices and other digitally mediated and manipulated sounds.
Akvile Sinkeviciute - 03.10.2018 - 15:49
