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  1. Seattle Drift

    “Seattle Drift” leads us to think about different poetic “scenes” and how a text can enter and exit these poetic traditions through the deceptively simple mechanism of “drifting.”

    (Source: Leonardo Flores, I ♥ E-Poetry)

    Eric Dean Rasmussen - 26.01.2012 - 10:40

  2. Red Lily

    Red Lily is a Flash poem divided into three musical movements that address the pain of lost love. Visual symbols, like a child playing with ducklings and a calla lily, juxtapose innocence and death, while the sound of the tolling bell coupled with textual clues of blood and needles emphasize love's end.

    (Source: description from the Electronic Literature Exhibition, MLA 2012)

    Meri Alexandra Raita - 28.01.2012 - 14:51

  3. Shy Boy

    Shy Boy is a Flash poem that uses movement, visual images, and sound to deep into the soul and life of one very shy boy. The monochromatic use of black, gray, and white suggest a child who calls no attention to himself and the vanishing text, his own lack of presence among his schoolyard peers.

    (Source: catalog for Electronic Literature Exhibition)

    Meri Alexandra Raita - 28.01.2012 - 14:59

  4. Vive la Bagatelle

    Vive la Bagatelle is a short, kinetic digital poem in the Italian Futurist style, featuring the song "The Airplane" by Futurist composer George Anthiel. Through deft manipulation of Flash CS4 and Actionscript much of the prose seen is randomly selected and displayed on screen. The end result is a new poem with each viewing, every bit as mesmerizing as it is curious.

    (Source: description from the Electronic Literature Exhibition catalogue)

    Note: This work was featured in the 2012 Electronic Literature Exhibition on the computer station featuring Future Writers--Electronic Literature by Undergraduates from U.S. Universities--Works on Desktop

    Meri Alexandra Raita - 30.01.2012 - 21:50

  5. Fotomo Blues

    Fotomo Blues is a work of hyperpoetry and images. It's been available online since 1997 [at www.ellipsis.net/fotomo/].

    It was made for fun in the pioneering days of the web - in 1997- in order to explore new narrative possibilities offered by online publication and a screen-based environment.

    Fotomo Blues offers a satire on urban grunge and media-obsession. It's an interactive visual-verbal rap on a world of electrified air, digital melancholia, meet-them-in-the-flesh nostalgia, sound bites fights, soap star charisma, geek-speak freaks, feelgood factors contractors, hairsplitting graffiti, tabloid tyranny, toxic tranquillity, revved-up redundancy, sex, lies and a whole lot more.

    When it first appeared it was described as "a timely zeit through the urban geist."
     

    Eric Dean Rasmussen - 05.02.2012 - 11:08

  6. Zone : Zero

    Book of print poetry that includes print versions of the e-poems slippingglimpse and The Ballad of Sand and Harry Soot along with many other poems.

    Eric Dean Rasmussen - 10.02.2012 - 13:51

  7. The Click Poems

    These are among David Knoebel's earliest e-poems, going back to 1997, but they're important because their conceptual compression and technical simplicity set the tone for Knoebel's subsequent poetry. Inspired by the haiku, they consist of three words or short phrases: a first line (which serves as a title) linking to the second line (which loads as an HTML page) and a third line which plays as an audio recording as soon as the sound file loads-- which is almost simultaneously.

    These crisp little poems are built out of layering in virtual and computational space and time. As you read them, notice how just as your brain is making the conceptual connection between the first two lines it gets hit by the third, transforming your thought process. Between the three, Knoebel maps out little experiences that resonate with humor, wit, curiosity, and delight. The relationship between the lines vary as well: completing phrases, commenting on the previous pair of lines, or making a connection to nature (in good haiku tradition).

    Leonardo Flores - 13.03.2012 - 11:54

  8. Thoughts Go

    This is poem is Knoebel's most powerful use of simultaneity because he layers two stanzas of poetry in a perfectly synchronized fashion. One stanza is an abstract meditation on the presence, absence, and storage of thoughts while the other is pure imagery and embodied experience. The two are connected by being displayed and spoken through time, initially scrambling your thought process as it tries to follow two threads of text.

    After your first reading of this short poem, I suggest you turn off the sound and read the visual text and then turn the sound back on and simply listen to the other stanza. Then experience them simultaneously again to see how meaningful the layering is, how the scheduling of the text leads you to re-imagine some of the sounds, and how the central metaphor brings the whole poem together.

    (Source: Leonardo Flores,  I ♥ E-Poetry.)

    Leonardo Flores - 13.03.2012 - 12:04

  9. JB Wok

    Hello world, this is J B Wock, and this is my blog!
    Actually, I am a PHP script , and (almost) every night
    I write a short phrase about whatever comes to my mind.

    My method is:
    - I find a phrase that I like on the Internet.
    - I twist the phrase until I'm pleased with it.
    - When everything's ready, I publish my post.

    (Source: Description on the project site)

    Scott Rettberg - 16.06.2012 - 11:39

  10. Das Epos der Maschine

    This work uses pictures and sound to make it more interesting. It looks and sounds creepy. The focus of the story is the interaction between man and machine. 

    Scott Rettberg - 16.06.2012 - 21:47

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