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  1. Gorgeous Twist

    Georgeous Twist is based upon Nick Montforts machine based poetry Taroko Gorge.

    It show womens different roles in life and the different choices life make for us.
    This is an everlasting installation that constantly changes it's outcome.

    Susanne Dahl - 06.10.2016 - 14:55

  2. Hey Gorgeous

    "Hey Gorgeous" by Darius Kazemi is one, in a great number of remixes of the generative work "Taroko Gorge" by Scott Monfort. How Darius Kazemi remixes Monfort's work, is by changing the textstrings in the code, thereby changing the generated text which moves up the screen. "Hey Gorgeous" pictures a scene in a nightclub, with focus on men and boys, in relation with women, drugs, dancing etc.

    Guro Prestegard - 18.10.2016 - 15:22

  3. 54 61 72 6F 6B 6F

    A computational poem created with the computer as its intended audience as well as its intended platform. At speeds beyond most human comprehension (but at a slow pace for most computers) this poem processes and displays the hexadecimal code that underlies the ASCII text format that encodes most of the English-language content on the web. Modified from Taroko Gorge by Nick Montfort. The title [54 61 72 6F 6B 6F] in Hexadecimal becomes [Taroko] translated to ASCII

    (Source: Author's description)

    Guro Prestegard - 18.10.2016 - 15:35

  4. Garaż w Tokio

    A poetry generator for the imaginary city. Tokyo Garage is a remix of Nick Montfort's "Taroko Gorge" -- a nature poem generator built in javascript. Rettberg modified the code and substituted all of the language of Montfort's work to create this poetry generator, which plays with received stereotypes of the Tokyo metropolis and of urbanity in general.

    Guro Prestegard - 18.10.2016 - 15:52

  5. Oko na Donbas

    Oko na Donbas

    Guro Prestegard - 18.10.2016 - 15:58

  6. Affiliations - Remix and Intervene: Computing Sound and Visual Poetry

    In  this  exhibit,  sound  is  represented  as  an  overarching  medium  connecting  the  artworks displayed. Visitors of the “Affiliations” exhibit will find poetic works that radically explore language and sound. For the curators, sound is one of the fundamental aspects, if not the core, of experimental and digital poetics. Yet, as some writers  and  critics  have  pointed  out  - especially  Chris  Funkhouser,  Hazel  Smith,  and John Barber - sound has not been sufficiently highlighted as a fundamental trait of electronic literature.

    The “Affiliations” exhibit presents works that embrace appropriation and remix of older and contemporary pieces - be they merely formalist or politically engaged - as pervasive creative methods in experimental poetics. Furthermore, it suggests that  electronic  literature  can  be  seen  as  a  heterogeneous  field  of  self-reflexive experimentation with the medium, language, sound, code, and space.

    Hannah Ackermans - 09.08.2017 - 10:58

  7. Ouroboros and Jabberwock

    This diptych or bi-fold work presents readers with two re-workings of Lewis Carroll’s “Jabberwocky:” on one hand, a fixed, cyclical hypertext in seven parts (Ouroboros), and on the other, an endless generative deformation that refigures the mock-epic as tennis game in Hell (Jabberwock). Both options are available at the start, but only in faint, translucent lettering. Letting the cursor dwell on one side or the other activates a sound track -- on the O side, a poetic voice whispering words of wisdom; on the J side, various monstrous re-mixes of Thursday, July 2017.This diptych or bi-fold work presents readers with two re-workings of Lewis Carroll’s “Jabberwocky:” on one hand, a fixed, cyclical hypertext in seven parts (Ouroboros), and on the other, an endless generative deformation that refigures the mock-epic as tennis game in Hell (Jabberwock). Both options are available at the start, but only in faint, translucent lettering. Letting the cursor dwell on one side or the other activates a sound track -- on the O side, a poetic voice whispering words of wisdom; on the J side, various monstrous re-mixes of those words.

    Raoul Karimow - 11.09.2017 - 12:49

  8. The Required Field

    The Required Field is an expansive interactive digital poem exploring the impact of policy documents, bureaucratic forms and the river of applications on our lives and our daily culture. Using twenty found and remixed government and corporate documents, the work poetically translates those overly complex and confusing forms. 

    For example, a Tax Form for farmers will be recontextualized through an interactive image-­‐map tour, transforming specific sections of the forms into poetic text and animated elements. Or a page from a Work Visa application will be created into a platform game, where the reader/player triggers poetry blasting bureaucracies through their game play. 

    And in the end, The Required Field, builds from and then poetically destroys the bureaucratic cultures and their fields of red-­‐tape, laws and policies for the sake of policies, the sub-­‐section to a sub-­‐section, part B stroke 9 for breathing.

    Jason Nelson - 27.04.2018 - 15:43

  9. Future Lore

    "Future Lore" is a poetry generator that remixes Nick Montfort's poetry generator "Taroko Gorge". It presents a futuristic free-for-all world where chaos rules. 

    Filip Falk - 05.06.2019 - 01:00

  10. Gladiator Simulator

    The gladiator Spiculus enters the arena one last time in this text-based simulator. Armed with a sword and shield, he fights gladiator after gladiator until he is killed. The character Spiculus is inspired by one of the most famous gladiators of the 1st century AD Rome. Spiculus won many great battles and was well-known by audiences. He was particularly admired by the emperor Nero who rewarded him with palaces and riches for his heroics.
    (Source: Author's description)

    Filip Falk - 18.07.2019 - 21:22

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