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1. Turning In

   A hypertext coming-of-age novel.

   Scott Rettberg - 15.10.2011 - 21:03

2. The Endless Reading of Fiction: Stuart Moulthrop's Hypertext Novel Victory Garden

   The Endless Reading of Fiction: Stuart Moulthrop's Hypertext Novel Victory Garden

   Jill Walker Rettberg - 15.10.2011 - 21:15

3. Hypertextual Criticism: Comparative Readings of Three Web Hypertexts About Literature and Film

   Hypertextual Criticism: Comparative Readings of Three Web Hypertexts About Literature and Film

   Jill Walker Rettberg - 15.10.2011 - 22:18

4. The Contingencies of the Hypertext Link

   The Contingencies of the Hypertext Link

   Scott Rettberg - 24.01.2012 - 14:38

5. Blueberries

   Blueberries is a piece that I wrote shortly have spending over three months writing a new short story in hypertext every day. The form is one that I find so suitable to the open flow of narrative not only for the writer in the creative process but for the reader in choosing the paths that open up throughout the story. Blueberries is more than just the story of an artist putting together a show, as it brings the past confronting the present in her preparation and the hypertext form allows that interplay with time.

   (Source: Artist Statement by Susan Gibb)

   Patricia Tomaszek - 02.02.2012 - 21:01

6. The Interactive Diagram Sentence: Hypertext as a Medium of Thought

   Consideration of my work in poetry over more than twenty-five years begins with an analysis of the difficulties of juxtaposition for the poet. A diagram syntax notation provides a method for juxtapositions to be included in larger structures; the accessibility of structural elements in a diagram allows for such constructions as internal relationships and feedback loops. Juxtaposition itself, with no sacrifice of intelligibility, is achieved through an interactive device called a simultaneity. Finally the interactive diagram sentence is explored as a vehicle for hypertext as a medium of thought: this is a truly “native” mode of entirely non-linear thought.

   (Source: Author's abstract from Visible Language)

   Scott Rettberg - 03.02.2012 - 16:14

7. Fotomo Blues

   Fotomo Blues is a work of hyperpoetry and images. It's been available online since 1997 [at www.ellipsis.net/fotomo/].

   It was made for fun in the pioneering days of the web - in 1997- in order to explore new narrative possibilities offered by online publication and a screen-based environment.

   Fotomo Blues offers a satire on urban grunge and media-obsession. It's an interactive visual-verbal rap on a world of electrified air, digital melancholia, meet-them-in-the-flesh nostalgia, sound bites fights, soap star charisma, geek-speak freaks, feelgood factors contractors, hairsplitting graffiti, tabloid tyranny, toxic tranquillity, revved-up redundancy, sex, lies and a whole lot more.

   When it first appeared it was described as "a timely zeit through the urban geist."
    

   Eric Dean Rasmussen - 05.02.2012 - 11:08

8. Conclusions

   Published in Hyper/Text/Theory (1994). Rpt. in Norton Anthology of Postmodern American Fiction.

   Eric Dean Rasmussen - 16.02.2012 - 20:52

9. Critical Sections

   The Critical Sections interface enables you to sketch pieces of architectural and cinematic history, along with related commentary, onto virtual pages whose content and composition are under your control. The primary interface element is the "cluster".

   Eric Dean Rasmussen - 26.04.2012 - 16:30

10. Reading (De)coherent Hypertexts: a Creative Performance Based on a Close Reading of the German Hyperfiction Zeit für die Bombe

    Reading (De)coherent Hypertexts: a Creative Performance Based on a Close Reading of the German Hyperfiction Zeit für die Bombe

    Eric Dean Rasmussen - 02.05.2012 - 12:04

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