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1. Pulse

   Poem Pulse is an g.a.c.o.i. (Generative, Autopoietic, Collaborative, Open-ended, Intermedial) electronic literary piece.

   G:

   generative is the poem's last stanza of– system picks out one minipulse out of the list of the saved minipulses
   generative is the visual – the leading geometry and thus also the placement of the lyrics
   generative is the composition of the loops of the main melody

   A:

   the concept of its being autopoietic represents the fact, that the final stanza is a minipoem that was created from the words of the whole poem, thus creating a part of it from itself

   C:

   pulse is collaborative because after having read the whole poem, a reader can create her own minipoem by clicking on the projected words of pulse

   O:

   its open-ended nature allows (through reader's submission of the minipoem and its saving) to extend the list of minipoems, out of which generates the stanza of the next pulses

   Zuzana Husarova - 01.09.2011 - 18:00

2. Bust Down the Door Again! Gates of Hell-Victoria Version

   A remix of the original "Bust Down the Doors!" (2000) and exhibited in the Rodin Gallery at the Samsung Museum of Art in Seoul."Consisting of stacked refrigerators with monitors affixed on them, this work is a parody of Auguste Rodin’s monumental sculpture of the same title that is permanently installed in the space." (Description from the website of Artist Pension Trust)
   

   Meri Alexandra Raita - 05.09.2011 - 15:17

3. Firefly

   Firefly: a tale told in 180 degrees of separation is a lyrical yet formal structure comprised of 6 stanzas, each five lines "long" and six lines "deep." Readers make their own way through the text by clicking on each line to reveal a different facet of the story. Click on the right hand icon for the next installment of lines.

   The work is a "true" hypertext in that it cannot be read linearly. The structure, subtly changing settings, and reader interaction all provide multi-dimensional spaces for meaning, subtext, and context.

   (Source: Description from Poems that Go)

   Eric Dean Rasmussen - 07.09.2011 - 10:40

4. Fictions d’Issy

   Fictions d’Issy is a generative novel, its narrative being gradually composed as it is presented to the readers. It was first shown at the 2005 edition of the 1ER CONTACT FESTIVAL.

   It retraces the story of two characters – he and she – and their relationship, oscillating between breaking-up and being involved. The story - continuously generated, sentence after sentence - is published in Issy-les-Moulineaux’ eleven urban e-newspapers, alternating with municipal information. The story takes place in the town of Issy; the names of public establishments, streets and squares are memorised by the text-generating device and appear regularly throughout the narrative. The local population is thus able to follow the characters’ adventures as they take place in familiar places.

   Eric Dean Rasmussen - 13.09.2011 - 10:09

5. Agrippa (A Book of the Dead)

   William Gibson wrote the linguistic text of the poem, artist Dennis Ashbaugh created the art for the book, an anonymous “hacker” programmed the e-poem, and publisher Kevin Begos, Jr. orchestrated the collaboration. The result was two limited edition artist’s books (printed on photo-sensitive paper that would fade after an initial reading) that came with a 3.5” disk with a program that would display the poem once (as seen in the video above) and self-destruct. (Source: Leonardo Flores, I ♥ E-Poetry)

   Eric Dean Rasmussen - 13.09.2011 - 14:51

6. Electronic Literature - Senior Seminar (Fall 2011)

   Electronic Literature - Senior Seminar (Fall 2011)

   Eric Dean Rasmussen - 17.09.2011 - 10:28

7. The Heart of the Machine

   There is little documentation of this early work published on the ACEN discussion board on the WELL. According to "Æther9"'s brief description, "the autobiographies of network users are integrated into the sequels of an 'experimental novel'" (Source: http://1904.cc/timeline/tiki-index.php?page=1986) (Dead link)

   Jill Walker Rettberg - 18.09.2011 - 21:58

8. string-code

   This poem, together with 'Square 01', is part of an ongoing series of interactive, experimental and generative poetic texts to generate visual compositions, which fill the viewable space in time, with a growing pattern triggered by sound and silence. If the sound is loud the letters become thicker and bigger. As in many of my pieces, the poems don’t exist until the viewer interacts with them. String_code is the visual representation of the code in Square 01, this is why I am presenting both as a pair. In all poems, the three communication systems converge: image, writing and code. Square 01 is formed by the western alphabet. All the letters appear lineally, in rows, superimposed over each other, until they eventually become an indistinguishable blob. It was my intention to explore the tradition of concrete poetry, its formal representations and production processes using the programming language of Processing. Taking model in Hansjorg Mayer’s alphabetenquadratbuch poem, its minimalist visual form of multiple layers, the desire to escape from the linguistic through the obliteration of the letters and the encapsulation in it by the square.

   Scott Rettberg - 22.09.2011 - 15:17

9. Stillicidio

   Stillicidio

   Giovanna Di Rosario - 22.09.2011 - 16:59

10. Cartografi

    Cartografi

    Giovanna Di Rosario - 22.09.2011 - 17:12

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