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Grafik Dynamo
Grafik Dynamo is a net art work by Kate Armstrong & Michael Tippett that loads live images from the internet into a live action comic strip. From the time of its launch in 2005 to the end of 2008, the work used a live feed from social networking site LiveJournal. The work is currently using a feed from Flickr. The images are accompanied by narrative fragments that are dynamically loaded into speech and thought bubbles and randomly displayed. Animating the comic strip using dynamic web content opens up the genre in a new way: Together, the images and narrative serve to create a strange, dislocated notion of sense and expectation in the reader, as they are sometimes at odds with each other, sometimes perfectly in sync, and always moving and changing. The work takes an experimental approach to open ended narrative, positing a new hybrid between the flow of data animating the work and the formal perameter that comprises its structure.
(Source: Project site)
Eric Dean Rasmussen - 25.05.2011 - 10:46
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Nome
A multimedia project produced in book, video, and CD form.
"The poems of Nome pointed to the necessity of thinking not only about the transformations that the exchange of material artifacts implies in the way we interact with the words, but also in the way they modify the meanings of the words in this mediatic ecology system in which contents are made available to reading in different situations (at the museum, at home or in the street), affecting the poetic perception in a network of meanings that connects and individualizes them."
(Quote from Giselle Beiguelman, "The Reader, the Player and the Executable Poetics: Towards a Literature Beyond the Book")
Scott Rettberg - 25.05.2011 - 13:58
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Entre
Entre (‘Enter’) (2001), a CD-ROM created by Brazilian artists Rafael Lain and Angela Detanico, that makes us think that it is possible to dare a non-phonetic thinking as a matrix of new cultural practices. The CD’s title, Entre, comprises some of its features. “Entre” in Portuguese means, as an imperative verb, “enter” and as an adverb it means “between,” and this double meaning transforms the title into an invitation and into a challenge: an invitation because it invites us to think of nothing but exploring its universe; a challenge because it constantly makes us hesitate in trying to define it, since it is a project that stays between writing and speech, between music and drawing, between letter and digit. Without explanations, it gives the reader two possibilities: to touch images, drawing with sounds, randomly using the computer keyboard; or installing a series of fonts created by Rafael Lain.
(Description from Giselle Beiguelman, "The Reader, the Player and the Executable Poetics: Towards a Literature Beyond the Book")
Scott Rettberg - 25.05.2011 - 16:24
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Saving the Alphabet
This subtly haunting poem tells the story of how each letter from the alphabet disappeared, or was made to disappear, by corporations obeying a secret agenda. The conspiracy theory overtones are underscored by the use of sound, a short loop of metallic whispering wind or water and a handful of soft musical notes. Clicking on each letter on the left hand column will take you to the corresponding letter and narrative of its disappearance, with the large letter disappearing as you read the accompanying text, but it also starts a slower, almost imperceptible, fading process of those letters in the entire work. If you click through quickly and read the whole poem you may not even notice, but step away for a minute and you’ll find that the letters you have read have disappeared from all the language in the poem and the result may be challenging to read (see image below). This more than anything provides a visceral impact, as we try to read a barely functional language mutilated by loss of letters.
(Source: Leonardo Flores)
Patricia Tomaszek - 26.05.2011 - 14:02
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Intermission
Intermission is a performative redadaction of the poetics of cinema. The performance and media platform utilizes René Clair’s short film Entr’acte (1924, a collaboration with Picabia and Erik Satie) as a starting point, reimagining cinema as if the Dadaist vision for the medium had become the prevalent form.
Talan Memmott - 17.06.2011 - 12:41
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Déprise
“Loss of Grasp” recreates the loss of self-control. What happens when one has the impression of losing control in life, of losing control of his/her own life? Six scenes tell the story of a man that is losing himself. “Loss of Grasp” plays with the self-control and the loss of self-control and invites the reader to experiment with these feelings in an interactive work.
Serge Bouchardon - 18.06.2011 - 17:00
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Q.Q.A.3
Q.Q.A.3
Luc Dall'Armellina - 04.07.2011 - 17:26
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Peggy
Very short hypertext based on conditional linking (HTML + javascript + cookies). One starting node, many paths, and only one ending. Conditional links drive the reader to the unique ending node.
Jean-Hugues Réty - 04.07.2011 - 17:46
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Ibland försvinner rösten helt, under några timmar eller hela dagar. Denna företeelse saknar helt förklaring.
"I Erikssons verk 'Ibland försvinner rösten helt, under några timmar eller hela dagar. Denna företeelse saknar helt förklaring.' försvinner röstens ljudregister och kvar finns tysta men likafullt artikulerande munnar stående på rad i glasburkar likt vetenskapliga, mystiska bevis som kan dissekeras och studeras närmare, men som ändå inte avslöjar sina hemligheter" (ur Maria Engbergs essä i nummer 48 av Pequod, samma nummer som Erikssons dikt publicerades i).
Maria Engberg - 06.08.2011 - 20:33
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The Talking Dead
From the project-web site: For Halloween 2010, players took on the character of a famous dead personage, as they mysteriously manifested on Halloween weekend. The festivities concluded with a ghostly ball at the spectral Cocoanut Grove Nightclub, before the party was crashed by some unwelcome guests.
Patricia Tomaszek - 11.08.2011 - 15:58
