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1. Speak: a Hypertext Essay

   This modest work is an essay which engages non-linear narrative and includes multimedia elements such as sound and image. The title is taken from Gayatri Spivak's essay, "Can the subaltern speak?." Variously, postcolonialism and feminism as discourses of 'otherness' have addressed the notion of 'speaking' and 'speaking position', asking questions such as 'who speaks for whom?', 'who is authorised to speak'. Such questions displace the idea that the 'other' is absent or silent, or that the 'other' is indeed 'other'.

   (Source: 2002 ELO State of the Arts gallery)

   Scott Rettberg - 13.01.2013 - 22:40

2. E:Electron

   E:Electron is an extended structural analogy, using the periodic table of elements to muse on the life of a love affair and states of mind. Three pieces work together to create nuances of connections and relations. A poem hidden in the periodic table of elements leads to the stages of a relationship. Each element adds a new electron or word association, cumulating in a lifetime of memory. These connect to an intricate series of poems that fill each electron shell with musing.

   (Source: 2002 ELO State of the Arts gallery)

   Scott Rettberg - 13.01.2013 - 23:43

3. Bare Bones

   Fairy tales have been hijacked throughout history for various uses. Emigrating from one distribution method to another, they have been duplicated, mistranslated, and subverted. It could be that Cinderella is the world's most-told tale. There are thousands of versions, each one colored by the details of local culture, the needs of its audience and the desires of its teller. Buried among the world's heap of Cinder tales, is the Russian version, in its multiple incarnations. Bare Bones is a retelling of this story about a girl and her encounter with the fearsome hag, Baba Yaga.

   We identify with this tale through our own experiences of loss, humiliation and enslavement. By reshaping its text, imagery and format, I try to build a bridge for the fairy tale audience between traditional media and digital media. Bare Bones is just one piece of The Vas(i)lisa Project which is more visually and texually complex.

   (Source: 2002 State of the Arts gallery)

   Scott Rettberg - 14.01.2013 - 00:24

4. Beautopia

    "In this hypertext, I interrogate the language, imagery, and ideologies of cosmetics advertisements and related texts. Hypertext as a form lends itself to unorthodox juxtapositions, particularly through linkages based on associative logic (e.g., metaphors, puns). I invoke the feminist understanding that "The Personal Is Political," combining autobiographical reflections with an analysis of the discourse and industry of cosmetics. The personal dimension includes elements from my unconscious (following in the Surrealist tradition of automatic writing).

   Scott Rettberg - 14.01.2013 - 00:48

5. The Nothings

   A modular novel for the net, named for the first decade of the 21st century, and designed to allow random or linear access and reader assembly.

   Scott Rettberg - 17.01.2013 - 12:50

6. Default Lives

   This satirical game poem creates a small deterministic universe— a system into which a player is faced with choices, real and illusory, as they shape their “life.” Conceptually patterned after the Hasbro “Game of Life,” this hypertext version presents similar choices to its players but using an interface that lays out the general structure yet retains the element of surprise. Coverley uses this to drive home a critique of gender roles, career choices laying bare how they determine and limit one’s choices in a supposedly free and open American society. Her tongue-in-cheek tone, hokey music, prosy lines of verse, and a humorously generous ending soften the biting commentary enacted in this game, inviting readers to play, explore, and reflect.

   (Source: Leonardo Flores, I ♥ E-Poetry)

   Scott Rettberg - 18.01.2013 - 23:04

7. Bread.Crumbs

   "The (scratch) novel CRACKED EGGS AND WASTED TIME is very (very) loosely based in simultaneous (mis)readings of D. H. Lawrence's WOMEN IN LOVE and THE EGYPTIAN BOOK OF THE DEAD, commingled with other additional nonsense..." From the introductory page.

   Sissel Hegvik - 23.01.2013 - 20:34

8. Pale Fire A Poem in four Cantos by John Shade

   Many think Pale Fire is Nabokov’s greatest novel. At its heart beats a 999-line poem, penned by its fictional hero, John Shade. This first-ever facsimile edi­tion of the poem shows it to be not just a fictional device but also a master­piece of American poetry, albeit by an invented persona. In the novel, Shade’s mad neighbor, Charles Kinbote, absconds with the poem, compiling an ostensible line-by-line commentary that largely ignores Shade's text and heeds only his own egotism. Kinbote’s commentary, the bulk of the novel, is an insane comic triumph of would-be romantic self-celebration that cannot quite mute its undertones of desperation. But in this new publication we rescue the poem from the madman's hand, and provide even-handed commentary on Nabokov’s most ambitious poem. Nabokov authority Brian Boyd explains the poem on its and Shade’s own terms, comparing its texture with the best of Shakespeare’s sonnets. Poet R.S. Gwynn sets it in the context of American poetry of its time. Artist Jean Holabird, who conceived the project, illustrates key details of the poem’s pattern and pathos.

   Natalia Fedorova - 06.02.2013 - 22:51

9. Fallow Field

   This narrative hypertext work about the final season of an unfruitful marriage is divided into two parts, six sections, and 30 lexia to deliver the equivalent of a short story into a structure associated with poetry. The numbering of the lexias, as well as the primary interface offered to read them (depicted in the image above) which presents them sequentially numbered on a single scrolling column draws attention to each group of sentences, creating emphasis where needed. The language itself is pure prose poetry, with alliterations underscoring important moments in the poem, such as the title, taken from the emotionally and verbally resonant last sentence in the poem.

   Hannelen Leirvåg - 10.02.2013 - 14:55

10. Intersecting Lives

    This poem interweaves voices, images, words, and narrative threads to capture some of the emotional intensity of three characters in a relationship that seems to have ended. As an image-driven hypertext, the reader can click on different links usually associated with different characters to explore their thoughts. Each node has its own input cues and responds to mouse movements, mouseovers, and clicks differently, so explore the possibilities of each before clicking on too hastily or you might miss important lines in the poem. Some of the images take some interpretation and are not always clear in what they represent, enriching the experience by suggesting rather than showing. The use of handwriting and drawings also enhances a sense of the personal, and occasionally adds a layer of visual ambiguity (does she use the word “connections” or “corrections?”). The handwriting also masks a number of typos which are difficult to correct when processed as an animated image in Flash (an issue addressed in Jhave’s “Typeoms”).

    (Source: Leonardo Flores, I ♥ E-Poetry)

    Hannelen Leirvåg - 10.02.2013 - 20:36

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