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A Dream with Demons
Publisher's catalog copy:
In A Dream with Demons, Edward Falco invents a world where bruised adults attempt, over and over, to rewrite the violent scripts of their childhood. Preston Morris is an accomplished lawyer and novelist who writes painful, provocative stories to shore up fragments of his own desperate life. One of Preston's works, which forms the core of A Dream with Demons, tells of a sadly streetwise adolescent named Missy who struggles to come of age during the short space of a weekend when her mother finally leaves her tortured, brilliant lover, the artist Val Rivson.
Preston's genius -- or is it Falco's? -- is the accuracy with which he portrays the sublime compulsions of several tortured yet resilient people. Holding everything together is the unique hypertext structure of A Dream with Demons, which dramatizes a theme evident throughout: how the past can compel the present, through the fragmentary, unreliable, but ultimately persistent medium of memory.
(Source: Eastgate catalog copy)
Jill Walker Rettberg - 14.01.2011 - 12:08
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The Raw Shark Texts
The Raw Shark Texts
Eric Dean Rasmussen - 17.02.2011 - 16:37
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These Waves of Girls: A Hypermedia Novella
"These Waves of Girls" is a hypermedia novella exploring memory, girlhoods, cruelty, childhood play and sexuality. The piece is composed as a series of small stories, artifacts, interconnections and meditations from the point of view of a four year old, a ten-year old, a twenty year old.
Winner of the Electronic Literature Organization's 2001 Award for fiction.
Jill Walker Rettberg - 23.02.2011 - 22:19
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its name was Penelope
The generative hyperfiction its name was Penelope is a collection of memories in which a woman photographer recollects the details of her life.
Like a photos in a photo album, each lexia represents a picture from the narrator's memory, so that the work is the equivalent of a pack of small paintings or photographs that the computer continuously shuffles. The reader sees things as she sees them and observes her memories come and go in a natural, yet nonsequential manner that creates a constantly changing order -- like the weaving and reweaving of Penelopeia's web.
Begun in 1988, the work was exhibited in a computer-mediated artists book version at the Richmond Art Center in Richmond, California in 1989. It has been re-created through the years. Four versions have been identified by Dene Grigar, in Rebooting Electronic Literature: Documenting Pre-Web Born Digital Media:
Version 1.0: "The exhibition version." Created in 1989 with Malloy's own generative hypertext authoring system, Narrabase II, in BASIC on a 3.5-inch floppy disk
Eric Dean Rasmussen - 24.02.2011 - 09:30
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Reagan Library
Reagan Library is an odd mixture of stories and images, voices and places, crimes and punishments, connections and disruptions, signals on, noises off, failures of memory, and acts of reconstruction. It goes into some places not customary for "writing." I think of it as a space probe. I have no idea what you'll think.
(Source: Author's description from Electronic Literature Collection, Volume 1)
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The piece seems to become more and more confusing as the writing continues. Demonstrates certain aspects of the writings becoming more incoherent, showing older graphic pictures of areas that seem lost, and bizarre, regarding the context of Reagan Library. The texts describe certain scenarios as well such as the Doctor asking what appears to be a patient to perform tasks involving one of the graphics, the piece goes on from the doctor's narration of the person's ability to perform the given tasks involving the image.
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Eric Dean Rasmussen - 23.03.2011 - 13:49
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Accounts of the Glass Sky
In this Flash hypertext, Coverley weaves a tapestry of text, image, and sound, telling a California story that many readers can relate to. In this piece, the sky itself is the center of a meditation on memory and loss across decades of human experience. The same "blue sky" that often refers to people's wildest dreams now comes to represent boundaries and fears.
(Source: Electronic Literature Collection, Vol. 1.)
Eric Dean Rasmussen - 18.04.2011 - 11:07
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Lair of the Marrow Monkey
Lair of the Marrow Monkey
Scott Rettberg - 18.10.2012 - 15:25
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In Search of Oldton
How does a town just disappear?
What does it feel like to be cut off from your roots in a digital age where people have so many tools for recording and documenting their lives?
How do those of us who grew up in a pre-digital age recover and maintain a sense of belonging that is becoming increasingly so hard to hold on to?
'In Search of Oldton' is an attempt to use other people's digital documentary in order to recapture and re-invent my own personal history.
Tim Wright will be touring the UK during 2004 in search of Oldton his lost place of birth - and uncovering along the way the possible causes of its demise and the subsequent loss of his past.
Working with groups and individuals Wright wants to build up a substantial online archive showing people taking their leave of a place or a person - a range of personal stories about saying goodbye and moving on.
Through texts, pictures, videos and oral testimony, he will build up a digital archive of fictional remembrances, tributes to numerous places and situations left behind.
And ultimately (he hopes!) his own digital story of memory and loss will emerge.
Scott Rettberg - 19.01.2013 - 23:11
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Cardamom of the Dead
Written in Unity for use with Oculus RIFT glasses, Cardamom of the Dead is a literary VR environment - the user wanders through a virtual environment filled with a vast collection of things a narrator, heard in voice-over, has hoarded over years (decades? centuries?). The environment is filled with debris and stories and the piece is ultimately a meditation on collecting as madness, consoling practice and memory palace.
(Source: ELO 2014 Media Arts Show)
Scott Rettberg - 24.06.2014 - 19:14
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RIMA
RIMA (twitter stream http://twitter.com/squidsilo) is a performance installation and digital media work that conceptually addresses strategies for survival by way of poetically re-framing the facts behind the effects of solitary confinement and isolation into a fictional present/future. Notions around stimulus and memory are played out through the performers movement within the physical space (proximity, sound, touch) and the data collection of distinct environmental changes (cold, hot, light, dark), which trigger strategically placed sensors collated by a computer program. This in turn dispatches a relational virtual text stream delivered to a live webpage and/or twitter feed (twitter fiction). The overall effect is a mimic of real-time thoughts, responses and actions, which over time slowly build into a fictional narrative somewhere between an indistinct present and a sci-fi future. (source: ELO 2015 catalog)
Hannah Ackermans - 08.09.2015 - 10:59
