Search

The search found 15 results in 0.3 seconds.

Search results

1. slippingglimpse

   In slippingglimpse, we model a ring in which the roles of initiator, responder, and mediator are taken by all elements in turn. Our mantra for this: water reads text, text reads technology, technology reads water, coming full circle. Reading then comes to mean something different at each stage of the poem, in all cases involving sampling. Ryan reads and captures the image of 'chreods' (dynamic attractors) in water. Strickland's poem text, by sampling, appropriating, and aggregating artists' descriptions of processes of capture, reads this process of capture. And the water reads, via Lawson Jaramillo's motion-capture coding, by imposing its own sampled pattern. A variety of reading experiences are enabled: reading images while watching text; reading in concert with non-human readers, computer and water; reading frame breaks (into scroll or background); or reading by intervening. For instance, reversibility and replay are available on the scroll, as are reading in the direction and speed you wish; while, in the water, regeneration of text is available, as are unpredictable jostling and overlays.

   Eric Dean Rasmussen - 31.01.2011 - 13:07

2. Entre Ville

   Entre Ville was commissioned in 2006 by OBORO, an artist-run centre in Montréal, on the occasion of the 50th anniversary of the Conseil des Arts de Montréal. J. R. Carpenter writes: "Although I had lived in Montréal for 15 years at the time of the commission, Entre Ville was my first major work about my adopted city. It took me that long to learn the vocabulary. I don’t mean French, or Greek, Italian, Portuguese, Yiddish or any of the other languages spoken in my neighbourhood. I refer, rather, to a visual, tactile, aural, sensorial vocabulary. My home office window opens into a jumbled intimacy of back balconies, yards, gardens and alleyways. Daily my dog and I walk through this interior city sniffing out stories. Poetry is not hard to find between the long lines of peeling-paint fences plastered with notices, spray painted with bright abstractions and draped with trailing vines.

   Eric Dean Rasmussen - 18.02.2011 - 20:09

3. FILMTEXT 2.0

   FILMTEXT 2.0 is an elaborate work of net art that investigates emerging forms of electronic literature in relation to interactive cinema, live A/V performance, games, and remix culture. It remediates formal experiments from older media like film, video art, and the visual/metafiction novel.

   (Source: Author's abstract at narrabase.net)

   "FILMTEXT" is a digital narrative created for cross-media platforms. It is has appeared as a museum installation, a net art site, a conceptual art ebook, an mp3 concept album, and a series of live A/V performances. In the initial 1.0 iteration of the net art site, commissioned by PlayStation 2 in conjunction with Amerika's "How To Be An Internet Artist" retrospective at the Institute of Contemporary Art in London, Amerika referred to "FILMTEXT" as "the third part of my new media trilogy," following his two other major works of Internet art, "GRAMMATRON" and "PHON:E:ME." 

   (Source: Description for the 2008 ELO Media Arts show)

   Scott Rettberg - 16.03.2011 - 16:51

4. When I Was President

   When I Was President is a portrait of absolute power as depicted by a fictional President of the United States. This President is unnamed and non-historical, that is, he has never, and could never, exist, yet what he represents is archetypal in nature and endures within the optimism, dangers, and limitations of political power. The work is created in Flash and divided into nine sections, each of which addresses a different Presidential act of power, and its consequences. The acts of power are elemental and metaphoric--they are simultaneously absurd, idiosyncratic, and impossible, yet they seem to tell some basic truth about the promise of absolute power, and its inherent failures. This work uses images, videos, and audio files acquired online, and modified by the artist. A credits page is included on the site.

   (Source: from rhizome.org)

   Meri Alexandra Raita - 28.01.2012 - 14:24

5. The Way North

   "The Way North" is a Digital Literary Art project that works its way through history, myths and motifs with regards to Inuit folkways and the disasters of global climate change.

   Artist Statement
   Edited from an interview with Edward Pirot on "The Way North" . . .

   The challenge of this project, as with several others, was to take an important, if not crucial, subject (in this case, the warming of the Arctic and the destruction of a way of life as symbolic of what's happening, and will happen, globally) and make a piece of Digital Literary Art that would be informative while advancing the medium's aesthetic possibilities

   I always do research for a several months before beginning to write and design a project, so that by the time I began I already had a fairly large notebook from which to draw. But the research continued throughout the one and a half years, and, as usual, lead me in unexpected directions.

   Scott Rettberg - 09.01.2013 - 20:34

6. Nature on a Leash

   "Nature On A Leash" is an idiosyncratic animated portrait of nature as an extension of the built environment, where suburbanites collect, redesign and objectify the "natural world" for its entertainment, recreational and decorative use value.

   Artist Statement
   "Nature On A Leash" is an idiosyncratic portrait of nature as an extension of the built environment. In this short video, suburbanites collect, redesign and objectify the "natural world" for its entertainment, recreational and decorative use value. Cars drive on beaches, starfish crawl across balconies, and pelicans travel on motor boats. A series of living postcards and ambient sounds transport the viewer through an everyday "to do" list that is simultaneously real, surreal and unreal.

   Scott Rettberg - 09.01.2013 - 20:46

7. Killing Lena

   "Killing Lena" is a rendered video series in which Lena Sjööblom's famous face is repeatedly exposed to the compression algorithms she unwittingly helped to develop. The videos presented are compression pornography, the suggestion of a "compressivist art", and a poetic digital demise. The installed version of this piece shows the effect of different recursively applied compression algorithms on the original image, simultaneously on separate screens.

   (Source: 2008 ELO Media Art show)

   Scott Rettberg - 09.01.2013 - 21:15

8. Sky and Wires: At Home and Homeless

   "Sky and Wires: At Home and Homeless" is a response to a contemporary life of engaging with places not as a space to be, but as a space to chart a trajectory through.

   Artist Statemenet:
   The conceptual focus of my work is the synthesis of ideas from cartography, information theory and phenomenology. It exists in a space between the footsteps of the walker, the pulse of a neuron, and the progress of civilization. I'm interested in perspectives different from human-centered values and experiences. A signal isn’t given meaning only upon the receiver’s understanding of it. Noise is part of the signal. A page of random characters contains more information than a Shakespeare sonnet. Formally, monotonous structures and extended crescendos induce near-hypnoidal states, while acknowledging the more aggressive aspects of contemporary life. The conflict between movement and stillness is always present. These aspects take intermedial forms, foregrounding the interplay of sonic and visual elements.

   (Source: 2008 ELO Media Arts show)

   Scott Rettberg - 09.01.2013 - 21:42

9. OneSmallStep: a MySpace LuvStory

   "OneSmallStep: a MySpace LuvStory" is an unfolding automated jam—a conscious sampling and randomized regurgitation of MySpace.com media archeology wherein desire, fantasy and fetish form a composted feast for the withered and lonely senses in an eternally habitual loop of voyeuristic consumption, spectacular regurgitation, virtual intimacy and identity production/consumption. 

   Artist Statement

   We are not ourselves. We cut and paste as we are cut and pasted. We are the remix of images and sounds that never existed outside of this mediated dream. And we are happy to exist this way. 

   "OneSmallStep: a MySpace LuvStory" is an unfolding automated jam - a conscious sampling and randomized regurgitation of MySpace.com media archeology wherein desire, fantasy and fetish form a composted feast for the withered and lonely senses in an eternally habitual loop of voyeuristic consumption, spectacular regurgitation, virtual intimacy and identity production/consumption. 

   With each launch, "OneSmallStep" runs continuously while randomly remixing content from a database that is periodically updated.

   (Source: 2008 ELO Media Art show)

   Scott Rettberg - 09.01.2013 - 22:40

10. (Dis)Location, (Dis)Connection, (Dis)Embodiment

    (Dis)Location, (Dis)Connection, (Dis)Embodiment" is a collective experiment in database video and random access narrative. The installation is the work of many artists, each responsible for thirty seconds of video attempting to engage with paradoxes of digital culture and 21st. This is a collaborative project with Edgar Endress and the Students of the Art and Visual Technology Department at George Mason University. 

    Scott Rettberg - 09.01.2013 - 23:01

Pages