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  1. abcdefghijklmnopqrstuvwxyz (iPhone app)

    abcdefghijklmnopqrstuvwxyz is a sound toy, a performance tool and an art work in its own right. You can play with the letter-creatures and watch and listen how they interact with each other or use them to produce soundscapes like you would with an electronic musical instrument. abcdefghijklmnopqrstuvwxyz blends art, biology, fun and physics to create a unique, dynamic and interactive sound ecology.

    This app is the result of joerg piringer's ongoing research of vocal sounds and their relation to dynamic typography in the form of performance, video and software art.

    (Source: Author's description)

    Scott Rettberg - 19.10.2012 - 13:58

  2. Conduit d'Aération

    Le 15 septembre 2011, le corps d'un jeune homme est découvert dans le conduit d'aération menant au siège d'une banque. Le rapport de police fait état d'une asphyxie par compression du thorax. Qui était cet homme ? Comment et pourquoi est-il tombé dans ce piège ? Tentative de braquage, vendetta, accès de folie... les interprétations divergent. D'après les journaux, il était 'intégré', avait de l'argent et des papiers en règle.

    Au bout de quelques jours d'enquête, le dossier a été classé sans suite.

    Supposons que Mohamed Ahardane soit Tunisien, qu'il soit venu en France pour ses études et se fasse des amis rapidements. Supposons qu'il retrouve une soeur, qu'il tombe amoureux.

    Supposons qu'il vive la révolution tunisienne par procuration. Supposons alors que l'Histoire le rattrape. On ne peut être loyal sans trahir.

    Conduit d'Aération est une fiction librement inspirée d'un fait divers et racontée par quatre des ses protagonistes. Leurs récits fragmentaires apportent plusieurs points de vu sans pour autant dénouer ce mystère.

    Scott Rettberg - 25.09.2013 - 11:00

  3. Typomatic

    Since January 2013, ALIS performing arts company, Serge Bouchardon and Luc Dall'Armellina, researchers and authors, and some students from the University of Technology of Compiègne have been actively involved in a research on the Poésie à 2 mi-mots (we could say in english : Two Half-Words Poetry or Between the lines Poetry, or Along the Lines Poetry or Cutting Edge Poetry...). This specific Poetry is an artistic practice based on special games with the shapes of letters, invented by Pierre Fourny (from ALIS). Pierre Fourny cuts words horizontally, peels them, reverses them. He shows words emerging from other words. Given than the human brain cannot devote itself to such a graphic and linguistic computational exercise, Pierre Fourny imagined a program to do so, at the very beginning of 2000. Since, the Poésie à 2 mi-mots has inspired shows, exhibitions, films, books, produced by ALIS and its partners, most of the time in a kind of handmaking way (using papers, objects, videos), making the audience forget that software was being used. In 2013, the idea was to develop the Poésie à 2 mi-mots using digital media. This project was named Separation.

    Jill Walker Rettberg - 18.05.2015 - 23:06

  4. Jason Nelson Digital Magic Show and Poetic Interfaces

    It is overly simplistic to state that my digital poems come entirely from building/discovering interfaces. Any artist’s creative practice is a merging/melding mix of fluid events and inspirations. But with all my digital poems there is one commonality, the emphasis on interface. Rarely do I even reuse interfaces, and when I do it is only as one section of a larger work. This continual drive to create new ways to rethink the structure, organization and interactive functionality of my digital poems comes from a variety of internal influences. Most importantly is how these interfaces are not just vessels for content, they are poems in themselves. In the same way digital poetry might be best defined by the experience, rather than a description. Or similar to a digital poet and their works being described by the events and stories surrounding the creation and building process, an interface is the life, the body, and a poetic construction in itself. And through the artist performance I will explore/perform numerous of my interfaces, discussing/reading from them, eluding to how they were made, their inspirations and my thoughts on how they could be reused by other poets.

    Hannah Ackermans - 30.11.2015 - 08:35

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