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1. Storyland

   Storyland (version 2) is a randomly created narrative which plays with social stereotypes and elements of popular culture. Each sentence is constructed from a pool of possibilities, allowing each reader a unique story. The reader presses the "new story" button, and a story is created for that moment in time. It is unlikely that any two stories will be identical. Storyland exposes its narrative formula thus mirroring aspects of contemporary cultural production: sampling, appropriation, hybrids, stock content, design templates. It risks discontinuity and the ridiculous while providing opportunities for contemplation beyond the entertainment factor.

   The computer-generated combinatorial story is one of the oldest forms of digital writing. Storyland, with its simple circus frame, plays with this tradition by performing recombination of the sort seen in cut-up and in Oulipian work. The system repeatedly plots amusingly repetitive stories, inviting the reader to consider, to read its scheme for composition.

   (Source: Author description, Electronic Literature Collection, Vol. One).

   Eric Dean Rasmussen - 28.04.2011 - 14:57

2. Blue Hyacinth

   Blue Hyacinth is a stir fry text by Jim Andrews and Pauline Masurel. Masurel wrote the texts. Andrews did the programming and invented the stir fry form. The stir fry form consists of n texts. In Blue Hyacinth, there are four texts (n=4), each of which is a different shade of blue. You can view the text of a given color by clicking the square of that color. Each of the four texts somehow involve the blue hyacinth. Each of the four texts is partitioned into 30 parts. When the reader mouses over (or touches, if on a mobile device) part x of text y, that part is replaced with part x of text y+1. So the four texts begin to form a new text. There are several more stir fry texts and essays about them at vispo.com/StirFryTexts.

   Patricia Tomaszek - 04.05.2012 - 13:49

3. White Poem

   This poem reads like a riddle in the Anglo-Saxon poetic tradition evidenced in Beowulf and the Exeter Book. A common characteristic is for the object to be the speaker describing itself through personification, metaphor, and double entendres (often sexual). (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 08.02.2013 - 19:53

4. Egoscope

   Egoscope was a teleintervention that happened in August, 2002 and allowed anyone to send, through egoscope web site, other sites to two commercial electronic billboards located in a movimented avenue of São Paulo (Faria Lima), used for veiculation of advertisings of many companies. By that time, the audience was invited to participate in an action that purposed to map a fluid character named egoscope, submitting URLs that were displayed in the panels (from 10h30 to 3h00 (GET), in intervals of 3' between other ads) and also on line by the panel webcam. Combining Internet and Intranet resources, egoscope configured a successful experience of open public streaming that received more than 2200 contributions, generating an interesting database of the multiple identities of our disembodied character. egoscope discussed not only new subjectivities formats, but also networked practices of authorship and reception intercepted by entropy and acceleration processes. (Source: author website)

   Jill Walker Rettberg - 10.06.2013 - 00:09