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1. R3/\/\1X\/\/0RX - selected works

   R3/\/\1X\/\/0RX (remixworx) - selected works:

   an online journal of digital art and writing - 2006 to 2012

   R3/\/\1X\/\/0RX (remixworx) is a space for the remixing of digital media, including visual poetry (vispo), electronic poetry (flashpo), playable media, animation, music, spoken word, texts and more. It began as a blog in November 2006 and has grown to number over 500 individual works of media. The source material is made available and all media is freely given to be remixed. Each new work is remixed, literally or conceptually, from other works on the blog. Then, the new work is linked to the blog post(s) that contain the component parts, thus the blog 'talks to itself' - "I link therefore I am" (Mark Amerika). The project promotes no single 'author', and we keep dogma chained outside the gate. It is not a tame place, though, and artful innuendo is evident.

   Christine Wilks - 19.01.2012 - 16:08

2. Automatype

   Howe’s new piece, “Automatype,” which can be seen as either ambient text art, a weird game of solitaire for the computer, or an absorbing ongoing puzzle for a human viewer, is an apt demonstration of some of the powers of “RiTa,” as it uses algorithms to find the bridges between English words, Six-Degrees-of-Kevin-Bacon-style — not bridges of garbled nonsense but composed of normative English. You will spend either 10 seconds or 5 minutes staring at this thing; you will also see either a bunch of random words, or occasionally, if not always, engaging samples of minimalist poetry.

   (Source: The ELO 2012 Media Art Show.)

   Eric Dean Rasmussen - 23.04.2012 - 15:33

3. The Dead Tower

   Explore a dark, mountainous landscape dominated by a gigantic tower. 

   Set in a dark and abstract dream world that revolves around a crashed bus, the atmospheric literary game environment The Dead Tower can be freely explored at full-screen with the mouse and keyboard. Leonardo Flores says about the project: “This narrative poem is arranged on a darkly atmospheric virtual world designed to both creep you out and pull you in…“. Like the proverbial moth, the reader’s attention is drawn towards the brightest things around: white words float in the air, static or rotating. And the lines of mezangelle verse both heighten the dread by telling fragments of a ghostly narrative prefigured by the bus crash site the reader finds herself in and soften the tone with hints about the interface that nudge the fourth wall. (Source: GalleryDDDL description)

   Andy Campbell - 15.07.2012 - 19:03

4. A crissxross trail < R3/\/\1X\/\/0RX: one remix player's scenic route through remixworx

   A crissxross trail < R3/\/\1X\/\/0RX is a meta-remix of the artist's personal creative journey through remixworx, a collaborative online remixing project. Conceived as a poetic interactive infographic with lots of multimedia animated content, this 'scenic route' presents a sample trail of 33 out of the 100 remixes that Christine Wilks (aka crissxross) has created since joining remixworx in January 2007. The trail includes a text commentary about her experience of remixing and co-creating over the past six years. A crissxross trail < R3/\/\1X\/\/0RX: one remix player's scenic route through remixworx formed the core of Christine Wilks's presentation for the ELMCIP Conference on Remediating the Social in November 2012.

   Christine Wilks - 09.11.2012 - 16:55

5. 4 Square

   4 square is an artwork that creates random juxtapositions of four different elements. Tap each square to change the images. Drag the squares to change their positions.

   Scott Rettberg - 26.01.2013 - 12:58

6. Sc4nda1 in New Media

   At heart any scandal is a story, or a thing of many stories; sc4nda1 is even more peculiar, but also begins with a telling.

   What you have before you started as an essay (or intent to rant) about an observation I kept reading in recent criticism, that electronic writing has not been properly dressed for the serious table. Where, the questions ran, are the publishers, the editors, the established and establishing critics? In a time of intense experiment and innovation, who says which textual deviations make real difference, and which are just bizarre? More ominously: where are the naive, casual readers, the seekers of pleasurable text who ought to move design's desire? To spin an old friend's epigraph, just who, exactly, finds this funhouse fun?

   Scott Rettberg - 15.10.2013 - 11:01

7. sc4nda1 in new media

   At the heart any scandal is a story, or a thing of many stories; sc4nda1 is even more peculiar, but also begins with a telling. What you have before you started as an essay (or intent to rant) about an observation I kept reading in recent criticism, that electronic writing has not been properly dressed for the serious table. Where, the questions ran, are the publishers, the editors, the established and establishing critics? In a time of intense experiment and innovation, who says which textual deviations make real difference, and which are just bizarre? More ominously: where are the naive, casual readers, the seekers of pleasurable text who ought to move design's desire? To spin an old friend's epigraph, just who, exactly, finds this funhouse fun? ...And so to the thing itself: probably more exploration than investigation, though who knows what offenses may come to light. You may find it (inevitably) a post-serious entertainment for hand, eye, ear, and brain, other organs optional. If the thingy deserves a generic name, try arcade essay, a cross between philosophical investigation (well okay, rant) and primal video game.

   Ian Rolon - 09.04.2014 - 19:20

8. Towa Towa

   Aaron Oldenberg gives new meaning to the phrase "bird's eye view" in Towa Towa, his visually-striking work of digital art steeped in Guyanese and Trinidadian culture. In addition to the whimsical fun of the challenge viewers take on as the presiding judges of bird debates, what strikes us about Towa Towa is its heavy emphasis on viewer involvement. Instead of voyeur, the viewer's role is of active participant, allowing for a more complete–if only digital–form of cultural immersion.

   Source: https://www.cddc.vt.edu/journals/newriver/13Fall/editor.html

   Chiara Agostinelli - 20.11.2018 - 16:39