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1. Was: annales nomadiques, a novel of internet

   A half-poem, half-narrative, this is a nomadic history whose main character is the fleetingness of information itself. This novel's title figure, the word "was," marks that instant of utterance outside the present; neither past nor future but rather the interstitial space of any telling. (Source: blurb)

   Jill Walker Rettberg - 23.08.2013 - 12:46

2. La maître et Marguerite

   Cette animation est basée sur le roman «Le Maître et Marguerite», de Boulgakov. Desserre utilise ici une esthétique semblable à celle de la bande dessinée tout en offrant des images animées qui permettent un dynamisme au sein de l'oeuvre. La conversation des personnages s'articule autour de l'existence de Dieu et du Diable dans une Russie réelle et imaginaire. La trame sonore réussie est un autre point fort et permet à l'internaute de s'immiscer dans le suspense malgré le manque d'interactivité.
   (Source: NT2 / Benoit Bordeleau, Valérie Comtois)

   Jill Walker Rettberg - 26.08.2013 - 14:58

3. Error (image)

   Error (image)

   Jeremy Hight - 06.09.2013 - 22:54

4. Aurelia: Our dreams are a Second Life

   "Aurelia: Our dreams are a Second Life" es uno de los videopoemas de Belén Gache de la serie “Lecturas”. Algunos de estos videopoemas fueron proyectados en el marco de la muestra "El video como zona de cruce", Centro Cultural de España, Montevideo, septiembre de 2007. En "Aurelia: Our drems are a Second Life", la autora pasea a la deriva por Second Life, leyendo fragmentos del texto de Gérard de Nerval. Camina sobre los planetas, viaja a París, recorre las calles leyendo a Nerval. El lector escucha la voz de la autora. Viaja al fondo del mar, donde puede leer acompañada de una música tranquila. De pronto, aparece dentro de una discoteca llena de gente vestida de cibergóticos. Finaliza flotando encima de la vía láctea. El avatar de la autora que a la vez es lectora flota por encima de los planetas y sigue leyendo, permaneciendo indiferente a los lugares a los que va y a la gente a la que encuentra, interesada únicamente en su lectura.

   Maya Zalbidea - 08.02.2014 - 18:54

5. les huit quartiers du sommeil

   Les huit quartiers du sommeil was written in January-February 2007 during a six-week residency at Yaddo, where I didn't sleep at all. Thanks everyone at the Yaddo dinner table, for listening to thunks and rattlings of this text coming to life. And thanks CALQ, for helping me get to Yaddo. The web-iteration of Les huit quartiers du sommeil was created in Montreal in July-August 2007. Thanks Sandra Dametto for the brilliant Google Maps idea. Thanks in advance Google Maps, for having a sense of humour - all the satellite photos are totally copyright you. Thanks Google Images for finding all the other images and thanks photoshop filters for making them look like something I would do. The tapestry obscuring the left side of the main map is lifted from Vermeer's The Art of Painting. Les huit quartiers du sommeil was published in print in French translation in Le Livre de chevet, an anthology edited by Daniel Canty, published by Le Quartanier, Montreal, QC, Fall 2009. Thanks most of all to Daniel Canty for sending me stumbling into the theme of sleep in the first place.

   J. R. Carpenter - 23.06.2014 - 13:59

6. El rumor de los álamos

   Oscar Martín Centeno said "the aim of my videoprojections is to impregnate the audience with all the senses". El rumor de los álamos -The Murmur of Poplars- suceeds in reinforcing the poetic meaning with the expressive reading of the author, the relaxing piano music and the image of hands getting together in a liquid atmosphere, like if they were inside of a river in an imaginary forest in a memory or dream (Maya Zalbidea 2014).

   Maya Zalbidea - 25.07.2014 - 14:02

7. Trincheras de Mequinenza

   Trincheras de Mequinenza by Félix Remírez (2007) is an epistolary diary of a Republican soldier during the Ebro War. The work includes multimedia elements -photographies of real facts and landscapes were the conflict took place and songs from that period-and multi-windows in which historical descriptions of facts and biographies of the most important people in the battle appear.

   Maya Zalbidea - 05.08.2014 - 12:50

8. Una contemporánea historia de Caldesa

   Inspired from “La Tragedia de Caldesa” by Joan Roís de Corella, Valencian writer of the 15th century. This contemporary tragedy is about the sad love story of four lives in the same night: Joan, Caldesa, Roís and Aurora suffer from love. In this work , the reader is not free to choose what he/she wants to read the moment he/she wants to read it. On the contrary, his/her position is that of a spectator flying over the characters lives and is able to know what happens but he/she cannot stop their lives or delay the events that are told. The digital format takes control (Source: Biblumliteraria).

   Maya Zalbidea - 05.08.2014 - 12:59

9. Milagros sueltos

   Seven creative minds get together in the same project. It is a novel written collectively, where seven particular characters present their stories in August 2nd day of the Virgin of Angels, the Patron of Costa Rica (Source: RedCultura.com) (Translated by Maya Zalbidea).

   Maya Zalbidea - 18.08.2014 - 18:56

10. Les Descendants

    “The Descendants” by Alexandre Gherban is a dynamic and “active” program with an indeterminate function. It varies in transiency, sometimes being transient and other times intransient; In other words, the aspects of the program (the text, the images, and the sounds) change and move constantly in a random, or indeterminate, function. Even if the text does not have a personal perspective, the viewer plays a role by choosing his/her path in the work. The reader can interact with the processes and find the links within the images. Only then do words reveal themselves. By clicking on the words, (“the descendants”, “the parents”, “who…”, “and who…”) the work changes and the viewer can interact with the images of the new page. For the page where one sees “the parents”, one must choose one of the two images that represent the parents themselves, and this choice determines the path for what follows. This function suggests a reference to artificial life. By starting with “the parents” that produce “the descendants”, the viewer sees a type of reproduction that resembles that of a family tree. By choosing the path of one parent or the other, the user has an exploratory function.

    Claire Ezekiel - 08.09.2014 - 21:07

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