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1. Orality Writing Vision

   Orality Writing Vision

   Patricia Tomaszek - 13.01.2011 - 17:00

2. Stagno

   Il lavoro interattivo e multimediale Stagno è il risultato di una esperienza di scrittura che l’autrice ha  avuto con una amica. Come il proprio padre, quello della amica era morto per una grave malattia. Per diverse settimane, si sono incontrate per parlare delle loro esperienze. Attraverso brevi testi che ruotano attorno a diversi temi, si cercano di riprodurre le reciproche esperienze. Questi testi sono stati pubblicati sulla rivista Lieu-dit 19 e  hanno ispirato un primo lavoro animato, anche se non interattivo, ospitato sul sito web di Mandelbrot, che è stato poi rimosso e distrutto dagli autori.

   Patricia Tomaszek - 13.01.2011 - 17:30

3. Holopoetry, Biopoetry and Digital Literature: Close Reading and Terminological Debates

   A version of this article was republished as chapter 1, "Digital Literature," in Simanowski's Digital Art and Meaning (University of Minnesota Press, 2011).

   Patricia Tomaszek - 13.01.2011 - 18:33

4. Samplers: Nine Vicious Little Hypertexts

   Deena Larsen's Samplers: Nine Vicious Little Hypertexts was originally published on 3.5-inch floppy disk for Macintosh and PC computers in 1997; it was released later that year on CD-ROM for both platforms. Larsen reports that she produced the work on her Macintosh computer and had not seen the PC version until years later ("Interview"). The work was created with Storyspace 1.2C and requires 5.5 MB of space. It is the second major work by Larsen and follows two years after the success of her opus, Marble Springs(1993). Contained among the nine little hypertexts is Century Cross, a work that was published as a solo work two years after Samplers Version 1.0 was released.  

   Jill Walker Rettberg - 14.01.2011 - 12:09

5. True North

   This description comes from Rebooting Electronic Literature Volume 2:

   Stephanie Strickland's True North came out in 1997 in two formats. First, it was published as a print book of poetry by the University of Notre Dame Press and won––that same year––the Poetry Society of America's Alice Fay Di Castagnola Award and the Ernest Sandeen Poetry Prize. It also appeared as a hypertext poem released on floppy disk for both PC and Macintosh computers by Eastgate Systems, Inc. As Strickland states in her “Prologue,” work on True North began in 1995 at N. Katherine Hayles's National Endowment for the Humanities Summer Seminar but originally was conceived over a decade earlier when, influenced by the writings of Simone Weil, she developed an interest in finding a woman’s language.

   The editions and versions include:

   Print Edition

   Jill Walker Rettberg - 14.01.2011 - 12:11

6. Writing at the Edge

   A discussion of hypertext literature based on Landow's writing workshop, with a guided tour through some hypertext works.

   Jill Walker Rettberg - 14.01.2011 - 12:21

7. Hypertext Hotel

   A collaborative writing space using MOO technology that was used for Coover's writing workshops at Brown University, and that was active through much of the 1990s.

   Jill Walker Rettberg - 14.01.2011 - 12:27

8. Bridging Intertextuality and Intermediality from a Cultural and Literary Perspective

   In this paper we argue that technological applications, and the intermedial practices that the World Wide Web allow can play an important role in developing educational and cultural policies and practices, expanding the stock of shared heritage while maintaining cultural diversity, and multiplicity, despite problems such as accessibility, the digital divide and growing economic focus, copyright and open-access, the organization of vast amounts of information and its preservation as part of our cultural heritage. Our previous research has emphasized the potential of intermediality to serve as a model that not only increases our understanding of the mechanisms of media convergence but also applies to parallel phenomena in intercultural and educational contexts. We have proposed that the basis for a constructive conceptualisation of social change is mediated through technology and that the good use of intermediality as a vehicle for socio-cultural needs to be further explored, both theoretical and practically, in its aspects of production, distribution, and usability.

   Eric Dean Rasmussen - 27.01.2011 - 16:21

9. E-Formes 1 : Ecritures visuelles sur support numérique

   E-Formes 1 : Ecritures visuelles sur support numérique

   Scott Rettberg - 30.01.2011 - 17:46

10. AlletSator

    “Alletsator” is a hypermedia work that is best defined as a quantum opera, or perhaps in the final analysis a game – interactive, three-dimensional – where the present and the virtual intersect and mix. A hybrid hypermedia, therefore, in which the “spectactor” (immersed in an environment that is intended to be cosmic, magical, fantastic, dreamlike ...) is challenged to traverse the surface of a sequence of drawings. The work is a journey without ending. “Alletsator” is a computer generated narrative that allows an infinite potential of combinations. It is also an object of the new media art. It is a product and agent of the cyber culture that promises to revolutionize the world as we know it. The dramaturgy it needs is already anticipated in the metaphor that better explains the work itself: a spacecraft of dispersed paths, of multilinear unexpected pathways.

    Scott Rettberg - 30.01.2011 - 18:22

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