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1. The New River (Spring 2020)

   The New River (Spring 2020)

   Scott Rettberg - 02.10.2020 - 14:31

2. We Knew The Glass Man

   We Knew The Glass Man

   John McDaid - 05.10.2020 - 22:41

3. Standing By The Wall

   Standing By The Wall

   John McDaid - 05.10.2020 - 23:00

4. Objects (series)

   Objects is a series of digital literary art (using Processing code, video and gif animation). The different pieces have the common theme of addressing issues concerning domestic violence and constitutional rights, prejudice and behaviour towards women, questions of sexual identity and social roles.

   Lucila Mayol Pohl - 08.10.2020 - 11:15

5. Memorias Construidas (Constructed Memories)

   My work explores translation, transformation, personal memories, and the creation of fragmentary states of being through the reverence for colors and shapes found in Mola textiles made by the Kuna women native to Guna Yala, Panama.

   The mola is a product of acculturation, the balancing of two cultures while assimilating to the prevailing culture of the society, and continues to exist because of tribal tradition. These textiles could have never developed without the cotton cloth, needles, thread, and scissors acquired by trade from ships that came to barter for coconuts during the 19th century.

   The materials I am attracted to using in my work have vibrant, vivid colors and bold, graphic prints reminiscent of the Mola textiles that also consist of acquired commercial fabrics. The coming together of many different materials is an integral part of my work. Not only because the materials I work with are in limited quantities but also because this process is reflective of my upbringing in Miami, where I was surrounded by a variety of cultures and people living together.

   Lucila Mayol Pohl - 08.10.2020 - 12:26

6. Nous n'avons pas compris Descartes

   Nous n'avons pas compris Descartes

   viniciuscarpe - 15.10.2020 - 18:13

7. Oratorio

   Oratorio

   viniciuscarpe - 15.10.2020 - 18:23

8. Taper #5: Pent Up

   Each issue of Taper is edited by a collective. Editing and production is done in coordination with The Trope Tank at MIT, a laboratory directed by Bad Quarto proprietor and publisher Nick Montfort. Taper is not officially associated with MIT or hosted on an MIT server, however.

   For the fifth issue, the editorial collective consisted of Kyle Booten, Angela Chang, Leonardo Flores, Judy Heflin, and Milton Läufer. 

   A constraint was established: the core part of each poem—the HTML on the page after the header—could be no more than a tiny 2KB (2048 bytes). Members of the editorial collective recused themselves from discussion of their own submissions. The collective works independently of the publisher to make selections. We thank Sebastian Bartlett for his help in managing the template.

   The work in this fifth issue is written in HTML5, using ES6. It has been tested and found to work properly on current Firefox and Chrome/Chromium browsers across current platforms, as well as on Mac OS X Safari; everything does not work on Edge and iOS Safari.

   Scott Rettberg - 16.10.2020 - 16:10

9. Pope Lost Hope

   Pope Lost Hope

   Yohanna Joseph Waliya - 25.11.2020 - 17:46

10. E-lit Pandemics - Roundtable

    How is the COVID-19 pandemic, resulting measures, and movement of cultural life online reflected in electronic literature and other digital narrative practices online? With this roundtable we propose an exploration and discussion of electronic literature during this time of COVID.

    In the current situation, public libraries, theatres, cultural festivals have been closed across many countries and virtually all cultural life creative practices have moved online. This presents an opportunity for electronic literature and net art, but also necessitates new ways of understanding online media and making sense of current life worlds.

    Scott Rettberg - 08.12.2020 - 14:16

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