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ppg256 (Perl Poetry Generator in 256 Characters)
Author description: ppg256-1, the first program in the ppg256 series, was Montfort's new year's poem for 2008. It is a Perl program that generates poems without recourse to any external dictionary, word list, or other data file. It was written, in part, to determine the essential elements of a poetry generator. The program itself is shorter than this description.
(Description from the Electronic Literature Collection, volume 2)
Eric Dean Rasmussen - 21.01.2011 - 18:52
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exquisite_code
exquisite_code is an algorithmic performance system for heterogeneous groups of writers. The writers generate prompts and responses for var1 minute session at the end of which computational devices select/mangle text according to var2 edit. Mangled text outputs get displayed to writers who, in unrelenting sessions, generate further prompts and responses, with chunk on chunk piled up to create a c[ad]aver[n]ous exquisite_code life-work.
(Source: Work website.)
Eric Dean Rasmussen - 14.03.2011 - 13:38
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Plaintext Performance
It's a live writing performance over the net combining 1) keyboard writing, 2) machinated, algorithmic writing, and 3) feeds from the processes surrounding the writing (like system monitoring, net connection monitoring, ftp log, etc). All in realtime and plaintext. It was performed live at the BIOS symposium, Center for Literary Computing, West Virginia University, September 2006, with a unix ytalk session as a sideshow. The static version shown here is based on the exhibition "e and eye - art and poetry between the electronic and the visual" at Tate Modern, London, October 2006. It's part of a series of work called "protocol performances". 'Protocol' is meant both as a lower level set of rules of the format of communication, and as statements reporting observations and experiences in the most fundamental terms without interpretation, relating it to phenomenological 'noemata' - thought objects, and thus identifying a data stream with a stream of consciousness. 'Performance' is meant both as a data protocol's physical performance as much as its play on the meaning as an artist-centric execution of work.
Eric Dean Rasmussen - 16.03.2011 - 10:31
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_cross.ova.ing 4rm.blog.2.log 07/08 XXtracts_
_cross.ova.ing ][4rm.blog.2.log][_ is a "netwurk repository" that's been in operation since 2003. these "wurks" r inscribed using the infamous polysemic language system termed _mezangelle_. this language evolved/s from multifarious computer code>social_networked>imageboard>gamer>augmented reality flavoured language/x/changes. 2 _mezangelle_ means 2 take words>wordstrings>sentences + alter them in such a way as 2 /x/tend + /n/hance meaning beyond the predicted +/or /x/pected. _mezangelling_ @tempts 2 /x/pand traditional text parameters thru layered/alternative/code based meanings /m/bedded in2 meta-phonetic renderings of language. _cross.ova.ing ][4rm.blog.2.log][ /m/ploys a base standard of code>txt in order 2 evoke imaginative renderings rather than motion-based>flashy graphics.
(Author description from Electronic Literature Collection, volume 2)
Scott Rettberg - 15.04.2011 - 13:53
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Bad Machine
Bad Machine is codework that works. It presents a surface of text that blends English with structures and tropes from programming languages, database queries and reports, error messages, and other forms of machine communication. But it is also a functioning interactive fiction, capable of accepting commands and being figured out by the assiduous reader. The machinery of program and language is at work here, as those who are up to the challenge of Bad Machine can discover. (Source: Electronic Literature Collection, Vol. 1).
Eric Dean Rasmussen - 18.04.2011 - 12:59
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TLT vs. LL
The z dimension in this work is important to the conceptual as well
as the physical operation of the work. Normally, I am not so much
concerned beyond the xy. My work is first graphic, then literary,
interactive, and whatever else, so a concern beyond 2D is not high
priority – until now, and with thanks in part to Rita Raley’s z
queries.
The idea of 'versus' (as opposition) demands at the
least two sides, so, it could be represented visually with just xy.
Previous 'dual' examples (and these are xy representations):
warnell.com/pbn_io/dialog04.htm. Subject: dialog
Email from John Cayley (/w Rita Raley), 2004
warnell.com/real/dialog.htm. Dialog
Email exchange with visual poet Jim Andrews, 1997
So, thinking along that z line... the opposition
comes not from the left or right, but from back to front ( 1 white from
9 x white moves to top )Rita Raley - 05.05.2011 - 14:56
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Lascaux.Symbol.ic
Lascaux.Symbol.ic
Rita Raley - 05.05.2011 - 16:10
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_the data][h!][bleeding texts_
"_the data][h!][bleeding t.ex][e][ts" are remnants from email performances devoted to the dispersal of writing that has been inspired and mutated according to the dynamics of an active network. The texts make use of the polysemic language system termed mezangelle, which evolved/s from multifarious email exchanges, computer code flavored language, and net iconographs.
(Source: Author's description from the 2001 Electronic Literature Awards)
The archived version of Fleshis.tics was sponsored by Create NSW - NSW Government.
Rita Raley - 05.05.2011 - 23:18
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_The Art of M[ez]ang.elle.ing: Constructing Polysemic & Neology Fic/Factions Online_
_The Art of M[ez]ang.elle.ing: Constructing Polysemic & Neology Fic/Factions Online_
Rita Raley - 05.05.2011 - 23:22
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Internet Text, 1994- [Through Feb 2, 2006]
The Internet Text is a continuous meditation on "cyberspace," emphasizing language, body, avatar issues, philosophy, poetics, and code-work. It is written daily and presented on several email lists including Cybermind and Wryting. Many of the pieces within it were created through CMC, interactions with computers and online protocols, and programs.
(Source: Author description, ELC 1).Eric Dean Rasmussen - 10.05.2011 - 13:22
