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  1. Electronic Literature Reading at the Richard Hugo House

    An evening of e-lit readings and performances at the Richard Hugo House in Seattle, Washington. The event was organized as part of the Electronic Literature Exhibition at the 2012 MLA Conference.

    Note: The actual line-up at the event different slightly from both the online description of "Readings & Performances" and that in the PDF/printed catalog for the Electronic Literature Exhibition.

    Content of 1st video: 1:50 Jason Nelson with PLAY with the last days of DRAG RACING PUPPETS, 8:11 John Cayley with Pentameters for the Disillusion of the Vectoralists, 19:30 Jim Andrews with Seattle Drift, 25:55 Erin Costello & Aaron Angello with Poemedia, 36:38 Ian Bogost with A Slow Year: Game Poems.

    Content of 2nd video: 0:01 The Good Fortune Land, 10:45 Stephanie Strickland with The Ballad of Sand and Harry Soot, 19:58 Stephanie Strickland and Nick Montfort with Sea and Spar Between, 26:00 Nick Montfort with Taroko Gorge, 29:10 Mark Sample with Takei, George, 31:00 Flourish Klink with Fred & George.

    Eric Dean Rasmussen - 23.11.2011 - 11:57

  2. Mapping E-Lit: Lectura i anàlisi de la literatura digital

    Mapping e-lit: Lectura i anàlisi de la literatura és un Congrés Internacional organitzat pel Grup de Recerca Hermeneia i la Universitat de Barcelona que se celebra a la pròpia Universitat els dies 24 i 25 de novembre de 2011.

    El Congrés vol oferir una immersió en el camp de la literatura electrònica a través de la participació i el diàleg d'especialistes nacionals i internacionals en la matèria, al mateix temps que ofereix l'oportunitat d'establir un contacte dirtecte amb els autors i crítics d'obres digitals i de conèixer la diverses pràctiques de lectura possibles.

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    Mapping E-Lit: Reading and Analysis of Digital Literature is an international conference organized by the Hermeneia Research Group and the University of Barcelona, which will take place at the University on November 24-25, 2011. 

    The conference aims to provide an immersion in the field of electronic literature through participation and dialogue with national and international specialists in the field, creating the opportunity to establish direct contact with authors and critics of digital works while getting to know various reading practices.

    Eric Dean Rasmussen - 24.11.2011 - 08:59

  3. Collecting digital literature in Europe

    Collecting digital literature in Europe

    J. R. Carpenter - 25.11.2011 - 14:10

  4. Collaborations in E-lit

    This essay, a discussion between two esteemed e-poets for whom collaboration is an integral part of their creative practice, appeared in the "The Collaborative Turn" special issue of American Book Review, guest-edited by Davis Schneiderman. In their discussion, Montfort and Strickland survey several common types of e-lit collaboration and provide links to representative examples. Strickland explicitly links the material aesthetics of code poetics to literary theorist Timothy Morton's call for critical thinking that engages the universe's enmeshed interconnectedness, which he dubs "the ecological thought."

    Eric Dean Rasmussen - 29.12.2011 - 11:45

  5. Electronic Literature Exhibit at the 2012 MLA Convention

    A special exhibit of electronic literature at the 2012 Modern Langague Association (MLA) Convention, curated by Dene Grigar, Lori Emerson, and Kathi Inman Berens. "Electronic Literature" features over 160 works by artists who create literary works involving various forms and combinations of digital media, such as video, animation, sound, virtual environments, and multimedia installations, for desktop computers, mobile devices, and live performance. The works presented at this exhibit have been carefully selected by the curators because they represent a cross-section of born digital—that is, works created on and meaningfully experience through a computing device—from countries like Brazil, Canada, Australia, Sweden, the UK, the US, and Spain, and highlight literary art produced from the late 1980s to the present. Thus, the exhibit aims to provide humanities scholars with the opportunity to experience, first-hand, this emergent form of literature, one that we see as an important form of expression in, as Jay David Bolter calls it, this "late age of print."

    Eric Dean Rasmussen - 15.01.2012 - 12:03

  6. Digital Storytelling (DTC 354)

    Digital Storytelling (DTC 354)

    Eric Dean Rasmussen - 18.01.2012 - 15:45

  7. Networked Culture (DTC 338)

    Networked Culture (DTC 338)

    Eric Dean Rasmussen - 18.01.2012 - 16:06

  8. I Love E-Poetry

    This scholarly blog was launched on December 19, 2011 as a constraint to read and critically reflect upon a work of e-poetry every day, leading me to revisit known works, discover new ones, and expand my knowledge of this emergent poetic genre. Its initial performance was a continuous run of 500 daily entries, completed on May 2, 2013.

    Eric Dean Rasmussen - 24.01.2012 - 10:02

  9. Visual Poetics of Literary Form

    Visual Poetics of Literary Form

    Natalia Fedorova - 17.01.2013 - 23:03

  10. Фестиваль поэзии на острове | эпизод: Новая Голландия

    Очередной эпизод Фестиваля поэзии на острове — при поддержке культурного пространства «Новая Голландия» и на одноименном острове. Предыдущие эпизоды Фестиваля («Цистерны», «Отмель» и «Канал») проходили на протяжении последних трех лет в разных частях Канонерского острова и являлись экспериментами по приданию поэзии публичного измерения. (сайт Транслита) Из кураторского текста: <...> у поэзии, долгое время заточенной в своей дисциплинарной автономии, много общего с судьбой острова, на котором томился то ли лес, приготовленный для строительства кораблей, но так и не пущенный в дело, то ли заключенные морской тюрьмы. Известно, что еще в начале века с острова был пущен и первый радиосигнал, но, похоже, он так и не был никем получен. Только сегодня, в начале XXI века, рукотворный остров петровских времен становится публичным пространством, тогда же когда и поэзия стремится распахнуть свои рукотворные чудеса для широкой интересующейся аудитории — при сохранении характерных для нее сложности и неоднозначности, а также выйти из «тюрьмы языка» — навстречу междисциплинарным практикам видео, инсталляции и перформинга.

    Natalia Fedorova - 23.01.2013 - 20:39

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