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1. Weave

   This hypermediated hypertext suite of poems make excessive use of background images, animated GIFs, and messily redundant code to render them deliciously unreadable and inviting. Bell weaves a dense mesh of lines, background images, and code to produce surfaces that are difficult to read at times, making us wonder if he’s aiming for felt rather than the finely stitched fabric of verse. Bell’s lines are witty and full of wordplay, non-repetitive reiterations, alliteration, and an inviting awareness of his strategies and questions. Follow the links to discover many other poems, in some of which he has the design audacity of using animated GIFs as background images.

   (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 10.02.2013 - 22:23

2. Strange Possessions

   This collections of four hypertext poems are organized around each of the four elements of old. The primary techniques that guides these works is collage and pastiche because each work is built from images (mostly by Dave McKean) and textual excerpts from other writers, with the exception of “Fire,” which Sanders wrote. The pieces are structured linearly, which means that each page has a link to the next until one reaches the end of the sequence. One piece, “Air” doesn’t have links, but uses the meta refresh tag to load the next page in the sequence every 5 seconds, perhaps to create the sense that one is being carried by a gentle wind from one page to the next. The combination of images and pithy lines and silky smooth prose poems create an oddly refreshing experience of the Web, as the minimalist design and sense of assembled Web objects— most of the texts are images of texts, which are computationally very different objects.

   (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 10.02.2013 - 23:12

3. Skakbræt

   Et gulv opdelt i 40 felter. Forfatterene får ved lodtrækning tildelt hver sit felt at sidde i. De får en time til at skrive en tekst, der derefter bliver liggende i felterne. Alle går så videre til et nyt, tomt felt -der nu har en eller flere tekster i de tilstødende felter. Forfatterne skal altså aktivt forholde sig til hinandens tekster i skrivningen af de nye felter. [Description by author. Taken from official website]

   Dan Kvilhaug - 27.02.2013 - 17:54

4. parlør

   "Til hvert ord leverer bidragyderne en "ordforklaring" i en blanding af tekst, billede, lyd, video, animation og interaktivitet. (...) Sprogkurset strækker sig indholdsmæssigt fra det dybsindige til det revyagtige. (...) Det er er vores håb, at Afsnit Ps nye Parlør kan medvirke til at nuancere den efter vores opfattelse noget monotone kulturelle hjemlige debat, som virker fastlåst i en mediebestemt og merkantil diskurs, og levere et reelt og intelligent modspil til den udbredte forskrækkelse over for det poetiske, kunstneriske og intellektuelle udtryk, for ikke at sige over for alt ukendt og anderledes." -Afsnit P beskrivelse.

   Sissel Hegvik - 07.03.2013 - 16:02

5. Phares gamma

   The text functions as a sampling of an imaginary database of our time becoming , treated from a program, infinite, labyrinthine text, like a neuronal network, a clone infinitely recycled never stopping, like encephalogram, like life, except biological or mechanical accident, what autorizes the computer, coding indefinitely texts, sounds, motionless or animated images, in constant change or Cyber Flesh. [Source: http://www.agencetopo.qc.ca/vitrine_blog/cd_phares/cd_phares_en.html ]

   Dan Kvilhaug - 08.04.2013 - 13:57

6. s000t000d

   s000t000d

   Jill Walker Rettberg - 06.06.2013 - 11:32

7. Chinois (ma vie)

   Chinois (ma vie)

   Scott Rettberg - 28.06.2013 - 13:05

8. Awakening

   Date is estimated based on first crawl by archive.org.

   Jill Walker Rettberg - 28.06.2013 - 23:18

9. Паутина (Web)

   Паутина (Web)

   Natalia Fedorova - 15.08.2013 - 15:25

10. Nada tiene sentido

    Nada tiene sentido (Nothing makes sense) by Isabel Ara and Iñaki Lorenzo is a digital diary whose narrator is desperate because he cannot get out of his bedroom, the only thing he can do is typing how he feels on his computer. Once we are reading and watching this autobiography we realize that we are reading the reflections of a schizophrenic person that finishes by losing the logical word order and whose identity is fragmented until it dissolves itself into the virtual space. ("Literatura digital en español" de Dolores Romero López) (http://www.mcu.es/lectura/pdf/v11_dolores_romero.pdf)

    Maya Zalbidea - 15.06.2014 - 21:17

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