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1. The Wave

   The Wave Electronic Illuminated Hypertext is a multisensory etext derived from a series of new media performances. The work explores and articulates a collection of meditations on myth, metaphor, and digital embodiment.

   An interactive assemblage of images, videodance, sound, animation, iconography, and text, The Wave creates an electronic architecture of hyper-dimensional poetic language. This electronic architecture expands and redefines the dramatic text as a fluid, animated, interactive infrastructure that exists in a liminal hyperspace between text and performance. The work expands and redefines the dance as dynamic, sensate, experiential process of inner transformation integrating the mind, body, and senses in metaphorical movement.

   Scott Rettberg - 29.01.2013 - 05:50

2. Chyphertext Performance

   Chyphertext Performance

   Scott Rettberg - 30.01.2013 - 14:32

3. Grande Enquête

   This webpage has been realised for the festival e-poetry 2007 in collaboration with Delphine Riss. During the festival, the participants were invited to vote at the following question:

   Selon vous, les travaux présentés lors du festival e-poetry 2007 (performances, installations, oeuvres) sont ils des oeuvres de poésie numérique?

   According to you, are the works presented at the e-poetry 2007 festival (performances, installations, piece of works) digital art works of poetry?

   Participants were also invited to add precisions in creating their own buttons where their comments were written on them. Other users could then add weights to these buttons by clicking on them.

   The goal of this project was to materialise the difficulty of defining what is digital art poetry and how it is received. While presenting the problem of the definition, the task was too not be closed up in only one: The different requests, potentially infinite, allowed to visualise a state of the reception of the digital poetry, skewed by our intervention.

   (Source: http://cecilebucher.net/e-poetry/)

   Marthin Frugaard - 11.04.2013 - 11:23

4. SeeVeniceandDie

   Le poème au coeur de SeeVeniceAndDie a été écrit en 2005 pour "L'isola dei Poeti" - événement initié à l'occasion de la 51ème biennale de Venise - par Marco Nereo Rotelli sous le commissariat d'exposition d'Achille Bonito Oliva et Caterina Davinio pour Virtual Island. Ce poème est un genre de sabir ou autrement dit, un pérégrinisme. Mélange de plusieurs langues dans le même discours, SeeVeniceandDie met en scène, en médias, en programmes, ces actes de langages, à travers un automate de synthèse vocale qui lit dans sa langue naturelle, l'anglais et se risque aussi en français et en italien, deux langues qui me sont devenues - à moi - culturellement naturelles. Il a fallu "plier" quelque peu l'orthographe des mots pour faciliter l'interprétation de Vicky, voix synthétique féminine du système OSX, afin de parfaire sa prononciation. S'il a ici [ pour Internet ] la forme d'une vidéo de 8 minutes et 30 secondes, il est en fait un poème variable composé d'un prologue et trois actes, se joue au clavier et souris et répond aux sollicitations des lettres formant le mot "Venise" dans ses trois langues.

   Luc Dall'Armellina - 10.10.2014 - 16:03