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1. Amor de Clarice

   Following Genette's forms of paratextuality, the process of quoting or re-writing in this poem involves a hypotext - the antecedent literary text (Clarice Lispector's "Amor") - and a hypertext, that which imitates the hypotext (the poem "Amor de Clarice"). Both hypotext and hypertext were performed and recorded by Nuno M. Cardoso, and later transcribed within Flash, where the author completed the integration of sound, animation, and interactivity. Following the hypotext/hypertext ontology, there are two different types of poems. In half of them (available from the main menu, on the left), the main poem (the hypertext) appears as animated text that can be clicked and dragged by the reader, with sounds assigned to the words. In these poems, the original text (the hypotext) is also present, as a multilayered, visually appealing, but static background. The sound for these movies was created by Carlos Morgado using recordings with readings of the poem.

   Scott Rettberg - 15.04.2011 - 12:04

2. eye in the making

   Eye in the Making consists of 3 clusters of texts.  The user interacts with image and text, expand the texts to develop readings.

   The user creates contexts and variations in readings depending on how much or little the texts are expanded, from where they are expanded, and the order in which the reader opens up the text.  This is furthered by a tension between the spatial arrangements and chronological expansion of the texts, along with the sounds accompanying the user's interaction with the text.

   Start by clicking on the moving image, and follow the texts, clicking certain words to produce more.  Click on the moving image once more to move on to the next section.

   Source: author's abstract

   Scott Rettberg - 07.01.2013 - 16:05